Altri libri che potrebbero interessarti

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  The Poetry of Ben Jonson - Poems...

  Ben Jonson

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  Benjamin "Ben" Jonson was born in June, 1572. A contemporary of William Shakespeare, he is best known for his satirical plays; Volpone, The Alchemist, and Bartholomew Fair, and his equally accomplished lyric poems.  
  A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets. 
  In 1616 Jonson was appointed by King James I to receive a yearly pension of £60 to become what is now recognised as the post of the first official Poet Laureate.    
  He died on the 6th of August, 1637 at Westminster and is buried in the north aisle of the nave at Westminster Abbey. 
  A master of both playwriting and poetry his reputation continues to endure and reach a new audience with each succeeding generation. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Moon That Turns You Back -...

  Hala Alyan

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  From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war.  
  A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement. 
  These poems take stock of who and what can displace you from home and from your own body—and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

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  The Poetry of Suicide - Pure...

  Abraham Lincoln, Samuel Taylor...

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  Life has the capacity of great moments and attainment, of lives well-lived, both fulfilling for ourselves and those around us.  But for others life is arduous, there is no spark to ignite the curiosity, to explore a stability and a growth for their lives.   
  Indeed, their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. 
  Seismic events in their lives might crush them.  The loss of a loved one for instance.  Coping is difficult, support is hard to find, and isolation abounds.  We never really know the reason, or the motivation, but one final, dreadful way out is the solution. 
  In this volume our authors explore stories that help us understand and recognise a tragic circumstance.

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  Faust

  Johann Wolfgang von Goethe

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  Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are not entirely clear. Urfaust has twenty-two scenes, one in prose, two largely prose and the remaining 1,441 lines in rhymed verse. The manuscript is lost, but a copy was discovered in 1886.The first appearance of the work in print was Faust, a Fragment, published in 1790. Goethe completed a preliminary version of what is now known as Part One in 1806. Its publication in 1808 was followed by the revised 1828–29 edition, the last to be edited by Goethe himself.Goethe finished writing Faust Part Two in 1831; it was published posthumously the following year. In contrast to Faust Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe's last years.

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  The Flowers of Evil

  Charles Baudelaire

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  Loneliness, temptation, the fragility of man in a soulless new age . . . The controversial, banned masterpiece from the nineteenth-century French poet.   Sparking scandal in France, declared “an outrage to public morals” and “an offense to religious morals” by the Ministry of the Interior, The Flowers of Evil plunged Charles Baudelaire into a controversy that his public image never quite overcame. Nevertheless, the collection has since been lauded as a landmark in literary history and its writer extolled as the first modern poet.   With themes of love, world-weariness, beauty, and death, The Flowers of Evil juxtaposes the sublime with the commonplace. In the section titled “Parisian Scenes” are some of Baudelaire’s greatest poems—“The Swan,” “The Little Old Women,” and “The Seven Old Men”—which give readers an unsentimental view of the City of Light and of a bleak urban existence. As the Wall Street Journal proclaimed, “There is a sense in these angry, eructating late fragments of a man fully releasing himself to what he called ‘the joy of downward descent.’ And where Baudelaire went, modernity tended to follow.”  “The essence of a genius.” —The Guardian  “The profound originality of Charles Baudelaire is to represent powerfully and essentially modern man.” —Paul Verlaine

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  The Beautiful Future is Coming

  Flora Wilson Brown

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  'Can you feel it? Something is hanging in the balance – ready to fall.'
  1856. New York. Eunice sits in what will become Central Park, and wonders if her research into CO2 is telling her something is going horribly wrong.
  
  2027. London. Claire falls in love as the heatwave breaks, and the streets begin to flood.
  
  2100. Svalbard. While an 86-day storm rages outside, Ana hears a baby crying in the seed vault.
  The world is ending, sure. But what happens in between?
  A fast-paced, funny and wildly inventive play, Flora Wilson Brown's The Beautiful Future is Coming looks at two hundred and fifty years of real and imagined history through the eyes of three couples. First performed at Jermyn Street Theatre, London, in 2024, this edition was published alongside a new production at Bristol Old Vic in 2025, directed by the theatre's Artistic Director Nancy Medina.

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