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  Will You Read This Please?:...

  Joanna Cannon

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  ‘Moving and vital’ i NEWS 
  ‘A beautiful book’ EVENING STANDARD 
  ‘Deserves to be read by as wide an audience as possible’ DAILY MIRROR 
  How do we give a voice to those who so often remain unheard? Will You Read This, Please? is a frank and impactful collection of twelve stories written in conjunction with our best British writers, including Tracy Chevalier and Clare Mackintosh, based on the lived experience of people who have faced mental illness in the UK. 
  Edited by Sunday Times bestselling author Joanna Cannon, the stories told here are powerful, resonant and heart-breaking. This is a ground-breaking and unforgettable collection, shining a light on the stigma and isolation of living with mental illness, while also showing the strength and resilience of the human spirit. 
  Will You Read This, Please? is a new, top-tier literary work in the realm of medical fiction. Edited by Joanna Cannon, this biographical collection of stories offers a fresh perspective on mental illness, making it a must-read for anyone seeking a deeper understanding of the human condition. 
  For fans of Jo Browning Wroe (Date with Danger), Rachel Joyce (Maureen Fry and the Angel of the North), Kate Atkinson (Shrines of Gaiety), Maggie O'Farrell (Hamnet), and Bonnie Garmus (Lessons in Chemistry). 
  HarperCollins 2023

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  White Jacket or The World in a...

  Herman Melville

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  This is a tale based on Melville's experiences aboard the USS United States from 1843 to 1844. It comments on the harsh and brutal realities of service in the US Navy at that time, but beyond this the narrator has created for the reader graphic symbols for class distinction, segregation and slavery aboard this microcosm of the world, the USS Neversink.

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  The Dawn of All

  Robert Hugh Benson

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  In a former book, called "Lord of the World," I attempted to sketch the kind of developments a hundred years hence which, I thought, might reasonably be expected if the present lines of what is called "modern thought" were only prolonged far enough; and I was informed repeatedly that the effect of the book was exceedingly depressing and discouraging to optimistic Christians. In the present book I am attempting -- also in parable form -- not in the least to withdraw anything that I said in the former, but to follow up the other lines instead, and to sketch -- again in parable -- the kind of developments, about sixty years hence which, I think, may reasonably be expected should the opposite process begin, and ancient thought (which has stood the test of centuries, and is, in a very remarkable manner, being "rediscovered" by persons even more modern than modernists) be prolonged instead.We are told occasionally by moralists that we live in very critical times, by which they mean that they are not sure whether their own side will win or not. In that sense no times can ever be critical to Catholics, since Catholics are never in any kind of doubt as to whether or no their side will win. But from another point of view every period is a critical period, since every period has within itself the conflict of two irreconcilable forces. It has been for the sake of tracing out the kind of effects that, it seemed to me, each side would experience in turn, should the other, at any rate for a while, become dominant, that I have written these two books. (From the preface of The Dawn of All)

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  The Marquise

  George Sand

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  George Sand was the pseudonym of Amantine-Lucile-Aurore Dupin (1804-1876), and was a much admired French novelist and memoirist. She is equally well known for her much-publicized romantic affairs with a number of celebrities including Frédéric Chopin and Alfred de Musset. It was the way Sand turned her own love affairs into novels and stories packed with vehemence of spirit which endeared her to her audience.In The Marquise, Sand displays her instinctive feeling for the true sense of the "conte" or short story. She neither analyses nor explains the character of the old noblewoman who fell in love with an actor, she merely suggests the strength of passion in the cold, cynical, aged beauty. She leaves the listener's imagination vibrating with its own images thrown up by the hints she gives. A truly exceptional short story.

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  Long Last Happy - New and...

  Barry Hannah

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  A definitive, career-spanning, best-of tribute to a master of the modern American short story, featuring work from his final unpublished collection.    A fitting summation of one of America’s greatest short story masters, this towering tribute features stories from Airships, Captain Maximus, Bats Out of Hell, High Lonesome, and Barry Hannah’s final unfinished collection, Long, Last, Happy. The astonishingly varied stories in this collection span nearly five decades of unremitting brilliance. Praised for writing “the most consistently interesting sentences of any writer in America” (Sven Birkerts), Hannah’s ferocious, glittering prose and sui generis worldview introduced readers to a literary New South—a fictional landscape that encompasses “women, God, lust, race, nature, gay Confederates, good old boys, bad old boys, guns, animals, fishing, fighting, cars, pestilence, surrealism, gritty realism, the future, and the past . . . tossed together in glorious juxtapositions” (Vanity Fair). Long, Last, Happy confirms Barry Hannah as one of our most brilliant voices.   “Hannah is the Jimi Hendrix of American short fiction; an electrifying Mark Twain—a wailing genius of literary twang, reverb, feedback, and general sonic unholiness that results in grace notes so piercing you heart melts like an overloaded amp.” —Interview

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  Curious Animal Tales

  Saki Saki

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  A quartet of short stories by Britain’s raconteur supreme, Hector Hugh Munro, better known under his pseudonym “Saki”. This collection brings together four of his most curious and amusing tales, all of which involve animals. Saki’s satirical take on the morals and eccentricities of Edwardian society, combined with a compelling narrative and an unexpected ending draw keep the reader hanging on until the very last word. 
  
  
  'Mrs. Packletide’s Tiger': Mrs. Packletide is determined to shoot a tiger in order to get one up on her arch rival Loona Bimberton. In a comical and at times ironic sequence of events, Mrs. Packletide finds herself at the mercy of another rival, just when she had least expected it. 
  
  
  'Tobermory': When Mr. Cornelius Appin announces that he has succeeded in teaching the cat, Tobermory, to speak, nobody in the house party believes him. But when Tobermory makes his entrance and begins to reveal the kind of personal secrets only a cat can know about the assembled company, chaos breaks out. Tobermory must be destroyed at all costs. 
  
  
  'The Mouse': When Theodoric Voler boards a train he finds he is not alone in the compartment. Not only is there a female companion asleep in one corner, there is a mouse that has hidden itself inside his clothes. Can the sensitive and prudish young man manage to undress and extricate the mouse without his female companion waking up? 
  
  
  'Esme': The Baroness recounts a hunting story with a twist. Instead of a fox, the quarry turns out to be an escaped hyena, which adopts her and Constance Broddle and leads them to cover up a heinous killing.

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