Publisher: Oregan Publishing
George's Mother is a novel by American novelist Stephen Crane, first published in 1896. The novel relates to Crane's earlier novel Maggie: A Girl of the Streets, as the title character of that work makes a brief appearance.
So much to read, so little time? This brief overview of Lady Almina and the Real Downton Abbey tells you what you need to know—before or after you read the Countess of Carnarvon’s book. Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader. This short summary and analysis of Lady Almina and the Real Downton Abbey: The Lost Legacy of Highclere Castle includes: Historical contextChapter-by-chapter overviewsProfiles of the main charactersDetailed timeline of key eventsImportant quotesFascinating triviaGlossary of termsSupporting material to enhance your understanding of the original work About Lady Almina and the Real Downton Abbey by the Countess of Carnarvon: Lady Almina, the 5th Countess of Carnarvon, was known for throwing fabulous parties at Highclere Castle during the Edwardian era and for turning her home into a hospital for wounded soldiers during World War I. Her biography provides a view of what it was like to live during a time of great joy and of immense sorrow, all in the place that inspired the Emmy Award–winning period drama Downton Abbey. Lady Fiona Carnarvon, the 8th Countess of Carnarvon, knows Highclere Castle—her current residence, which has been in her husband’s family since 1679—better than just about anyone. Drawing from the family’s personal archives of photographs, letters, household records, and journals, Lady Fiona give readers an inside view of the famous English country home and the remarkable woman at the center of it all. The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of nonfiction.Show book
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.Show book
Based on unpublished letters and diaries, The Viceroy's Daughters is a riveting portrait of three spirited and wilful women who were born at the height of British upper-class wealth and privilege.The oldest, Irene, never married but pursued her passion for foxes, alcohol, and married men. The middle, Cimmie, was a Labour Party activist turned Fascist. And Baba, the youngest and most beautiful, possessed an appetite for adultery that was as dangerous as it was outrageous.As the sisters dance, dine, and romance their way through England's most hallowed halls, we get an intimate look at a country clinging to its history in the midst of war and rapid change. We obtain fresh perspectives on such personalities as the Duke and Duchess of Windsor, Oswald Mosley, Nancy Astor and the Cliveden Set, and Lord Halifax. And we discover a world of women, impeccably bred and unabashedly wilful, whose passion and spirit were endlessly fascinating.Show book
Written in the form of a conversation with himself, Michael Frensch addresses and answers essential questions about Valentin Tomberg's individuality, work and impact on the 20th century. This helps to clarify many of the misconceptions and misunderstandings about Tomberg. He starts by describing the life experiences arising from his encounter with the life and the work of Valentin Tomberg and how this shaped his destiny. He recounts the circumstances that led him to translate the Meditations of the Tarot from French into German, and the way this affected his life.Show book
In 1934, after five years travelling the world as a Merchant Seaman, my father, aged 21, enlisted in the British Royal Air Force to escape the Depression. Entering the Marine Branch, he swapped big ships for small fast boats - Seaplane Tenders, Armoured Target Boats and High Speed Launches. In 1940, when the Air Sea Rescue service was formed, he joined the crew of High Speed Launch 102 (now fully restored and based at Portsmouth) as a Coxswain, stationed at Blyth. Three busy years on the "Spitfires of the Sea" followed, before his leg was "smashed" in heavy seas. On recovery, he spent time in the Faroe Islands and in the English Channel, after "D-Day", and before being commissioned. The war's end found him in West Africa. After VJ Day he was demobbed, then recalled and posted to Egypt. After a brief unhappy spell in "Civvy Street", he re-enlisted in the RAF as an acting corporal. First on the scene when HSL 2555 blew up, he was commended and subsequently carried the RAF ensign at the 1950 Battle of Britain celebrations in Paris, France. On return to the UK he was once again commissioned. In Malta, during the Suez Crisis, he supervised a flying boat airlift of families and service personnel through Malta as the Canal Zone was evacuated. Later, serving in Cold War Germany, he skippered German boats with mixed German/British crews and was present when the Unit was handed back to the Germans. In 1961, aged just 48, injuries forced his retirement from the RAF. Now, fittingly narrated by my actor daughter, this book reveals a great deal of the little known story of the RAF Marine Branch, its boats and the life of a British serviceman's family in war and peace.Show book
This book analyzes the profound symbolism encapsulated in the white robe and hood famously worn by the modern Ku Klux Klan, exploring their central role in shaping the racial consciousness of contemporary America. Tracing the historical evolution of Klan regalia, the book illustrates how the visual representation of the Klansman in uniform influenced the rise, expansion, and ultimately decline of this notorious white supremacist fraternity in the early 20th century. The book meticulously examines the intricate interplay between the image of Klansmen in uniform, the clothes themselves, and the ideological underpinnings embraced by the Klan. It provides a compelling lens to understand the intricate connections between material culture, visual reconstruction, and material use.Show book
