Converting the former federal prison Ingersull Penitentiary, into The Big House Inn swallowed Hailey Price’s inheritance from her murdered mother and deceased father’s estate. But, with any luck, the rumors of the federal complex being haunted will boost interest of the Inn. The abandoned Penitentiary, cursed by a witch, is in a constant battle of good verses evil, an eternal struggle for the souls that enter the complex.
The residual haunts are the least of the frightening occurrences at the Inn. An electrical storm traps the visitors with a possessed Ouija board and the spirit of a condemned witch with an ancient curse. The visitors spend a heart pounding night in the battle of good verses evil. It might be Heaven checking into The Big House Inn, but it’s Hell checking out.
From the award-winning “heir to the mantle of Stephen King”: A supernatural entity draws a woman into a terrifying nightmare (The National Post). Some little girls have imaginary friends. Ann LeSage had the Insect. A violent poltergeist that tore a murderous path through her family, it wasn’t imaginary—and it definitely wasn’t a friend. Now Ann is all grown up—and so is the Insect. And Ann’s upcoming marriage to a mysterious young lawyer is about to open up a whole new world to both of them, rife with secrets and laced with traps. Soon, Ann will find herself in a perverse battle against a group of men who want to wrest control of the Insect from her. What they don’t know is, if you play with the Insect, you’re sure to get stung . . . “Few writers do psychosexual horror as well as Toronto’s David Nickle, and with The ’Geisters he’s back with another tale of voluptuous terror and the supernatural.” —Toronto Star “This is a book that buzzes in your ears, climbs your crawling skin with multiple barbed feet, feeling with exquisitely sensitive antennae for the next new and terrible revelation.” —The National Post “[The ’Geisters] doesn’t just explore the attractiveness of terror—it embodies it in a narrative that demands (excites even as it repels) your attention. It’s a(nother) strong novel by one of the best, most interesting horror writers working today.” —Bookgasm
“A smart, deep, black magic carnie noir existential bloodbath” from the acclaimed author of Boon (Gemma Files, Shirley Jackson Award–winning author). In the shadow of World War II, the barren, dusty streets of Litchfield, Arkansas, are even quieter than usual, leaving hotel detective George “Jojo” Walker with too much time to struggle with his own personal demons. But everything changes when a traveling picture show comes to town. The film’s purveyors check into the hotel where Jojo works and set up a special midnight screening at the local theater. The curtain rises on a surreal carnival of dark magic and waking nightmares, starring Jojo and the residents of Litchfield, as madness, murder, and mayhem threaten to engulf them all . . . “A stunner of a story . . . Flat-out brilliant . . . Unfolds like petals of an exotic and scandalous black flower—each one gently opening to give the reader a distressing revelation . . . Powerful ideas, wrapped in a dark mantle of horror.” —My Haunted Library “If you like pulpy noir with a dose of existentialism mixed with some utterly bizarre horror, this book is for you.” —Fangoria “Genre mash-ups like this one are difficult to execute, but Kurtz navigates it deftly, with writing so visceral and evocative it feels less like reading a book and more like watching a film in real time.” —Literary Hub “While it echoes with the shadowy threatening of Bradbury’s Something Wicked This Way Comes and the religious dread of Hjortsberg’s Falling Angel, the clearest voice here is Kurtz’s own cry into the existential abyss.” —Bracken MacLeod, author of Mountain Home
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