Altri libri che potrebbero interessarti

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  On to Stalingrad - Operation...

  Horst Scheibert

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  The first English translation of a German account of the attempt to relieve the Nazis’ Sixth Army at Stalingrad during World War II. In late November 1942, Soviet forces surrounded General Friedrich Paulus’ Sixth Army in a pocket at the Russian city of Stalingrad. In response the Germans planned a relief operation, Operation Winter Thunderstorm, intended to break through the Soviet forces and open the pocket, releasing the encircled units. The 6th Panzer Division was the spearhead of the German relief force. The attack started on 12 December 1942 and was aborted on 23 December after heavy Soviet counterattacks. This failure sealed the fate of the German Sixth Army in Stalingrad. This account of the operation was first published in German in 1956, written by the well-respected military historian and retired German officer, Horst Scheibert, who was a tank commander in 6th Panzer Division during the attempt. Utilizing many excerpts from war diaries, and telegrams sent during operations, it is a unique account of the entire operation from the situation in mid-November through the two German offensives, the Soviet counteroffensive, and ongoing fighting until early January. This book includes 16 maps from the original edition and is the first English translation of this important German account.Praise for On to Stalingrad “Rich and detailed like very few of its kind are, with a crisp writing style and critical eye for the events of the battlefield that almost makes you feel as if you were there with Sixth Panzer. On to Stalingrad is a book so compelling that it simply should not be overlooked for your personal and professional enjoyment.” —ARMOR Magazine “Offers a unique viewpoint from an actual veteran who is able to provide an immediate military analysis of this mostly forgotten operation of the Stalingrad campaign.” —New York Journal of Books

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  Long Going

  Sophie Calon

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  "A moving and thought-provoking account of an impossible situation."  Louis de Bernières, author of Captain Corelli's Mandolin
  At 50, Sophie Calon's father was a high-flying lawyer. At 55, he was found dead in Cardiff city centre at Christmas. Meanwhile he had pinballed between tents, homeless shelters, and prison cells. His story is a lesson in how alcoholism can consume a person – and a family.
  Long Going is a powerful, unflinching memoir that sings with Calon's love for her eccentric, witty father while recounting his drink-fuelled disintegration. In telling his story, Calon explores her family's instability and pain as well as her own survival.
  "This portrait pulls no punches… profoundly life-affirming. Everyone who has an alcoholic in the family should read this book for its compassionate awareness of the damage and chaos caused by addiction, while never forgetting the humanity of the person caught in that trap. A wonderful book." Gwyneth Lewis, author of Nightshade Mother
  "Hugely impacting and searingly honest, Sophie Calon's work is a powerful piece of memoir: bold, bruising and yet beautiful." James Canton, author of Grounded
  "Sophie Calon's writing is deeply real and moving – she is a talent to watch." Jessica Andrews, author of Milk Teeth
  "Searing and poetic, Sophie Calon's prose sparkles in this elegiac, gripping memoir. Draws you in and takes you on a journey. Calon is an immensely readable writer to watch." Maeve McClenaghan, author of No Fixed Abode

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  Orphans of Bliss - Tales of...

  Josh Malerman, S A Cosby,...

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  "Triumphant!"—THE LIBRARY JOURNAL, Starred Review 
  "Visceral, cutting" —BOOKLIST, Starred Review 
  "Powerhouse anthology" —Publishers Weekly 
  —Includes the Bram Stoker Award Nominated story:  
  Through the Looking Glass and Straight Into Hell, by Christa Carmen 
  Addiction is the perpetual epidemic, where swarms of human moths flutter to the flames of hell. Because that warm blanket of a heroin high, that joyful intoxication of a pint of vodka, that electric energy from a line of cocaine, over time leaves you with a cold loneliness and a bitter heart. Relationships destroyed, bodies deteriorate, loved ones lost, yet the craving continues for that which is killing us—living, as the title suggests, like an Orphan of Bliss. 
  Welcome to the third and final fix of addiction horror and the follow up to the Shirley Jackson Award Finalist, Lullabies For Suffering. A diverse table of contents brought together for an explosive grand finale-an unflinching look at the insidious nature of addiction, told with searing honesty but compassion for those who suffer.

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  Gaslight Days: Book 1 - From...

  Edward Forde Hickey

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  A chance to delve into the minds of children and adults among the ruined streets of post-war London. The streets were our playground with not a car in sight, where we played all day. 
  On Sundays, bugle boy bands marched past us and in the evening the military band raised our spirits. 
  Life was never dull. Our parents took us to the zoo and for boat rides on the Serpentine.

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  Balkan Bombshells - Contemporary...

  Will Firth

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  A collection to whet the appetite of anyone wishing to learn more about a region rich in history, folklore and (her)stories. Telling it like a woman does not mean literature for women only: it provides an insight into half of humanity, a window onto the lives of citizens who work, love and develop their inner lives. This collection brings together the voices of a wide selection of prize-winning and established authors:
  Balkan Bombshells brings together established Serbian and Montenegrin writers like Svetlana Slapšak, Jelena Lengold (winner of the EU Prize for Literature 2013), Dana Todorović and Olja Kneżević (author of Catherine the Great and the Small, Istros 2020), together with a select group of up-coming writers: Marijana Čanak (1982, Serbia): "Awakened" (Probuđena) follows the early years of a girl from a very simple background, who discovers she has extrasensory powers. A gruesome fascination with biology allows her to attend high school, where she ends up sewing a voodoo doll to take revenge on a molesting teacher. Marijana Dolić (1990, Bosnia-Herzegovina & Serbia): "Notes from the attic" (Zapisi iz potkrovlja), originally diary entries, are intense mediatations on faith, love and hope – poignant testimony to a struggle to cope in difficult times. Ana Miloš (1992, Serbia): "Peace" (Mir) portrays a woman struggling with disparate feelings after her only child dies. She has long since broken up with the child's father. She enjoys finally having time for herself, but she has to confront accusations of people around her that she is heartless. Once a mother, always a mother? Katarina Mitrović (1991, Serbia):"Small death" (Mala smrt). We are introduced to a fearful young woman who is far from happy with life, and we follow her on a summer holiday by the Adriatic, where a halfhearted romantic adventure takes a scary turn. Andrea Popov Miletić (1985, Serbia):|: excerpt from the novel Young pioneers, we are seaweed (Pioniri maleni, mi smo morska trava; 2019). This stand-alone excerpt is a poetic flashback to her childhood in the province of Vojvodina in the Yugoslav era, to holidays by the Mediterranean, and to feelings of belonging and home. Lena Ruth Stefanović (1970, Sebria/ Montenegro): "Zhenya" is a fragment from her 2016 novel Daughter of the Childless Man (Šćer onoga bez đece), is an entertaining meta-story about an ordinary woman in the late Soviet Union, whom the author decides to grant a new lease of life, so Zhenya studies languages, becomes a mondain writer and moves with her new husband to Montenegro, where the author loses track of her.

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  The Law of Life

  Jack London

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  "The Law of Life" is a short story by the American naturalist writer Jack London. It was first published in McClure's Magazine, Vol.16, March, 1901. In 1902, it was published in a collection of Jack London's stories, The Children of Frost, by Macmillan Publishers.
  This short story covers the last 5 hours of the old and dying Inuit chief Koskoosh. His tribe needs to travel in search of clothing and shelter so he is left to die because of his age and inability to see properly. Even his son has to leave him because he has a new family to feed and take care of.
  However, the old Koskoosh is not dissatisfied as he knows the law of life and his desires. He accepts his fate peacefully and starts to visualize the events of his past. The images of both great famine and times of plenty vividly comes to his mind. As an experienced person he contemplates nature and ultimately accepts its individualism.

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