Otros libros que te pueden interesar

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  King Cal

  Peter McDade

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  In the course of one ordinary day, Atlanta fast food worker Calvin loses his girlfriend, his band and his best friend. Suddenly, everything he had planned to spend the rest of his life doing seems to have flown away. 
  Told with insight, sensitivity and deep respect for what it takes to make a life in music, King Cal is a coming-of-age novel about a determined young man who starts with little, aims to earn a little more and has to decide whether success, or even clinging to his dream, is worth the sacrifice. 
  “King Cal is a glorious and gripping story of the early days of a musician's life: that uncertain, chaotic time when a young dreamer begins to transform into an artist. I have never read a more accurate or emotionally affecting portrayal of that transformation. Warmth, humor, sadness, grime, joy, feeling broken, being broke — they’re all in the mix. 
  Having lived through my own musical coming-of-age, I’m often dismayed by just how wrong most music-themed books get it. Not King Cal. This is one of the few novels about music that has felt utterly real to me. As the book wound its way to a deeply moving end, I was both desperately hoping that it would all work out for Calvin and at the same time thanking Pete McDade for getting it so right.” 
  —Dan Wilson, singer (Semisonic), songwriter ("Closing Time," "Not Ready to Make Nice," "Someone Like You"), Grammy-winner 
  "When I am asked by parents of kids who are considering a life in popular music if I would recommend that path, I say that if their child can even imagine doing anything else with their life, they should do that. But if the kid can't conceive of any future but music, I urge them to offer encouragement. Now I can just tell them to read this book." 
  —Elliot Easton, lead guitarist for the Cars and a member of the Rock and Roll Hall of Fame

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  The Cherry Orchard

  Anton Chekhov

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  The Cherry Orchard is Russian playwright Anton Chekhov's last play. It premiered at the Moscow Art Theatre 17 January 1904 in a production directed by Constantin Stanislavski. Chekhov intended this play as a comedy and it does contain some elements of farce; however, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of this play. 
   
  The play concerns an aristocratic Russian woman and her family as they return to the family's estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. The story presents themes of cultural futility — both the futility of the aristocracy to maintain its status and the futility of the bourgeoisie to find meaning in its new-found materialism. In reflecting the socio-economic forces at work in Russia at the turn of the 20th century, including the rise of the middle class after the abolition of serfdom in the mid-19th century and the sinking of the aristocracy, the play reflects forces at work around the globe in that period. 
  (Summary from Wikipedia, edited by Elizabeth Klett)Cast: 
  Mme. Ranevsky: Ruth GoldingAnya: Arielle LipshawVarya: Elizabeth KlettGaev: Lars RolanderLopakhin: Andy MinterTrofimov: mbSimeonov-Pischin: Denny SayersCharlotta: Anna SimonEpikhodov: hefydDunyasha: Tricia GFiers: om123Yasha: Kim StichTramp: Musicalheart1Narrator: David LawrenceAudio edited by: Elizabeth Klett

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  Children's Classics in Dramatic...

  Augusta Stevenson

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  This is a collection of short stories by the Brothers Grimm, Aesop, Anderson, and more authors, turned into short children's plays by Augusta Stevenson. This collection has seventeen plays in which characters come together and form a classic children's story. (Summary by francesb) Cast list:mepreckel, Shakira, Onlam, silverquill, GardenerOfStars, LydiaCW, possum2364, ToddHW, Margaret, TriciaG,  hallejk, HughGil, abendlied, jerrica, etel13, WoollyBee, Little_Tee, m8b1, aradlaw, arnaldo4455, MrsHand, Janet99, kcotter13, JoFriday21, jessieyun0404, Savvy0712, RosslynCarlyle Edited by: Michele Eaton, Maria Therese and David Olson

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  Van halen's voices: - tonechaser...

  Steven Rosen

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  Van Halen's Voices is the second in a series of audiobooks based around the hardback book Tonechaser - Understanding Edward: My 26-Year Journey with Edward Van Halen. Included in this extraordinary audio are rare interviews from author Steve Rosen's personal archives. Interviews include: 
  Alex Van Halen 
  David Lee Roth 
  Michael Anthony 
  Gary Cherone 
  Sammy Hagar 
  Kevan Hill (Edward's boyhood friend and a member of the Broken Combs) 
  Wayne Charvel (founder of Charvel Guitars) 
  Rudy Leiren (Edward's first guitar tech) 
  Zeke Clark (Edward's guitar tech during the mid-1980s) 
  And many other incredible interviews...

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  Mozart in Italy - Coming of Age...

  Jane Glover

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  'You don’t have to be able to hum Mozart to find this book utterly engrossing . . . I couldn’t put it down' - Joanna LumleyAn expertly researched and vividly written account of Mozart’s formative trips to Italy. At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover.Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivalesque birthplace of public opera. All the while Mozart was absorbing Italian culture, language, style and art, and honed his craft. He met the challenge of writing Italian opera for Italian singers and audiences and provoked a variety of responses, from triumph and admiration to intrigue and hostility: in a way, these Italian years can be seen as a microcosm of his whole life.Evocative, beautifully written and with a profound understanding of eighteenth-century classical music, Mozart in Italy reveals how what he experienced during these Italian journeys changed Mozart – and his music – for ever.

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  Heaviness in Metal Music

  Stephen S. Hudson

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  Metal music is heavy, but what does that mean? Heaviness is not just a timbre or quality of sound-it's an experience of impact that listeners help create. This book combines methodologies from musicology, music theory, cognitive science, and performance studies to define heaviness as a cross-sensory experience and aesthetic practice. Heaviness is shaped by what we do when we listen, how we think about metal music, and how we relate to the people who make and listen to it.Despite metal's historical narrative of "leaving the blues behind," many aspects of the genre perpetuate legacies of blues' musical style and highly racialized reception—including headbanging—and metal's ideologies and aesthetics of oppositional authenticity, loudness, heaviness, and extremity.Musicians and listeners navigate their own way through this landscape of legacies, re-enacting the genre's ideologies and musical structures through their own headbanging and moshing. Metal musicians perpetuate the genre's norms and practices, which in turn provide a framework for the creation and distinction of new metal styles and experiences. Heaviness in Metal concludes that longstanding restrictions about who and what count as metal have begun to loosen, expanding the scope of what heaviness can mean, and to whom.

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