Casa editrice: AB Books
The Vicomte of Bragelonne: Ten Years Later (Le Vicomte de Bragelonne ou Dix ans plus tard) is a novel by Alexandre Dumas, père. It is the third and last of the d'Artagnan Romances following The Three Musketeers and Twenty Years After. It appeared first in serial form between 1847 and 1850. Ten Years Later is the second volume.
An exhilarating and unsentimental exploration of working-class life in Belfast. Development. Hotels, spas, Nando's, boutiques. Belfast is changing, but for some people, progress means new barriers. A group of construction workers is building an extension to the Peace Wall that separates Them-ens from Us-ens. When Polish worker ri's daughter starts having serious problems with her boyfriend, they rally round in support. But good intentions can easily go too far… Shibboleth premiered at the Abbey Theatre, Dublin, as part of the 2015 Dublin Theatre FestivalMostra libro
A thrilling adaptation, by acclaimed poet and playwright Liz Lochhead, that stays refreshingly close to Bram Stoker's classic novel. Asked to adapt it by the Royal Lyceum Theatre, Edinburgh, she immersed herself in the book. 'After a sleepless night,' she writes in the Introduction, 'my hair was standing on end, what with the mad Renfield in his lunatic asylum eating flies and playing John the Baptist to his coming master' and with Lucy's description of her "dream" of flying with the red-eyed one above the lighthouse at Whitby, and Jonathan's "dream" of the three Vampire Brides' advances upon him and of their being repelled at the last minute by the furious Dracula' 'This was before I'd even got to the abducted children or "the loving hand" of Lucy's fiane staking her through the heart' or that shocking rape-like bit where, with Mina's newly-wed husband Jonathan asleep in a flushed stupor by her side, Dracula, at her throat, takes his fill of her life's-blood' 'Still, what really attracted me to the story was Rule One for becoming a vampire-victim: "First of all you have to invite him in."' Ideal for schools and drama groups, this Dracula is all the more chilling for the respect it shows for Stoker's original nightmare creation. Liz Lochhead's version of Dracula premiered at the Royal Lyceum Theatre, Edinburgh, in March 1985. 'Despite remaining faithful to Bram Stoker's original, Lochhead's version grapples with contemporary preoccupations: gender roles, the horrors of the 20th century, the battles between faith and reason, madness and sanity, democracy and aristocracy... an erudite revisiting of a primal myth' The StageMostra libro
Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the Sixties to psychedelic spirituality and beyond. Written over several decades, these poems read as a collage, each piece distinct and contributing to a cohesive lyric narrative.Mostra libro
In many ways the title says it all. Kissing is poetry. The kiss is perhaps the most loving and intimate moment there is. It is amongst our most soothing and treasured memories. And perhaps also our most erotic. This volume is not about the kiss of a mother to her child's scraped knee, or the father to his baby's head as he settles down to sleep. No, when the poets here talk of the kiss, they describe the longing and desire, the want and hunger to be part of something that so connects them to another that it can transcend all manner of reason and decorum. That first kiss can be something so anticipated that it is almost electric. A thousand volt charge of tension and pleasure. It is also addictive. Who has not wanted to kiss on? Who has not kissed some part of a lover that shrugs off convention in the taming of desire? Who has not kissed, or been kissed by surprise, in wonderment or even on a street corner in the squalling rain. The kiss takes us where our dreams want to go. This collection of poems is read for you from the lips of Ghizela Rowe and Tim Graham.Mostra libro
Why is Justice blind? Is she impartial? Or is she blinkered? Friends Ed and Tim take opposing briefs in a rape case. The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged. Consent, Nina Raine's powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.Mostra libro
In the footsteps of Charles Bukowski comes Hosho McCreesh's magnum opus of drunk poetry. Mammoth in size and scope, DrunkSkull books is pleased to release the audiobook version of A Deep & Gorgeous Thirst, a drunken, epic collection about death and love that is unlike any of McCreesh's previous work. "Because writing and drinking go hand in hand, it may seem an impossible challenge for a poet to offer new perspective of this well-worn, symbiotic relationship. But Hosho McCreesh does, and in his brilliant collection “A Deep and Gorgeous Thirst” he uses subject matter that might feel old and tired in the hands of a less capable poet and turns out poem after poem as exciting and irresistible as the first flush of new desire." — Tony O’Neill, author of Black Neon and Sick City “A Deep & Gorgeous Thirst” is a sweeping collection that is, on the surface, about booze and bars and drinking a lot, something the speakers in Hosho’s poems know something about. But what’s beneath the surface is what counts. The people in these sly, funny, often heartbreaking poems know that a bar is never just a bar, a drink is never just a drink. These are poems about being human, the heartbreak and joy and horror of all that. McCreesh – like Joseph Mitchell (see McSorley’s Wonderful Saloon), John Fante (Brotherhood of the Grape), and of course Charles Bukowski – knows that the truth comes up when illusions of control come down. — Lori Jakiela, Portrait of the Artist as a Bingo Worker "A Deep & Gorgeous Thirst is a beautiful book about something we too often see portrayed as the source of all bad luck and trouble. It’s goddamn uplifting. Now, fuck it, I’m going to the bar and I’m bringing these poems with me and I’m letting them sing straight to my drunken heart." — William Boyle, City of Margins and A Friend is a Gift You Give YourselfMostra libro
