Publisher: Good Press
Embark on a thrilling journey with "Red Shadows," a 27-page short story by Robert Ervin Howard. Set against a backdrop of political intrigue and government machinations, this tale masterfully blends fiction with elements of real-world politics. A captivating read for fans of adventure and political drama.
In his first 1-hour special, Adam Newman delves into obscure B-horror movies, newly discovered Jetsons debauchery, and goes out on a well-deserved, world record setting mic drop."Show book
If you want to learn how to teach drama to kids, then get "How to Teach Drama To Kids" written by a person with real life experience teaching drama to children. This guide, “How to Teach Drama to Kids” will take someone unsure of the main principles of teaching theatre arts to various ages, through the basic categories and components principally considered to be the heart of the study of Drama. Whether you are a music or English teacher hired to teach a semester of Drama, or an actor commissioned to do a series of children’s workshops, this guide will take you through a stage-by-stage process including exercises for the under 10 age group, the pre-teens, and the high-school ages. The author adds her own tips for making particularly challenging games or exercises “work,” and presents her own hints for keeping your resources and equipment to an inexpensive and manageable budget. With chapters from the basics of “Movement,” “Voice,” “Improvisation,” “Role-Playing” and “Scene Work” to the more intricate additions of “Story-Telling,” “Puppetry” “Stage-Fighting” and “Chorus-Line Dancing Steps,” this guide is broken down so that you may choose to eliminate certain chapters from your planning or to add the author’s hints for extending an exercise to make it last longer and to be more enriching to the students. About the Expert With her first on-stage appearance at age 4, her first leading role at age 11 and her professional stage roles culminating primarily in character parts in comedies, and for troupes catering to parties and murder mystery dinner theatres, Julie Johnson decided in 1997 that she would be well-suited to TEACH Drama to others. After graduating with a four-year specialist degree in teaching the Performing Arts, she moved to England to further work in both schools and theater. HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.Show book
This pictorial guide covers more than forty New Orleans monuments. From the statue of Joan of Arc that stands in the French Quarter to the bronze bust of Dr. Martin Luther King, Jr. on the corner of Claiborne Avenue and Felicity Street, entries flow in chronological order, based on each figure's birthday. The overviews include a biographical sketch of the historical figure, a description of the monument, and a reminder of its significance. The book includes such well known dignitaries as Jean-Baptiste Le Moyne de Bienville and John James Audubon, along with more obscure individuals like Albert Weiblen, the German sculptor whose granite and marble company provided materials for many statues in the city.Though a few of the monuments exist in the private collections of museums, others can be found by simply taking a leisurely stroll through the French Quarter. Each work of art underscores New Orleans's rich heritage and serves as a reminder that its citizens can transcend any challenge.Show book
The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. The last ten years have seen a shift in television storytelling toward increasingly complex storylines and characters. In this study, Sarah Hagelin and Gillian Silverman zoom in on a key figure in this transformation: the archetype of the female antihero. Far from the sunny, sincere, plucky persona once demanded of female characters, the new female antihero is often selfish and deeply unlikeable. In this entertaining and insightful study, Hagelin and Silverman explore the meanings of this profound change in the role of women characters. In the dramas of the new millennium, they show, the female antihero is ambitious, conniving, even murderous; in comedies, she is self-centered, self-sabotaging, and anti-aspirational. Across genres, these female protagonists eschew the part of good girl or role model. In their rejection of social responsibility, female antiheroes thus represent a more profound threat to the status quo than do their male counterparts. From the devious schemers of Game of Thrones, The Americans, Scandal, and Homeland, to the joyful failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism. They push back against the myth of the modern-day super-woman—she who “has it all”—and in so doing, they give us new ways of imagining women’s lives in contemporary America.Show book
The author's half sister Pamela was James Mason's first wife and Diana de Rosso enjoyed a close friendship with the actor throughout his life. Drawing on her own experience and interviews with those who knew him, including Alec Guinness, Margaret Lockwood, Deborah Kerr and many other actors, directors and writers, Diana de Rosso lets us into the real life of a truly great Englishman.Show book
The creation of the Fantastic Four effectively launched the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron Man, Captain America, and the X-Men catapulted Marvel past its primary rival, DC Comics, for domination of the comic book market. Since the 2000s, the company’s iconic characters have leaped from page to screens with the creation of the Marvel Cinematic Universe, which includes everything from live-action film franchises of Iron Man and the Avengers to television and streaming media, including the critically acclaimed Netflix series Daredevil and Jessica Jones. Marvel, now owned by Disney, has clearly found the key to transmedia success. Make Ours Marvel traces the rise of the Marvel brand and its transformation into a transmedia empire over the past fifty years. A dozen original essays range across topics such as how Marvel expanded the notion of an all-star team book with The Avengers, which provided a roadmap for the later films, to the company’s attempts to create lasting female characters and readerships, to its regular endeavors to reinvigorate its brand while still maintaining the stability that fans crave. Demonstrating that the secret to Marvel’s success comes from adeptly crossing media boundaries while inviting its audience to participate in creating Marvel’s narrative universe, this book shows why the company and its characters will continue to influence storytelling and transmedia empire building for the foreseeable future.Show book
