Altri libri che potrebbero interessarti

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  The Tradition - A New History of...

  Peter Lord

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  Peter Lord, considered to be the greatest living scholar on Welsh visual art and culture, surveys the evolution of the visual culture of Wales from the Renaissance to the end of the twentieth century in this new, single-volume history. Written for everyone with an interest in the art and history of Wales, the volume illustrates some 400 landscapes and portrait paintings, prints and sculptures from artists such as Augustus John, Ceri Richards, Christopher Williams and many more. The author describes both how the work emerged from its Welsh historical context and was related to the art of other cultures. Revealing the many discoveries made since its first publication of the Visual Culture of Wales series in 1998, The Tradition is the only study now in print that encompasses the whole field of Welsh visual art. It is published with the support of the National Museum of Wales, The Paul Mellon Foundation, the National Library of Wales, the Marc Fitch Fund, Swansea University and the Welsh Book Council.
  Includes new and expanded material not originally featured within Lord's Visual Culture of Wales series.

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  Comic Sans - The Biography of a...

  Simon Garfield

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  A compact and charming history of the font we love to hate by the New York Times bestselling author of Just My Type. 
   
   
   
  Since its improvised creation at Microsoft in the mid-1990s, Comic Sans has become one of the most used and talked-about typefaces of the digital age. The subject of April Fools pranks and endless internet discourse, it has spawned a movement to ban it, inspired revivals and spinoffs, and continues to be widely promoted by educators. In this delightful history, bestselling author Simon Garfield tells the story of how Comic Sans emerged from speech bubbles on educational software to become one of the most recognized—and reviled—typefaces on earth. He considers how the computer transformed type into something that anyone could use and have an opinion on, explores how new fonts emerge with changing times and technology, and meets die-hard Comic Sans adherents and haters. He concludes the book by asking the unimaginable: Could Comic Sans now be the coolest typeface ever made?

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  British Cinema - A Very Short...

  Charles Barr

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  Cinema has had a hugely influential role on global culture in the twentieth century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial—often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. 
   
   
   
  In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the twentieth century. Considering British cinema in the wake of one of the most familiar of cinematic reference points—Alfred Hitchcock—Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language.

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  Now Go - On Grief and Studio Ghibli

  Karl Thomas Smith

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  Grief is all around us. Even at the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss – of innocence and love, of the world itself and our connection to it. Whether facing the realities of death, the small and continual losses we encounter through our daily lives, or the anticipatory grief of the environment's ongoing decline, each has a distinct presence in these beloved films, with their own lesson to hold close in our lives, and comfort to be found.
  Now Go enters the emotional waters to interrogate not only how Studio Ghibli navigates grief, but how that informs our own understanding of its manifold faces. Touching on some of the cornerstone films and characters — from My Neighbor Totoro, Spirited Away and beyond — and their intersections with his own life, the broader spectrum of loss, and how we can move forward, Smith invites us to consider how these beacons of joy offer us a winking light in the darkness.
  (Please note this title is unaffiliated with Studio Ghibli.)

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  The Band - Pioneers of Americana...

  Craig Harris

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  Includes previously unpublished interviews and photos: “His research is extensive, but the overall pace through these two hundred pages is breezy and entertaining.” —Vintage Rock   At a time when acid rock and heavy metal dominated popular music, The Band rebelled against the rebellion with tight ensemble arrangements, masterful musicianship, highly literate lyrics, and a respect for the musical traditions of the American South. Comprised of Canadians Robbie Robertson, Rick Danko, Richard Manuel, and Garth Hudson, and Arkansas-born Levon Helm, The Band sparked a new appreciation for America’s musical roots, fusing R&B, jump blues, country, folk, boogie-woogie, swing, Cajun, New Orleans-style jazz, and rock, and setting the foundations for the Americana that would take hold thirty years later.   The Band: Pioneers of Americana Music explores the diverse influences on the quintet’s music, and the impact that their music had in turn on contemporary music and American society. Through previously unpublished interviews with Robbie Robertson, Eric Andersen, Pete Seeger, and the late Rick Danko, as well as numerous other sources, Craig Harris surveys The Band’s musical journey from sidemen for, among others, Ronnie Hawkins and Bob Dylan to rock legends in their own right.    Touching on the evolution of rock and roll, the electrifying of folk music, unionism, the Civil Rights Movement, changes in radio formatting, shifting perceptions of the American South, and the commercializing of the counterculture, as well as drug dependency, alcoholism, suicide, greed, and the struggle against cancer, Harris takes readers from The Band’s groundbreaking albums, Music from Big Pink and The Band, through their final releases and solo recordings, as well as their historic appearances at Woodstock, the Isle of Wight Festival (with Dylan), Watkins Glen (with the Allman Brothers Band and the Grateful Dead), and the filmed final concert known as the Last Waltz (with an all-star cast). Sixteen previously unpublished photographs, by the author, are included.

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  Braveheart - The Ultimate Trivia...

  Film Trivia Metaverse

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  BRAVEHEART 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY MEL GIBSON 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  "Braveheart" is an epic historical drama set in 13th-century Scotland, directed by and starring Mel Gibson. The film follows William Wallace, a common man who leads a revolt against the oppressive rule of King Edward I of England. After the brutal execution of his wife, Wallace embarks on a journey to unite the Scottish clans in their fight for freedom. The film explores themes of liberty, sacrifice, and leadership, focusing on Wallace’s personal journey and the broader struggle for independence. With intense battle sequences and emotional depth, "Braveheart" highlights the cost of fighting for justice. 
    
  TRIVIA SAMPLES: 
    
  “Mel Gibson initially rejected the role of William Wallace, believing he was too old. However, Paramount Pictures insisted on casting him, so Gibson eventually accepted.” 
    
  “When a local asked why the Battle of Stirling Bridge was filmed on an open plain instead of the actual bridge, Gibson humorously responded that "the bridge got in the way." The local retorted, "Aye, that's what the English found." 
    
  “One of the film's extras mistook one of Mel Gibson's children for an errand boy and asked him to fetch tea. Gibson overheard and whispered to his son, "Go get it." 
    
  “In an interview in 2009, Mel Gibson acknowledged that the film was heavily fictionalized but defended the changes as necessary for dramatic effect. He also mentioned that he felt at least a decade too old to play Wallace.”

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