Otros libros que te pueden interesar

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  The Poetry of Algeron Charles...

  Algernon Charles Swinburne

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  Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family.  He was educated at Eton and at Balliol College, Oxford, but did not complete a degree.  
  In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "Poems and Ballads" brought him instant notoriety. He was now identified with "indecent" themes and the precept of art for art's sake.  
  Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms.  
  Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered.  
  Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. 
  In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well.  
  Much of his poetry in this period may be inferior but some individual poems are exceptional; "By the North Sea," "Evening on the Broads," "A Nympholept," "The Lake of Gaube," and "Neap-Tide."  
  Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'.  
  Swinburne died on April 10th, 1909 at the age of seventy-two. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Blood & Cord - Writers on Early...

  Abi Curtis

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  A child is born and everything is made anew. In this blur of new beginnings there are tears and laughter, new words and new silences: this is an unmaking and remaking of the self.
  From short stories about unnerved fathers and lost mothers, to poems about 'half-built Lego palaces' and friends who share their deepest secrets, Blood & Cord is a raw exploration of new parenthood. Voicing silenced conversations about loss, grief, and loneliness, as well as the joys and laughter that are part and parcel of becoming a parent, the stories told within offer a refreshingly honest account of life after new life.
  This collection is a hand in the dark, offering comfort and solidarity to any new parent.

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  From The Elusive Muse's Lexicon

  Garry B. Grove

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  From the Elusive Muse's Lexicon is a second volume of poetry to accompany the earlier, "A Storm in Pandora's Tea Box". It touches upon a diverse range of subjects, from a homage to London's beloved River Thames, a trilogy of Coventry poems anticipating the City's role as UK City of Culture in 2021, tributes to departed musician friends, plus reflections upon sources of inspiration and sometimes consternation, as we navigate a course through life's amazing and often challenging journey.

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  Noughts & Crosses

  Malorie Blackman

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  An electrifying, bittersweet love story with echoes of Romeo and Juliet, set in a society divided by racial bigotry and a world rocked by terrorism. Adapted from Malorie Blackman's best-selling novels.
  Sephy (a Cross) is the daughter of the Deputy Prime Minister. Callum is the son of a Nought agitator. United by a shared sense of injustice as children, and separated by intolerance as they grow up, their desire to be together begins to eclipse all family loyalty – sparking a political crisis of unimaginable proportions.
  'I wanted to turn society as we know it on its head, with new names for the major divisions, i.e. Noughts (the underclass) and Crosses (the majority, ruling society)' - Malorie Blackman
  Dominic Cooke's adaptation of Noughts & Crosses was first performed by the Royal Shakespeare Company in Stratford-upon-Avon in 2007.

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  Helen of Bikini

  Phoebe Reeves

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  Helen of Bikini examines the way humans inhabit the world, both in beauty and in conflict. How do the twinned human forces of domestication and domination, rage and mediation, witness and culpability, destruction and nurturing, find their balances, not in an either/or, but in a melding? In an unapologetically feminist approach to these topics, Reeves explores the idea that "we are the only ones who name," and goes about teaching us the "alphabet of our unmaking." 
  "In her finely wrought debut poetry collection, Helen of Bikini, Phoebe Reeves showers us with the hard rain of atomic fallout, juxtaposed with a compendium of flora and fauna, invoked and named with a painstaking commitment to their beautiful existence.” 
  — Cynthia Bargar, author of Sleeping in the Dead Girl’s Room

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  Tripas - Poems

  Brandon Som

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  WINNER OF THE 2024 PULITZER PRIZE IN POETRYFinalist for the 2023 National Book Award for PoetryWith Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise―one attuned to the echo in the hecho, the oracle in the órale.

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