Inspired by and reminiscent of Samuel Beckett’s absurdist stage play Waiting for Godot, this Y2K theater comedy satirizes the frivolous extravagance of the mega-rich.
Bob’s Billionaire Boat boasts the world’s 2,000 richest people on it, and will enable them to celebrate the arrival of the year 2000 twice in a row by crossing the International Dateline on New Year's Eve 1999. The co-captains of the boat — two regular guys — keep themselves amused with endlessly silly banter while occasionally debating whether the whole thing is just a fictional stage play.
Meanwhile, two Wall Street traders who are bitter about missing the wealth cutoff for the billionaire cruise are determined to blow up the boat and thereby become the two richest people on earth.
This 25,000-word satire offers the ultimate experience of comical absurdism, with fun philosophical musings about everything and nothing, as the zaniest billionaires ever to gather on a single vessel prove that there's still plenty to complain about at the top.
For marine biologist Julianne Maroney, two weeks in tiny Declan's Cross on the south Irish coast is a chance to heal her broken heart. She doesn't expect to attract the attention of FBI agents Emma Sharpe and Colin Donovan, who are in Ireland for their own personal retreat. Ten years ago, art was stolen from a mansion in Declan's Cross, but it has never been recovered and the elusive thief never caught. Now, from the moment Julianne sets foot on Irish soil, everything goes wrong. The well-connected American diver who invited her to Ireland has disappeared. And now Emma and Colin are asking questions. As a dark conspiracy unfolds amid the breathtaking scenery of Declan's Cross, the race is on to stop a ruthless killer…and the stakes have never been more personal for Emma and Colin.
Bud has hired a publicity man to advance Costello's career. Costello knows a Turkish civilian who hasn't been drafted, his name is Hassan Ben Drafted. The cast does a play titled, The Two (dirty) Bedouins.
Cartoonist Ricardo Caté describes Indian humor as the result of “us living in a dominant culture, and the funny part is that we so often fall short of fitting in.” His cartoon column, Without Reservations, is a popular daily dose in the Santa Fe New Mexican. Actor Wes Studi says, “Caté’s cartoons serve to remind us there is always a different point of view, or laughing at every day scenes of home life where Indian kids act just like their brethren of different races. Without Reservations is always thought-provoking whether it makes you laugh, smirk, or just enjoy the diversity of thought to be found in Indian Country.”
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