Publisher: Sovereign
Roderigo, a rich and dissolute gentleman, complaining to Iago, an ensign, that Iago has not told him about the secret marriage between Desdemona, the daughter of a Senator named Brabantio, and Othello, a Moorish general in the Venetian army. He is upset by this development because he loves Desdemona and had asked her father for her hand in marriage.
Gallegos represents the genre of independent writers that follow in the classic vein of story telling. "Bar Room Brawls" is an eclectic sampling from his latest collection of short stories and poems. The stories address the modern dilemmas of life, occasionally tapping into surreal metaphysical absurdities, yet always nested in a familiar and contemporary setting. Titles in this Collection: Then is Now, Alligator College, Bound, Happy Hour, Debris, Myth of Etan.Show book
LibriVox volunteers bring you 17 recordings of After Music by Josephine Preston Peabody. This was the Weekly Poetry project for April 10, 2011.Josephine Preston Peabody was an American poet and dramatist. She was born in New York and educated at the Girls' Latin School, Boston, and at Radcliffe College. (summary from Wikipedia)After Music is taken from An American Anthology, 1787–1900, edited by Edmund Clarence Stedman (1833–1908)Show book
One of the most miserable and lonely places in the world is in a prison cell. The reason not being because you are locked away in a space the size of closet, away from society but because you have so much time to think. In the outside world you have resources to help make decisions and can move around to see for yourself when making choices. Being locked away physically also has the upmost mental effect on even a stable mind. One of the hardest decisions is figuring out exactly what path you will take once released from prison. This is vital because essentially the release the release date is the first day of the rest of your new life. The main character must make this decision but has to use his heart to guide him. Short Story Press publishes short stories written by everyday writers.Show book
Historical recordings of actors from the beginning of the recording era. 1: Historical Shakespeare performances by Ainley, John Barrymore, Bourchier, Casson, Forbes-Robertson, John Geilgud (1920s and 1940s). 2: A miscellany. Some startling historical performances in a wide range of works from Edith Evans, Charles Laughton, Noel Coward, Sarah Bernhardt, Fred Terry, Laurel and Hardy, Edwin Booth, Bransby Williams, Jean Cocteau, Feodor Chaliapin and others.Show book
“Sorkin’s restless mind plays up and down each linguistically artful, occasionally profane page.” —Roger Weingarten, author of The Four Gentlemen and Their Footmen Uncomfortable Minds is Larry’s Sorkin’s riff on poet e.e. cummings’ words, “Cambridge ladies who . . . are unbeautiful and have comfortable minds,” which refer to the conceit that uncomfortable minds are universal to all human beings. Larry Sorkin’s collection of poems—sometimes joyful, sometimes elegiac—explore the idea of the restless, uncomfortable state as either something we can run from, try to fix, or embrace. Each poem in the collection explores some disturbance in the psyche, with poetry as a way to confront the disturbance, use it, embrace it. “Reflections both bitter and tangy, sweet and unbearable.” —Lou Lipsitz, author of Seeking the HookShow book
Anthony Quayle, Robert Hardy, Ian Holm, Stanley Holloway and Jill Balcon in an unabridged performance of Shakespeare's MacbethShow book
