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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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  Ciphers (NHB Modern Plays)

  Dawn King

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  A smart and provocative thriller about spies, double agents, and the opaqueness of the human soul.
  A young woman is found dead. Her sister sets out to find out what happened - and stumbles into a world of secrets and subterfuge that makes her question who Justine really was. How well can you ever know someone who lies for a living?
  An Out of Joint, the Bush Theatre and Exeter Northcott Theatre co-production, Ciphers premiered at the Exeter Northcott Theatre in October 2013, directed by Blanche McIntyre, before embarking on a UK tour.

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  Troilus and Cressida (Argo...

  William Shakespeare

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  William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. 
  ‘He eats nothing but doves, love, and that breeds hot blood, and hot blood beget hot thoughts, and hot thoughts beget hot deeds, and hot deeds is love.’ 
  Shakespeare’s epic tale of war, love and loss 
  Trojan prince Troilus falls in love with Cressida, as war rages around them. After vowing to be faithful, Cressida is traded to the Greek camp, where she then agrees to see another man. Troilus witnesses Cressida's unfaithfulness and vows to put more effort into the war. The play ends after further deaths on both sides, and with no resolution in sight. 
  All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. 
  Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. 
  The full cast includes:John Sheppard; Gary Watson; Anthony White; Julian Pettifer; John Barton; David Gibson; Clive Swift; Donald Beves; John Wilders; Noel Annan; James Taylor‑Whitehead; Tony Church; George Rylands; John Barton; John Arnott; David Buck; Peter Woodthorpe; Anthony Jacobs; Wendy Gifford; Christine Baker; Dorothy Mulcahy; Irene Worth. 
  This top performing piece of European theatre, brought to life by the best in the field, continues to captivate audiences with its timeless themes. The intricate dance of love, betrayal, and war in Troilus and Cressida remains as poignant today as it was in Shakespeare's time. 
  For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).

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  On the Waterfront: The Play

  Budd Schulberg, Stan Silverman

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  Budd Schulberg’s Academy Award–winning screenplay, updated as a stage drama for modern audiencesFirst performed in 1988 and again on Broadway in 1995, Budd Schulberg and Stan Silverman’s stage version of On the Waterfront may represent the purest incarnation of his classic story. Produced forty years after the movie swept the Academy Awards, the subtly modernized stage play was a call to arms for a new generation. With this rendition, Schulberg and Silverman hoped to reach young people who seemed detached from the dehumanizing effects of poverty and the exploitation of society’s most vulnerable. Set in the 1950s and featuring original protagonists Terry Malloy and Father Pete Barry, On the Waterfront continues to stand as a masterful and uniquely American tragedy. This ebook features an illustrated biography of Budd Schulberg including rare images and never-before-seen documents from the author’s estate.

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  The Poetry of A E Housman

  A. E. Housman

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  Alfred Edward Housman was born on 26 March 1859 in a small village near Bromsgrove in Worcestershire, the eldest of seven children. His mother died when he was 12 and his father remarried. Despite a good formal education where he won prizes for his poetry and a scholarship to Oxford, Houseman failed to get his degree in Classics. Various reasons have been suggested for this; over confidence, a lack of interest in philosophy or the rejection by one of his roommates who was the love of his life but heterosexual. 
  Housman himself documented his homosexuality and love of this roommate in a letter to the British Library that he specified be opened 25 years after it was sent. Housman independently pursued studying the Greek classicists in particular and published many scholarly articles on their work which were well regarded. This resulted in his taking a position as a Professor of Latin at University College London in 1892 and later at Trinity College Cambridge. 
  Whilst his reputation as a classical scholar grew and remains relevant to this day, his poetry took longer to be recognised. His 63 poems forming the Shropshire Lad was self published as publishers rejected the work but although it sold slowly it chimed well with Victorian and Edwardian sensibilities and became a lasting success helped by striking a chord with musicians who were inspired by his words. Housman continued to write lyrical poetry that evokes the distinct imagery of the English countryside as well as powerfully questioning our mortality and although linked to the era his poetry is still widely quoted and remains relevant as this volume clearly demonstrates. A.E. Housman as he became known died on 30th April, 1936 aged 77 and his ashes are buried in Shropshire. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Parallel Movement of the Hands -...

  John Ashbery

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  A stunning collection of work from beloved poet John Ashbery, his first posthumous book  
   
  Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre. 
  Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets. 
  Supplemental enhancement PDF accompanies the audiobook.

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