Altri libri che potrebbero interessarti

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  Two Tales From Lord Dunsany -...

  Lord Dunsany

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  Edward John Moreton Drax Plunkett, 18th Baron of Dunsany, (July 24, 1878 - October 25, 1957), commonly known as Lord Dunsany, was an Anglo-Irish writer and dramatist who published more than 90 books during his lifetime, as well as hundreds of short stories, plays, and essays. He gained a name in the 1910s as a great writer in the English-speaking world. The following recording includes the short stories "The Sword of Welleran" and "Carcassone."

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  Ultor De Lacy: A Legend of...

  Joseph Sheridan Le Fanu

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  "The shadows of Cappercullen hold more than just memories; they hold the restless spirits of those we betrayed."
  
  Returning to the rugged landscape of Munster, Le Fanu weaves a tale of the doomed De Lacy family. Ultor De Lacy, a man whose family was ruined by their loyalty to the lost Jacobite cause, lives a shadow of a life in the decaying Tower of Cappercullen. But the physical ruin of his estate is nothing compared to the spiritual rot within. When his daughters encounter a mysterious and beautiful stranger in the woods, they unknowingly reopen a door to a supernatural debt that has remained unpaid for generations. It is a story where political exile meets ghostly visitation, proving that for the De Lacys, the war never truly ended.
  
  History Haunted by Myth: Le Fanu brilliantly utilizes the real-world tension of the 18th-century Jacobite rebellions to ground his ghost story. The "legend" isn't just a campfire tale; it is a manifestation of the trauma of a defeated aristocracy. The ghosts of Cappercullen are symbols of a bygone era that refuses to die or stay silent.
  
  The "Stranger" in the Woods: A recurring theme in Le Fanu's work is the deceptive nature of the supernatural. The figure who haunts the periphery of the De Lacy estate is both alluring and terrifying, representing the "Otherworld" of Irish folklore. The story explores the vulnerability of innocence when faced with an ancient, calculating evil.
  
  Atmospheric Mastery: From the "death-tick" in the walls to the chilling descriptions of the secret chamber hidden within the tower, Le Fanu builds a sense of mounting dread. Ultor De Lacy is a masterclass in the "liminal" ghost story—where the horror is found in the transition between the historical world we know and the spectral world we fear.
  
  Step into the tower of shadows. Purchase "Ultor De Lacy: A Legend of Cappercullen" today.

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  Young Man on a Bicycle and The...

  Victor Canning

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  Victor Canning’s light-hearted and cleverly plotted novella set on the beautiful French Riviera 
   
  Young Paul Ashcroft has travelled to the beautiful French Riviera. His goal: to make a lot of money. His methods: more than questionable. Following his motto ‘the world owes me a living’, he steals and swindles – using what he needs for himself and passing on the rest to those less fortunate. 
   
  After coming across the beautiful Villa Triton, he disguises himself as M. Durobat, a middle-aged Frenchman, to inspect the villa and to pawn the owner’s ornaments and paintings. At the local Casino, he becomes acquainted with the rich ladies of the resort. As he steals their jewellery, he blames the robberies on 'Gringo the Greek', a small crook he knew a long time ago.  
   
  But just as Paul's schemes and tricks start to be fruitful and he falls in love with the intriguing Elise Benoit, the real Gringo the Greek appears on the scene, ready to take on the cunning thief who has been blaming him all this time… 
  Praise for Victor Canning: 
   
  ‘Quite delightful … with an atmosphere of quiet contentment and humour that cannot fail to charm’ Daily Telegraph 
   
  ‘What counts for most in the story … is his mounting pleasure in vagabondage and the English scene’ The Times 
   
  ‘A paean to the beauties of the English countryside and the lovable oddities of the English character’ New York Times 
   
  ‘His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious’ Daily Telegraph 
   
  ‘A swift-moving novel, joyous, happy and incurably optimistic’ Evening Standard

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  Toba Tek Singh

  Sadat Hasan Manto

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  'Toba Tek Singh' is probably one of the most well known tragic stories about Partition written in 1954, by the legendary storyteller Saadat Hassan Manto. The story is set up around the migration of Hindu and Sikh mental asylum patients in Lahore to India. The main character, Bishan Singh came from a place called - Toba Tek Singh. He wanted to go back there but he finds out that he is being sent to India because of his Sikh identity. His emotional struggle for identity was something that was suffered by millions of partition refugees. This story raised many questions on the definition of sanity and the thin line between the 'mad' and the sane world. 
  
  Though the story and the characters were fictional, the place called Toba Tek Singh still exists. It is a city in Pakistan's Punjab province. A person named Tek Singh used to help travellers and passersby by serving them water from a pond, called toba in Urdu. And that is why the place was named Toba Tek Singh.
  
  Saadat Hasan Manto was among the most famous, provocative, and controversial Urdu writers of the twentieth century. Although the story is fictional, an actual exchange of psychiatric patients between mental hospitals in Lahore and Amritsar took place in 1950.

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  Short Stories by Saki

  Saki Saki

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  Seven of Saki's finest short stories including The Treasure Ship, The Quince Tree and Tobymory

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  The Phantoms of the Fire

  Clark Ashton Smith

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  🎬 Experience the atmospheric visual edition plus narrator intro and outro of this tale by searching 'Jonathan Dunne Horror' on YouTube.  
  Title: The Phantoms of the Fire 
  Series Name: Timeless Terrors 
  Series Entry: 119 
  Author: Clark Ashton Smith 
  Narrator: Jonathan Dunne 
  Original Publication: 1930 
  Public Domain: Yes 
  Description: 
  The Phantoms of the Fire is a haunting tale of cosmic horror and elemental vengeance set in the strange and perilous landscapes of colonial India. 
  The story follows an English forest officer stationed in a remote district, a man of practical temperament and rational mind. Yet amid the oppressive heat and smoldering jungles, he confronts something that defies reason. After a devastating blaze sweeps through the forest under mysterious circumstances, survivors whisper of uncanny shapes moving within the flames — living forms born of fire itself. What begins as rumor soon becomes terrifying reality as the narrator encounters manifestations that seem neither wholly material nor wholly spirit, but something ancient, alien, and inimical to humankind. 
  Clark Ashton Smith weaves lush, atmospheric prose with mounting dread, transforming the natural element of fire into a vehicle for the uncanny. Unlike the visceral physical horror of pulp adventure fiction, this tale burns slowly — suffused with cosmic unease, hallucinatory imagery, and the sense of humanity’s frailty before vast, indifferent forces. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this performance captures the story’s hypnotic atmosphere, mounting unreality, and creeping cosmic dread — bringing Smith’s strange and smoldering vision vividly to life.

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