This is the life story of Major George P. Davis III, U.S. Army (Retired) and his battle with PTSD, from the time he was in Vietnam until today. Raised in rural West Virginia, he rose through the ranks eventually becoming part of an elite group of Army aviators flying an OV-1 Mohawk for several years. The Mohawk’s mission was unarmed reconnaissance and surveillance of enemy movement, with most being flown over enemy territory known as “Indian Country.”
After several years, he lost the ability to be able to fly as his PTSD kept getting worse and worse. It really hit home after he retired and it has been a full-blown battle ever since, even up until today. His internal battles changed his life and only recently has he been able to begin to cope with them. Agent Orange has also wrecked havoc on his body and added to his psychological issues. This is his story.
A New York Times Editors Choice
Longlisted for the 2020 Simpson / Joyce Carol Oates Literary Prize
One of Vogue.com's “Best Books of 2020 So Far”
One of Elle's “Best Books of 2020 So Far”
Named A Most-Anticipated Book by The New York Times, Vogue, The Boston Globe, Salon,
The Millions, Inside Hook, and Vol. 1 Brooklyn
In 1996, the unnamed narrator of Teddy Wayne's Apartment is attending the MFA writing program at Columbia on his father's dime and living in an illegal sublet of a rent-stabilized apartment. Feeling guilty about his good fortune, he offers his spare bedroom--rent-free--to Billy, a talented, charismatic classmate from the Midwest eking out a hand-to-mouth existence in Manhattan.
The narrator's rapport with Billy develops into the friendship he's never had due to a lifetime of holding people at arm's length, hovering at the periphery, feeling “fundamentally defective.” But their living arrangement, not to mention their radically different upbringings, breeds tensions neither man could predict. Interrogating the origins of our contemporary political divide and its ties to masculinity and class, Apartment is a gutting portrait of one of New York's many lost, disconnected souls by a writer with an uncommon aptitude for embodying them.
After years of estrangement, the lives of Zara Mahoney and her twin sister, Eve, are suddenly and completely intertwined again. Eve's troubled lifestyle causes the state to take custody of her two children and contact Zara and her husband, asking them to consider foster care. Newlywed Zara thought she'd finally been given a fresh start and feels wholly unprepared to care for a niece and nephew whose existence she wasn't even aware of.
Meanwhile, Eve may have a real chance to start over this time with the help of Tiff Bradley, who's dedicated to helping women everyone else has given up on after facing a heartbreaking tragedy in her own family.
Over the course of one summer, all three women's hearts and lives hang in the balance as Eve desperately works toward a new life. Can they redefine their expectations of how life should be to find the hope they--and those they love--so desperately need?
Behind the scenes, nothing is what it seems.
Gord Stewart, 40 years old, single, moved back into his suburban childhood home to care for his widowed father. But his father no longer needs care and Gord is stuck in limbo. He’s been working in the movie business as a location scout for years, and when there isn’t much filming, as a private eye for a security company run by ex-cops, OBC. When a fellow crew member asks him to find her missing uncle, Gord reluctantly takes the job. The police say the uncle walked into some dense woods in Northern Ontario and shot himself, but the man’s wife thinks he’s still alive.
With the help of his movie business and OBC connections, Gord finds a little evidence that the uncle may be alive. Now Gord has two problems: what to do when he finds a man who doesn’t want to be found, and admitting that he’s getting invested in this job. For the first time in his life, Gord Stewart is going to have to leave the sidelines and get into the game. Even if it might get him killed.
Adam Nunn's search for his true identity has horrifying consequences in this compelling psychological thriller.
A badly mutilated body has been discovered in a remote woodland pond on the Essex borders – a location known to be the haunt of the ruthless crime gang that ruled London in the 70s. When one of the victim's hands is found nearby, forensic tests reveal a number scrawled on the palm. It is quickly identified as the National Insurance number of struggling family man Adam Nunn.
As Adam is arrested in connection with the murder, it emerges that the dead man was a private investigator he had hired to find out the identity of his birth parents. Just what did Larry Paris discover that got him killed?
As Adam seeks the truth surrounding his origins and promises justice for the mother he never knew, he is drawn into a lurid criminal world of violence and violation, reprisal and merciless death. Torn between the man he wants to be and the man he fears becoming, Adam's investigations will lead him ever deeper into darkness.
Ralph Delchard, a soldier who fought at the Battle of Hastings, and Gervase Bret, a talented lawyer, have been commissioned by William the Conqueror to look into irregularities brought to light during the compilation of the Domesday Book, the great survey of England. Their investigations take them throughout the kingdom, but the pair often find themselves embroiled in more sinister mysteries in the towns they visit. The King’s work is a dangerous business.
A man’s body is found mutilated in Savernake Forest and the residents of Bedwyn sleep uneasy at night, fearing a monster stalking the town. When Ralph Delchard and Gervase Bret arrive, they soon discover that the locals are harbouring dark secrets and that the real killer may be a little closer to home…
When African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.
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