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  The Haunting at Hawke's Moor - A...

  Camille Oster

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  Victorian London shows little mercy when divorce leaves Anne Kinelly destitute and abandoned by her husband. Her bleak future is avoided when the merciful actions of her solicitor results in a stroke of luck, finding a house forgotten and left in probate by previous generations. The desolate moors of Yorkshire is to be her home as she tries to revive an abandoned house where the wind whispers around the window sills. 
  Before long, Anne discovers that the warnings given to her by the people in the area may be more than the superstitious nonsense. As the brutal history of the house and its founder, Richard Hawke, reveals itself, Anne discovers that there may be more entities in the house than just herself and her maid.

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  Richard Matheson Suspense Novels...

  Richard Matheson

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  Ordinary people face hair-raising dangers in these four early suspense novels by the celebrated author of I Am Legend.The Shrinking Man In this sci-fi suspense classic adapted into multiple films, a man exposed to radiation begins to shrink at an alarming rate. As his life crumbles, he must survive menacing attacks from house cats and spiders.Camp Pleasant An idyllic summer camp turns horrifying when a young counselor is the witness to the murder of the new camp director. The mystery unfolds in a “simple style that recalls Hemingway” (Publishers Weekly).Hunger and Thirst In this previously unpublished early novel, a man is shot during a robbery gone wrong and wakes up to find himself paralyzed. Lying in his hospital bed, he flashes back to his difficult life and hopes for redemption.7 Steps to Midnight At the end of an ordinary workday, mathematician Chris Barton finds a stranger living in his house, claiming to be him. Thrust into a surreal world of violence and mystery, Chris must go on the run and follow a series of cryptic clues to regain his life.

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  Young Blood

  Brian M. Stableford

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  A vampire who calls himself Maldureve comes out of the shadowy borderlands of existence in response to the unvoiced desires of philosophy student Anne Charet. By choosing to see him she gives him substance; after feeding him, she too begins to hunger for blood. Maldureve becomes Anne's lover and mentor but he cannot protect her against his own enemies, mysterious creatures of light who call themselves owls because they believe that theirs is the highest wisdom of all. Anne's boyfriend, psychologist Gil Molari, worries about her health and state of mind, although he knows nothing about his supernatural rival. His anxiety is magnified when he becomes convinced that one of the mind-altering viruses with which he works has escaped from the laboratory. Gil refuses to believe in Maldureve but his refusal to believe cannot save him from becoming the victim of a fierce hunger that he cannot satisfy, which drives him in the end to an unendurable extreme. Anne believes that her experiences are entirely real; Gil believes that his are the products of an infectious madness. Whichever of them is right, they are both in deadly danger, and so is everyone around them. Once they have started on their strange journey, there is no way back. But what can possibly lie ahead of them, when death itself no longer seems to be an end? 

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  Turn of the Screw The (version 2)

  Henry James

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  Henry James' classic ghost story comprises the written testimony of a young governess, charged with looking after two small children at an isolated country estate, who believes they are being haunted. As the story progresses, the governess' increasingly frenetic narration provokes the question: is she insane, or are the ghosts real? (Summary by Elizabeth Klett)

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  Grey Dog

  Elliott Gish

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  “Gish’s prose is as sharp as a scalpel.” — Publishers Weekly, starred review
  		 
  “Grey Dog is a bewitching tale of the horrors of spinsterhood in the early 1900s, with madness and magic threaded through every sentence.” — Heather O’Neill, author of When We Lost Our Heads and Lullabies for Little Criminals
  		 
  A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage
  		 
  The year is 1901, and Ada Byrd — spinster, schoolmarm, amateur naturalist — accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past — riddled with grief and shame — has never seemed so far away.
  		 
  But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly — which she calls Grey Dog — is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?

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  The Broken Darkness

  Theresa Braun

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  In her debut collection, Theresa Braun explores the inner workings of the human heart and what it is we most desire—forgiveness, acceptance, love, fame, or merely to escape who we really are. Whether we are battling ghosts, demons, mythical monsters, the past, or other dimensions, we are really facing the deepest parts of ourselves. These thirteen tales of horror and dark fantasy may appear to be a matter of good versus evil, but they are all a reflection of the hidden corners of the soul that are often shades of broken darkness. The characters in these stories must face their inner and outer terrors, or else suffer the consequences.

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