Brooke is deep undercover and she's been promoted to manage a more prestigious gang territory, Brooklyn Heights. She hasn't heard from her own squadron in a while, and she's got quite a lot to tell them. Her instincts tell her that something is wrong but she knows she has to ignore them if she wants to survive.
Lamar and Marcus aren't like the usual run of the mill gangsters she's used to. As she becomes more engrossed in their lives, she begins to wonder if they're getting outside help. They've split their empire into multiple gangs, with no true center that she can pinpoint. In addition, they've built several businesses of their own to launder their money.
Brooke can't help but think that there's another higher power at work with the isolation they've created. Unbeknownst to her, Captain Bolt and the team supporting her are also finding strange activity within the police ranks in Brooklyn. Does Brooke manage to use her newfound position at Brooklyn Heights to uncover more of Lamar and Marcus' thuggish empire, or is she headed for a trap created by the very police she works for?
Agatha Christie meets Jane Austen in this atmospheric Regency tale brimming with mystery, intrigue, and romance.
When Miss Rebecca Lane returns to her home village after a few years away, her brother begs for a favor: go to nearby Swanford Abbey and deliver his manuscript to an author staying there who could help him get published. Feeling responsible for her brother's desperate state, she reluctantly agrees.
The medieval monastery turned grand hotel is rumored to be haunted. Once there, Rebecca begins noticing strange things, including a figure in a hooded black gown gliding silently through the abbey's cloisters. For all its renovations and veneer of luxury, the ancient foundations seem to echo with whispers of the past--including her own. For there she encounters Sir Frederick--magistrate, widower, and former neighbor--who long ago broke her heart.
When the famous author is found murdered in the abbey, Sir Frederick begins questioning staff and guests and quickly discovers that several people held grudges against the man, including Miss Lane and her brother. Haunted by a painful betrayal in his past, Sir Frederick searches for answers but is torn between his growing feelings for Rebecca and his pursuit of the truth. For Miss Lane is clearly hiding something. . . .
Charlotte Graham is at the center of the most famous kidnapping in Chicago history. The task force of FBI and local cops found her two abductors, killed them, rescued her, but it took four very long years. The fact she was found less than three miles from her home, had been there the entire time, haunts them. She's changed her identity, found a profession she loves, and rebuilt her life. She's never said a word--to the cops, to her doctors, to family--about those four years. A family legacy has brought her back to Chicago where a reporter is writing a book about the kidnapping. The cops who worked the case are cooperating with him. Her options are limited: Hope the reporter doesn't find the full truth, or break her silence about what happened. And her silence is what has protected her family for years. Bryce Bishop doesn't know her past, he only knows she has coins to sell from her grandfather's estate--and that the FBI director for the Chicago office made the introduction. The more he gets to know Charlotte, the more interested he becomes, an interest encouraged by those closest to her. But nothing else is working in his favor--she's decided she is single for life, she struggles with her faith, and she's willing to forego a huge inheritance to keep her privacy. She's not giving him much of an opening to work with.Charlotte wants to trust him. She needs to tell him what happened. Because a crime cops thought was solved, has only opened another chapter...
Creighton Marshall is glad to be back in England after a long year of fighting the French. He plans to sell his captain’s commission and resume his life as Viscount Ashcroft, but his commanding officer has one more task for him: play host to Count Dmitri Dmitrieff, the hero of several Russian campaigns, who has arrived London with Czar Alexander on a state visit. He agrees reluctantly, then wishes he said no when he discovers that the count is actually a woman. Natalya Dmitrieff truly is a war hero. She took her brother’s place in the army and served without anyone guessing she was a woman. If Creighton reveals the truth, she will lose out on the prize she fought for: her family’s lands. He agrees, even more reluctantly, to keep her secret. All should go well, except that Natalya is a beautiful woman who lingers in his mind too often. But if he convinces her that she wants to put aside her disguise, think of the fun they could have while she is in London. He needs only to find a way to persuade her that she wants to be loving in his arms rather than to fight by his side. It is the greatest challenge he has ever faced, but he is determined to be the victor.
Things had been bad enough for the inspiring and beautiful young Helga Wensley when her much-loved father died some five years ago, leaving her and her mother in penury.
Recently her ailing mother too has passed away, which means that her stepfather, Sir Hector Preston, is now her Guardian. To make matters worse he promises her hand in marriage to a cruel and uncouth man called Bernard Howell, a Fate that she considers worse than dying.
As her mother suggested soon before her death, Helga goes for help to her estranged Aunt Millicent, a glamorous actress from the notorious Gaiety Theatre – and her life changes forever.
Putting herself forward for a 'role' paying her one thousand pounds in which she pretends to be the fiancée of the dashing Hugo, Duke of Rocklington, Helga finds herself with the most sought-after bachelor in the whole of the Social world at his fabulous country seat, Rock Castle.
And, despite Aunt Millicent's firm instructions not to fall in love with the Duke, Helga is smitten and finds that playing the part of the lovestruck fiancée requires no acting at all.
But all that changes when by chance Helga again meets the dreaded Bernard Howell, who pursues her brandishing his horse whip and she races back to Rock Castle to the Duke to save her –
New York Times Bestseller: Sweeping from the 1850s through the early 1920s, this towering family saga examines the price of ambition and power. Joseph Francis Xavier Armagh is twelve years old when he gets his first glimpse of the promised land of America through a dirty porthole in steerage on an Irish immigrant ship. His long voyage, dogged by tragedy, ends not in the great city of New York but in the bigoted, small town of Winfield, Pennsylvania, where his younger brother, Sean, and his infant sister, Regina, are sent to an orphanage. Joseph toils at whatever work will pay a living wage and plans for the day he can take his siblings away from St. Agnes’s Orphanage and make a home for them all. Joseph’s journey will catapult him to the highest echelons of power and grant him entry into the most elite political circles. Even as misfortune continues to follow the Armagh family like an ancient curse, Joseph takes his revenge against the uncaring world that once took everything from him. He orchestrates his eldest son Rory’s political ascent from the offspring of an Irish immigrant to US senator. And Joseph will settle for nothing less than the pinnacle of glory: seeing his boy crowned the first Catholic president of the United States. Spanning seventy years, Captains and the Kings, which was adapted into an eight-part television miniseries, is Taylor Caldwell’s masterpiece about nineteenth- and early twentieth-century America, and the grit, ambition, fortitude, and sheer hubris it takes for an immigrant to survive and thrive in a dynamic new land.
Handsome, popular and much in demand in the Social world, Alstone, the Duke of Windlemere is bored with life and, seeking entertainment, he is drawn into a foolhardy wager with his friend Sir Hugo Benson.
The bet concerns whether they can successfully replicate the experiment in George Bernard Shaw's play, Pygmalion, in which Eliza Doolittle is taken from the flower market in London and trained to pass as a 'lady' in Society.
Unbeknown to her, Sir Hugo's niece, the beautiful, innocent orphan, Lorena, whom he summons back to England from her French Convent School, is chosen by him to play the part and is taken to meet the sophisticated Windlemere Set made up of the Duke's spoilt entourage.
On arrival with her uncle at the Duke's palatial stately home, Mere, Lorena is overawed by her surroundings and by the dashing and handsome Duke.
And for his part the Duke is captivated by Lorena's intelligence, honesty and loveliness. Not only is Lorena capable, it seems, of being accepted by his snobbish friends.
She inspires respect as well – and even love.
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