Altri libri che potrebbero interessarti

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  You need to hear this -...

  Anastasia Washington

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   Anastasia grew up in a weird mix of chaos. As a Bi-Racial child, she experienced the truths of the world in a very fast and open, and sometimes aggressive, way. That’s how she became an actress and comedian, learning quickly that to entertain is an easy way to deliver messages and to make people laugh is good for the soul and great way to break up the chaos. Nobody can stay mad while chuckling. Try it. I’ll wait. See?! Anastasia has lived by this philosophy. With honesty and love and bit of humor she tells you hard truths and teaches you how to be your own best friend in this Self-help essay book. It includes things like Cake Wednesday to celebrate life’s wins every week. And Days of yes, because everyone should have days where they don’t hear no, and so much more. So take a seat because You need to hear this!

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  Movies under the Influence

  Jocelyn Szczepaniak-Gillece

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  Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power. 
   
   
   
  Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity, presenting themselves as both a place of wholesome entertainment and a zone of illicit behavior. Movies under the Influence highlights the legislative, legal, and corporate powers that held sway over theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control. 
   
   
   
  As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. This book examines the relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and provides a new angle from which to understand cinema's lasting role in evolving American culture.

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  A Classic Interview with Rock...

  John Lennon

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  John Winston Lennon (October 9, 1940 - December 8, 1980) was an English singer, songwriter and musician. He gained worldwide fame as the founder, co-lead vocalist and rhythm guitarist of the Beatles. His works included music, writing, drawings, and films. His songwriting partnership with Paul McCartney remains the most successful in history as the primary songwriters of the Beatles. The following recording is from a 1975 interview.

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  Supes Ain't Always Heroes -...

  Matthew Snyder, Lynn S. Zubernis

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  Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' cocreator and the actors behind Soldier Boy and Stormfront. 
   
   
   
  Supes Ain't Always Heroes offers a fresh look at The Boys, delving into the show's unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more: 
   
   
   
  ● The true difference between Homelander and Billy Butcher—and who the show's biggest villain really is 
   
   
   
  ● What Soldier Boy's characterization says about how we define masculinity 
   
   
   
  ● How today's media landscape has contributed to The Boys' success 
   
   
   
  ● What the evolutions of Hughie, Starlight, A-Train, Mother's Milk, and other show standouts reflect about addiction, family, identity, and self-acceptance 
   
   
   
  PLUS: Exclusive interviews with The Boys comics cocreator Darick Robertson and actors Jensen Ackles, Jim Beaver, Aya Cash, and Nathan Mitchell provide a unique glimpse behind the scenes. Comments from editor interviews with more of the show's stars give further insight into their experiences in bringing these complex characters to life.

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  Letters to Gwen John

  Celia Paul

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  Celia Paul's Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John's reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John's life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public's reception of their work. 
   
   
   
  Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters, and a writer/artist's daybook, describing Paul's first exhibitions in America, her search for new forms, her husband's diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life. 
   
   
   
  Contains mature themes.

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  Sound N’ Fury - Rock N’ Roll...

  Alan Niven

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  Most rock ’n’ roll books are a bore. They all have the same narrative arc and are aimed at the dwindling following that now follows an artist that has long passed their AARP date. 
  		 
  Sound N’ Fury does not have a story arc. It is a collection of anecdotes, like a record comprised of various tracks — each one has its point and purpose. Alan Niven, who guided Guns N’ Roses from the gutter of Los Angeles to Wembley Stadium, shares stories from his remarkable life as a manager with an immediacy delivered by an extraordinary recall of dialogue. Readers will encounter not just Guns N’ Roses (who have sold almost 10 million tickets to their shows) but The Rolling Stones, Aerosmith, Clarence Clemons, Whitesnake, Elton John, and others who came from humble origins and experienced fame known only to few. Small-town minds collided with worldwide adulation, expectations, and demands. The results are amusing, affirming, and, predictably, disastrous. Keep in mind that rock ’n’ roll is God’s occupation for the unemployable.
  		 
  Written with a crisp and fluid style, the magnificence and idiocy of the music world will dance off the pages and engross even those who are not rock fans.

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