The evening before his wedding, Gus gets drunk with Adam, his best man. On a dare, they visit a dungeon for submissive males run by a mother and daughter. The mother sees Adam as a prospective son in law. The two dominant women invite themselves to Gus's wedding where they meet the bride's father; one of their clients. The women then initiate the bride's mother into BDSM. And Adam gets kidnapped by a sadistic bridesmaid.
Features a cameo appearance by the Kinky Headmistress from The Spanking Mistress Trilogy.
Enjoy bondage, sadism, masochism, submission, nooseplay and romance.
A celebrated French bestseller, this novel in verse that captures the mundane and the beautiful, the blood and sweat, of working on the factory floor in the processing plants and abattoirs of Brittany.
Unable to find work in his field, Joseph Ponthus enlists with a temp agency and starts to pick up casual shifts in the fish processing plants and abattoirs of Brittany. Day after day he records with infinite precision the nature of work on the production line: the noise, the weariness, the dreams stolen by the repetitive nature of exhausting rituals and physical suffering. But he finds solace in a life previously lived.
Shelling prawns, he dreams of Alexandre Dumas. Pushing cattle carcasses, he recalls Apollinaire. And, in the grace of the blank spaces created by his insistent return to a new line of text – mirroring his continued return to the production line – we discover the woman he loves, the happiness of a Sunday, Pok Pok the dog, the smell of the sea.
In this celebrated French bestseller, translated by Stephanie Smee, Ponthus captures the mundane, the beautiful and the strange, writing with an elegance and humour that sit in poignant contrast with the blood and sweat of the factory floor. On the Line is a poet's ode to manual labour, and to the human spirit that makes it bearable.
Praise for On the Line:
'Poetic and political, lyrical and realistic, Joseph Ponthus' spirited elegy is at once surprising, captivating and affecting' Télérama
'It is not every day that one witnesses the birth of a writer' France 5 La Grande Librairie
'A work that is powerful, clever, benevolent, optimistic even. Essential reading' Causette
If you go into the woods, you're in for a dark surprise.
Thirty years ago, three girls followed a stranger into the woods. Only two returned. The surviving pair have never been able to remember what happened or what the fate of the third girl was. Local rumours talk of hippies and drugs and mystic rituals, but no one has learned the truth.
This story is just what Rowan Blake needs. He's in debt, his journalistic career is in tatters – as well as his damaged body – and he's retreated to the Lake District to write. Yet even Rowan isn't prepared for the evil he is about to unearth, for the secrets that have been buried in that wood for far too long...
Praise for David Mark:
'Dark, compelling crime writing of the highest order' DAILY MAIL
'Breathtaking' PETER MAY
'Truly exhilarating and inventive. Mark is a wonderfully descriptive writer' PETER JAMES
'Brilliantly written – a cracking story' RICHARD MADELEY, Richard and Judy Book Club
'To call Mark's novels police procedurals is like calling the Mona Lisa a pretty painting. Beautifully crafted, filled with flashbacks, horror, angst, and chilling detail' KIRKUS REVIEWS
'Exceptional ... Mark is writing at the top of his game' PUBLISHERS WEEKLY, Starred Review
'A master of the dark psychological thriller' KIRKUS
In 1661 Madrid, Ana is still grieving the loss of her husband when her niece, sixteen-year-old Juliana, suddenly vanishes. Ana frantically searches the girl’s room and comes across a diary. Journeying to southern Spain in the hope of finding her, Ana immerses herself in her niece’s private thoughts. After a futile search in Seville, she comes to Juliana’s final entries, and, discovering the horrifying reason for the girl’s flight, abandons her search.In 1992 Missouri, in her deceased mother’s home, Rachel finds a packet of letters, and a diary written by a woman named Juliana. Rachel’s reserved mother has never mentioned these items, but Rachel recognizes the names Ana and Juliana: her mother uttered them on her deathbed. She soon becomes immersed in Juliana’s diary, which recounts the young woman’s journey to Mexico City and her life in a convent. As she learns the truth about Juliana’s tragic family history, Rachel seeks to understand her connection to the writings—hoping that in finding those answers, she will somehow heal the wounds caused by her mother’s lifelong reticence.
"I was hungry, seeing myself starving for want of something I could not define. I sought it constantly, sought it at every turn, searched every face I met for hints of it, looked everywhere I could conceive. I lost time trying to slake this unquenchable thirst, trying to satisfy an endlessly burning hunger. But in the end I knew precisely what I had been after all along. It is the folly of the young, part of their particular curse, to be so unaware, to be blind as well as hungry. To be in exile from themselves and not know they are away."
Haunted by lost loves and limping through a lifeless career, Conor Finnegan's discontent mirrors the restlessness of his grandfather Liam, caught as a young man in the crossfire of the Irish Civil War. Drawing from Liam's wisdom and courage, Conor seeks to reinvent his character and reclaim passions made numb by neglect and loss.
Through the Waters and the Wild addresses the timeless questions, "Where shall I go now? What shall I do?"
A dangerous undercover assignment nearly puts Dion in his grave.
North Vancouver RCMP officers Leith and Dion have a gruesome new mystery lying at their feet. Up in the breezy heights of Paradise Road, a craftsman has been spiked to his lawn by his own artwork. Was it an aesthetics-fuelled feud with the neighbours? An enemy from the past? Or the most challenging of crimes to solve: a random attack?
Drawn into an offside mystery of his own, Dion befriends a young magician, who then seems to make herself disappear. But with the team closing in on the Paradise Road killer, he must put aside his personal dilemmas to take on the lead role in setting a trap for their volatile suspect. It’s a foolproof setup, but even the best laid plans can go awry, and this one leads him straight into a fight for his life.
Being an assistant is easy. You have to be organized (I mostly am), have lots of patience (they should make me the poster girl for it), and the ability to smile even when you want to cry (the smiley face emoji is my spirit animal). Being star linebacker Max Kingston`s super-secret assistant/sobriety companion? Not so easy when I also happen to have a major crush on him.
I have a crazy person living in my house, and I can`t get her out. An unfortunate problem regarding pain medicine has landed me in the position of having to endure living with a pink-haired,yoga-loving, hippie odd-ball. The worse part? I`m starting to like her a little too much. She`s not my type, but I keep forgetting that.
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