The God Articles are a carefully curated selection of insightful articles written by philosopher Steven Colborne between 2012 and 2020.
This 430 page book comprises dialogues, discourses, prayers and poems, each of which was written by Colborne as a unique reflection or exposition related to his spiritual journey and/or philosophical perspective. Readers will find deeply personal articles portraying times of spiritual crisis and mental breakdown, as well as vivid descriptions of pivotal moments in Colborne's faith life such as water baptism, Holy Spirit baptism, and miraculous healing.
The book can be seen as a follow-up to Colborne's 2012 book The Philosophy of a Mad Man in that it encapsulates developments in Colborne's spiritual journey which follow on from that book. Those who haven't read The Philosophy of a Mad Man needn't worry, however, because The God Articles is a standalone work and is entirely unique among Colborne's body of book releases.
The God Articles could be described as a 'best of' Colborne's unpublished philosophical and spiritual writings. None of the articles in the book have been published in any of his other books, although they have appeared on his blog, Perfect Chaos.
This is a beautiful book in every way and a must-read for longtime fans of Colborne's work as well as those who are new to his writing. The depth of insight into the human condition contained within its pages will leave readers feeling challenged, refreshed, and enlightened. All of a sudden, philosophy is exciting again.
Michael Smith's new translation brings the poem alive for a modern audience, while his comprehensive introduction situates the work in its historic and literary context.This is the first new translation of the poem for ten years.Features beautiful linocut illustrations by the author throughout, meticulously researched for contemporary accuracy, alongside detailed recreations of the illuminated lettering found in the original manuscript.For fans of Simon Armitage's Middle English translations (Pearl, Sir Gawain and the Green Knight) and Seamus Heaney's Beowulf.
If you play games with a killer... you can't afford to lose.
Looking for a subject for her book about evil, Lydia Tune travels to the infamous Mortem Asylum in seedy Decanten City. Her target is Jason Devere, a death row serial killer notorious for his precise and grotesque murders.
Lydia is beautiful, ruthless and manipulative – she always gets what she wants. She knows the only way to get Jason to speak is to engage him in a dangerous battle of wits. Local detective and old friend Alex Gilbey warns her off the case, but he has no idea just how far Lydia will go to court darkness.
The more Lydia digs into Jason's story, the clearer it becomes that there is a bigger story to uncover. But the problem with playing with killers is that they never play nice...
A glittering and suspenseful debut psychological thriller, Face of Evil is impossible to put down.
What readers are saying about Face of Evil:
'Dark and mysterious ... The stuff nightmares are made of. The atmosphere of the book set me on edge before the story actually began ... This is a spine-tingling and pacey read with twists and turns I didn't see coming. The ending is excellent and a rollercoaster ride of revelations. Very enjoyable' 4* reader review
'There were creepy, tense, and twisty moments that I really enjoyed. If you like thrillers that involve asylums, serial killers and stories that grab you right away, you need to read this book' 3* reader review
'I really enjoyed this thriller ... I could not put it down' 4* reader review
'Fantastic read. I have been completely unable to put this one down. I cannot wait to read more by this author' 5* reader review
'The author outdid himself on this one. The gore. The way it's written. It's just great! One of my favourites' 4* reader review
'Not suitable for the faint of heart. Face of Evil is one of the most intense books I have read in a long time – but I love a book that can consume me so completely ... I loved every wakeful moment I spent with this book. This book is gory and intense and perfect for anyone who enjoys a bone-chilling horror mystery. Do I recommend this book – only if you are open to a brilliantly evil tale with a twist that will leave you unable to sleep for days on end' 4* reader review
A #1 NEW YORK TIMES BESTSELLEROne of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, as Harry Frankfurt writes, "we have no theory."Frankfurt, one of the world's most influential moral philosophers, attempts to build such a theory here. With his characteristic combination of philosophical acuity, psychological insight, and wry humor, Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all.Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.
'The Internet was supposed to be for everyone... Millions found their voices in this brave new online world; it gave unheard masses the space to speak to each other without limits, across borders, both physical and social. It was supposed to liberate us from gender. But as more and more of our daily lives migrated on line, it seemed it did matter if you were a boy or a girl.'
It's a tough time to be a woman on the internet. Over the past two generations, the political map of human relations has been redrawn by feminism and by changes in technology. Together they pose questions about the nature and organisation of society that are deeply challenging to those in power, and in both cases, the backlash is on. In this brave new world, old-style sexism is making itself felt in new and frightening ways.
In Cybersexism, Laurie Penny goes to the dark heart of the matter and asks why threats of rape and violence are being used to try to silence female voices, analyses the structure of online misogyny, and makes a case for real freedom of speech – for everyone.
Laurie Penny's forthcoming book, Unspeakable Things: Sex, Lies and Revolution, will be published in 2014.
With fascinating extracts from his own writings, this book reveals the captivating travels and adventures of Arthur Conan Doyle - the creator of Sherlock Holmes.
Arthur Conan Doyle was not simply the creator of the world's greatest detective; he was also an intrepid traveler and extraordinary travel writer. His descriptions of his journeys and adventures--which took him to the Arctic and the Alps, throughout Africa, Australia and North America, and across every ocean in between--are full of insight, humor and exceptional evocations of place. Until now, these captivating travelogues have never been gathered together. In this ground-breaking book, Andrew Lycett, Conan Doyle's celebrated biographer, collects and annotates the best of his writings from around the world, which illuminate not just the places he visited, but the man himself.
The famous Franchthi Cave excavations in Greece brought to light an exceptionally long sequence of ornaments, spanning from the earliest Upper Palaeolithic to the end of the Neolithic. This volume focuses on the Palaeolithic and Mesolithic ornaments and ornamental species, which constitute one of the largest collections in Europe for these periods combined. Franchthi is one of the few identified production centers for ornaments, which are overwhelmingly dominated by marine molluscs. The detailed publication of these collections (Cyclope neritea, Antalis sp. and Columbella rustica) will be useful to all malacologists and specialists in ornaments working around the Mediterranean. These reference collections, coupled with the examination of manufacturing and wear traces on the archaeological specimens, allow a detailed reconstruction of the whole production cycle from procurement to discard. The systematic association of unworked, freshly worked and very worn shells suggests that the ornaments mostly served for the production or rejuvenation of embroidered garments. Despite the richness of the assemblages and varied local resources, the range of ornament types is surprisingly narrow and fundamentally stable through time. The ornaments from Franchthi Cave therefore paint a different portrait of the European Upper Palaeolithic and Mesolithic, one based on regional cultural continuity.
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