Altri libri che potrebbero interessarti

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  Poems about Paintings

  James Sey

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  This chapbook of poetry and prose pieces reflects philosophically and aesthetically on the relationships between art and the world, including through the global experience of Covid-related lockdowns. Though generally following an extended haiku-like format, some are longer prose poems, and an extended verse poem reflects on the city where the author lives, Johannesburg, South Africa.

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  The Return of Peter Grimm

  David Belasco

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  Mr. Belasco has written the following account of Peter's" evolution: [ ] The play, "The Return of Peter Grimm," is an expression in dramatic form of my ideas on a subject which I have pondered over since boyhood: "Can the dead come back?" Peter Grimm did come back. At the same time, I inserted a note in my program to say that I advanced no positive opinion; that the treatment of the play allowed the audience to believe that it had actually seen Peter, or that he had not been seen but existed merely in the minds of the characters on the stage. Spiritualists from all over the country flocked to see "The Return of Peter Grimm," and I have heard that it gave comfort to many. It was a difficult theme, and more than once I was tempted to give it up. But since it has given relief to those who have loved and lost, it was not written in vain." (Summary from Introduction)Coordinated and edited by ToddHW.Cast:Stage Directions: Kristin GjerløwPeter Grimm: rafeFrederik, his nephew: Chuck WilliamsonJames Hartman: AnthonyAndrew MacPherson: balaRev. Henry Batholommey: Larry WilsonColonel Tom Lawton: alanmapstoneWilliam: ToddHWCatherine: Amanda FridayMrs. Batholommey: MaryankaMarta: Anna SimonClown: Anastasiia SolokhaHawker and Barker: Ellen PreckelVoice (bringing telegram): WoollyBeeGirls (4, little, singing): Julia Niedermaier

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  Right of the Soil

  Yong Shu Hoong

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  The Latin phrase, jus soli (“right of the soil”), is an unconditional right of a person born within the territory of a country to be conferred citizenship. Singapore’s nationality law is based on jus sanguinis (“right of blood”, in which citizenship is determined by that of one or both parents) and a modified form of jus soli (with at least one Singaporean parent). 
   
  A two-time Singapore Literature Prize winner, Yong Shu Hoong contemplates how a person is invariably bound to the land on which he first sets foot. These poems address topics like belongingness and birthright by exploring the intermingling of the four fundamental elements of air, water, fire and earth. 
   
  Expanded from a 2016 chapbook published a year after the 50th anniversary of Singapore’s independence, this book also attempts to sharpen Yong’s understanding of his relationship with his homeland. A new sequence of poems then plunges readers into Hell, reimagined as Singapore’s third integrated resort that opens underground in the centennial year of 2065, with its concepts inspired by Haw Par Villa’s main attraction, the 10 Courts of Hell. 
   
  Beyond our earthly lives, is it soil – or another element or dimension – that will assert its right to claim us? 
   
  Shortlisted for the Singapore Literature Prize for Poetry 2020

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  Robin Rafferty Paxtons Absolute...

  Robin Rafferty Paxton

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  Robin Rafferty Paxtons Absolute Money | Psychological • Hard • Mysterious 
  She never thought this one day would change her life so drastically... 
  In the shadows of power, where laws are broken and loyalties are sealed with blood, whispers a desire darker than the night. This book is not for the faint of heart. It is a pact with the underworld, signed in sin and desire. 
  Psychological • Hard • Mysterious 
  She was aware of the clatter of her purse as it slipped from her fingers when he pushed her against the large white pillar. He pushed up her dress, reached between her thighs, and groped for her pussy with his fingers. She let it happen. He apparently didn't care about her at all. He was just looking for a pussy to fuck. She wasn't wet, but he didn't care. He turned her to face the pillar and thrust his cock into her from behind. She groaned, but more from pain, because his cock was quite large. While he fucked her from behind, he murmured something in a language she didn't understand. 
  Not suitable for those under 18 years of age.

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  The Boss

  Edward Sheldon

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  The Boss centers on the relationship between Michael Regan, an Irish-American businessman, and Emily Griswold, an outspoken American girl bent on saving her father's business. Set during a time when unions fought for wages and bosses fought for more stake in their company, the play's relevance strikes at the heart of economic issues and hardships in modern day America. (Summary by Amanda Friday)CastJames D. Griswold Elliot GageDonald Griswold: Chuck WilliamsonEmily Griswold/Fourth Crowd Member: Amanda FridayMitchell/Second Crowd Member: ToddMichael R. Regan: Bruce PirieLawrence Duncan: Jon SmithDavis: Richard FridayMrs. Cuyler/Second Police Officer: Anastasiia SolokhaGates: tovarisch"Porky" McCoy: Brett DowneyMaid/First Crowd Member: Libby GohnFrench Maid/First Police Officer: Elizabeth KlettFifth Crowd Member: mbArchbishop Sullivan: Bob NeufeldThird Police Officer: Sarah ParshallThird Crowd Member: Michele EatonPolice Inspector: Denny SayersScanlan: rookieblueNarrator: nbvoicesAudio edited by Michele Eaton

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  The Contingency Plan (2022...

  Steve Waters

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  A double bill of plays from the frontline of climate change – an epic portrait of Britain in the grip of unprecedented and catastrophic floods.
  In On the Beach, glaciologist Will has followed in his father's footsteps, dedicating himself to studying climate change. Back from Antarctica, he visits his parents on the Norfolk coast. With catastrophic flooding growing more likely by the day, he has news that forces long-submerged secrets to rise to the surface.
  In Resilience, Will, freshly appointed as a scientific advisor, is in Westminster and he's out of his depth. Surrounded by ministers manoeuvring to impress, and with the threat of environmental disaster, can he get them to listen before it's too late?
  Impressive in scale and chilling as a prediction of our immediate future, the two plays are complementary but can also stand alone.
  Steve Waters' The Contingency Plan was first performed at the Bush Theatre, London, in 2009, and shortlisted for the John Whiting Award. It was revived, in this fully revised and updated version, at Sheffield Theatres in 2022, directed by Caroline Steinbeis and Chelsea Walker.
  'An urgent wake-up call... for sheer emotional intensity, has no rival on the London stage... Waters' massive achievement is to have made the most important issue of our times into engrossing theatre' - Guardian
  'A triumph' - Evening Standard
  'Thrilling... masterly... a stunning theatrical knock-out' - Daily Telegraph
  'The first and best British play on climate change' - Time Out

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