Altri libri che potrebbero interessarti

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  So You Want To Do A Solo Show?

  Gareth Armstrong

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  A unique guide to every aspect of putting on your own solo show: choosing the subject, raising the finance, booking the venue - and performing it!
  More and more actors – faced with ever longer periods of unemployment – are turning to the solo show as a way of keeping active, keeping visible, and keeping the wolf from the door! This book is essential reading for anyone contemplating such a move, and comprehensively covers every aspect of putting on your own one-person show.
  Being a veteran of the solo-show circuit, as a writer, performer and director, Gareth Armstrong is the ideal guide. He takes you step by step through each stage of the process:
  Choosing the right material – or devising your own
  Raising the finance
  Finding the venues
  Hiring a bookings manager and other personnel
  Arranging publicity
  Winning an audience
  There is a special section on that mecca for solo shows, the Edinburgh Fringe, and an extensive appendix covering funding bodies, venues, festivals and more. Throughout the book, Armstrong illustrates his points with case studies of actual solo shows by performers such as Miriam Margolyes, Linda Marlowe and Guy Masterson.
  'So You Want To Do A Solo Show? is a thorough, meticulous, hands-on, "how-to-do" manual, covering everything from the germination of an idea right through to the costing of the flyers. It is, I think, the most valuable read for any performer who has ever thought "If only I could have some control over the way my career is going"' Maureen Lipman, from her Foreword

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  The Big Bull -Rakesh Jhunjhunwala

  Aman Redhu

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  438 Rakesh Jhunjhunwala on the 2022 Billionaires - Investor with a Midas touch, Rakesh Jhunjhunwala, who passed away in August 2022, was often referred

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  Art Monsters - Unruly Bodies in...

  Lauren Elkin

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  Coming across the term "art monster" in Jenny Offill's 2014 novel Dept. of Speculation, Lauren Elkin was intrigued. What kinds of connections might there be between art and monstrosity, and how was it different when the artist in question was a woman? 
   
   
   
  Art Monsters is a landmark feminist intervention in the way we think about women's stories and bodies, calling attention to a radical genealogy of feminist art that not only reacts against patriarchy but redefines its own aesthetic aims. Exploring a rich lineage of visual artists, thinkers, and writers, Elkin examines the ways feminists have confronted the problem of how to tell the truth of their experiences as bodies. Queer bodies, sick bodies, raced bodies, female bodies: What are the languages of the body, and what are the materials we need to transcribe them? Above all, how can we use the notion of the feminist "art monster" to shape how we live our lives? 
   
   
   
  Writing in the tradition of Susan Sontag and Maggie Nelson, Elkin demonstrates her power as a cultural critic in this erudite and engaging book. From Kara Walker's silhouettes to Theresa Hak Kyung Cha's trilingual masterpiece Dictee, Art Monsters daringly weaves links between disparate artists and writers, and shows that their work offers a potent defense of beauty and excess, sentiment and touch, ambiguity and opacity.

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  Dancing on My Own - Essays on...

  Simon Wu

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  A Literary Hub Most Noteworthy Nonfiction Book of 2024 • A Brooklyn Rail Best Art Book of 2024 • A The Millions and Hyperallergic Most Anticipated Book of 2024 • A Publishers Weekly Summer Reads Pick 
  ""A book that emerges out of the moment, electric with timely energies.""  –Washington Post 
  “Keen and refreshing.” –Cathy Park Hong 
  ""Genius."" –Claudia Rankine 
  An expansive and deeply personal essay collection which explores the aesthetics of class aspiration, the complications of creating art and fashion, and the limits of identity politics. 
  In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy.      
  Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays. In “A Model Childhood” he catalogs the decades’ worth of clutter in his mother’s suburban garage and its meaning for himself and his family. In “For Everyone,” Wu explores the complicated sensation of the Telfar bag (often referred to as “the Brooklyn Birkin”) and asks whether fashion can truly be revolutionary in a capitalist system—if something can truly be “for everyone” without undercutting someone else. Throughout, Wu centers the sticky vulnerability of living in a body in a world where history is mapped into every choice we make, every party drug we take, and every person we kiss. 
  Wu’s message is that to dance on your own is to move from critique into joy. To approach identity with the utmost sympathy for the kinds of belonging it might promise, and to look beyond it. For readers of Cathy Park Hong and Alexander Chee, Dancing on My Own is a deeply felt and ultimately triumphant anthem about the never-ending journey of discovering oneself, and introduces a brilliant new writer on the rise.

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  Amy Poehler – Summary & Key...

  Vines Graener

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  Amy’s life has been a rollercoaster of highs and lows. She married actor Will Arnett, had two sons, and navigated the pressures of balancing a family and a demanding career. She writes candidly about her time on Saturday Night Live (SNL), her divorce from Will Arnett, and her lessons about life, work, and love. One chapter features Seth Meyers’ account of what happened the weekend her first son, Archie, was born. Another chapter includes a funny letter Amy wrote to herself about the unrealistic expectations she had going into motherhood. 
  Despite her success, Amy has always been a realist. She reflects on mistakes, including a controversial joke she made on SNL about a disabled person. When she realized her error, she made sure to track down the individual and apologize. In doing so, she learned a valuable lesson about compassion, forgiveness, and owning up to your mistakes. 
  Amy’s journey took her from working the comedy circuit in Chicago, New York, and Los Angeles to finding her breakout role as Leslie Knope on Parks and Recreation. Along the way, she met and collaborated with comedy legends like Tina Fey and Seth Meyers, both of whom played key roles in shaping her career.

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  Think Like an Artist - and Lead...

  Will Gompertz

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  How do artists think? Where does their creativity originate? How can we, too, learn to be more creative? BBC arts editor Will Gompertz seeks answers to these questions in his exuberant, intelligent, witty, and thought-provoking style. Think Like an Artist identifies ten key lessons on creativity from artists that range from Caravaggio to Warhol, Da Vinci to Ai Weiwei, and profiles leading contemporary figures in the arts who are putting these skills to use today. 
   
   
   
  After getting up close and personal with some of the world's leading creative thinkers, Gompertz has discovered traits that are common to them all. He outlines basic practices and processes that allow your talents to flourish and enable you to embrace your inner Picasso—no matter what you do for a living. 
   
   
   
  With wisdom, inspiration, and advice from an author named one of the fifty most original thinkers in the world by Creativity magazine, Think Like an Artist is an illuminating view into the habits that make people successful. It's time to get inspired and think like an artist!

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