Casa editrice: Ando Music Publishing
Body Trip is a piece that has its own requirements. A varied basis for both actors, because of the interaction of the voices. While one side is maintaining the basis in form of a swing pattern, the other one is soloing over it. There are also rhythmic gimmicks of jazz in 3/4 and 4/4 time, which ends with a trip to samba.
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences. Between 1905 and 1907, Picasso entered a new phase, called “Rose Period” characterised by a more cheerful style with orange and pink colours. In Gosol, in the summer of 1906 the nude female form assumed an extraordinary importance for Picasso; he equated a depersonalised, aboriginal, simple nakedness with the concept of “woman”...Mostra libro
“For decades, Black women have taken on pioneering management roles in television newsrooms across the country. The women were, and still are, bold, brave and unwilling to yield to the status quo. Dr. Ava Thompson Greenwell opens the door to the ugliness of racial animus that greeted them as they climbed the ranks. In raw, soul-baring interviews Dr. Greenwell documents the toll racism and gender bias have taken on their professional and personal lives and she documents these women’s strategies to overcome while demanding that their voices and lived experiences be more fairly represented in news coverage.” Lyne Pitts, former NBC News Vice President, former CBS News Executive Producer “Dr. Greenwell’s labor of love, Ladies Leading: The Black Women Who Control Television News reveals how the tentacles of White Supremacy operate in newsroom culture. She highlights the continued struggle and triumphs of Black women leaders of journalism in newsrooms across the country. She tells us how Black women news managers are most vulnerable and courageous in their fight to include marginalized perspectives of news and information. This book is important, timely, and critical for anyone who wants to better understand Black women’s contributions to the journalism profession from Ida B. Wells and other leading journalists of her time, to the present.” Dr. Libby Lewis, Professor of Media Studies, Communications, Sociology, Gender and Sexuality Studies, and Pan African Studies at California State University, Los Angeles and author of The Myth of Post-Racialism in Television News (© 2016)Mostra libro
A look at the wide-ranging work of the Golden Age genius who made The Ten Commandments and other blockbusters—and helped found the American film industry. Cecil B. DeMille’s Hollywood is a detailed and definitive chronicle of the director’s screen work that changed the course of film history—and a fascinating look at how movies were actually made in Hollywood’s Golden Age. Drawing extensively on DeMille’s personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille’s legendary persona. In his forty-five-year career DeMille’s box-office record was unsurpassed, and his swaggering style established the public image for movie directors. He had a profound impact on the way movies tell stories, and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic “chamber dramas,” and a series of daring and highly influential social comedies—while setting the standard for Hollywood filmmakers and demanding absolute devotion to his creative vision from his writers, artists, actors, and technicians. “Far and away the best film book published so far this year.” —National Board of ReviewMostra libro
Journey deeper into the magical world of the hobbit, Bilbo Baggins, through exclusive interviews with director Peter Jackson, Martin Freeman, Orlando Bloom and principal filmmakers and new cast members, including Stephen Fry as the Master of Lake-town, Evangeline Lilly, who plays Tauriel the Elf, and Benedict Cumberbatch, who reveals film-making secrets about playing the dragon, Smaug.Richly illustrated with a treasure trove of behind-the-scenes photos of the actors, creatures and costumes, and numerous special effects scenes, this essential guide is an indispensable companion to the second film in the award-winning trilogy.Mostra libro
Nicole Blaine, a thirty-something mother of two, follows her dream of being a stand-up comedian…by turning her daily motherhood fails into comedy bits on the stage. In this original stand-up comedy special, Nicole Blaine bribes her own real-life-children and husband to play the parts that they inspired for her jokes. They all suck so she has great material. After all, Life's a Bit*%Mostra libro
Contemporary art has never been so popular—but the art world is changing. In a landscape of increasing globalization there is growing interest in questions over the nature of contemporary art today, and the identity of who is controlling its future. In the midst of this, contemporary art continues to be a realm of freedom where artists shock, break taboos, flout generally received ideas, and switch between confronting viewers with works of great emotional profundity and jaw-dropping triviality.In this Very Short Introduction Julian Stallabrass gives a clear view on the diverse and rapidly moving scene of contemporary art. Exploring art's striking globalization from the 1990s onwards, he analyzes how new regions and nations, such as China, have leapt into astonishing prominence, over-turning the old Euro-American dominance on aesthetics. Showing how contemporary art has drawn closer to fashion and the luxury goods market as artists have become accomplished marketers of their work, Stallabrass discusses the reinvention of artists as brands. This new edition also considers how once powerful art criticism has mutated into a critical and performative writing at which many artists excel.Mostra libro
