Altri libri che potrebbero interessarti

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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  Tripas - Poems

  Brandon Som

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  WINNER OF THE 2024 PULITZER PRIZE IN POETRYFinalist for the 2023 National Book Award for PoetryWith Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise―one attuned to the echo in the hecho, the oracle in the órale.

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  Sky wri tei ngs

  Nasser Hussain

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  Poems written only from three-letter airport codes demand a new kind of passport. Every major airport has a three-letter code from the International Air Transport Association. In perhaps history's greatest-ever feat of armchair travel, Nasser Hussain has written a collection of poetry entirely from those codes. In a dazzling aeronautic feat of constraint-based writing, SKY WRI TEI NGS explores the relationship between language and place in a global context. Watch as words jet-set across the map, leaving a poetic flight path. See letters take flight (and leave their baggage behind).

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  This is not a poem

  L. A. Cunningham

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  This is not a poem. 
  It's barely even a book. 
  It's one page making fun of poems that aren't poems. 
  And now it’s a 42-second audiobook too! Perfect for those long road trips and the busy individual with no time to sit down with a book.

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  Hope Beauty and Friendship

  John Angus Walker-Smith

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  This selection of poems by a new author was triggered by the tragic death of his 28-year-old daughter. So the collection begins with loss and the aftermath of loss: the hope of the author that his daughter and he may be reunited in the life to come. This hope underlies many of the poems. This is clearly articulated in ‘Osler and Son’, where a father grieves for loss of his son in World War I but in a stoical, unexpressed manner. 
  The author records his childhood experience of emotions being held back in ‘Boys Don’t Cry John’. While some poems look back, most are contemporary, such as those inspired by the lockdown and the Ukraine War. 
  The author advocates expression of feelings. This is powerfully expressed in relation to his experience of Friendship, both past and present. Transcendental beauty is a theme in the metaphysical poems ‘The Colour Blue’ and ‘Roman Glass’. 
  However, each poem is unique. Many of them speak from the heart and have an emotional impact. The author hopes that these will resonate with readers.

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  Perve

  Stacey Gregg

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  An irreverent and unsettling play that interrogates paranoia, ambiguity and innocence in our highly sexualised world.
  Gethin has just finished his film course and reckons he's the next Scorsese. His mum is on at him to do her friend's wedding video - before the couple get divorced!
  But Gethin is interested in a much more daring project - one that will get him into dangerously deep water, question his idealism and turn his life and that of his family upside down.
  Stacey Gregg's play Perve was first staged at the Abbey Theatre, Dublin, in 2011.

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