Shakespeare's Macbeth is one of the greatest tragic dramas the world has known. Macbeth himself, a brave warrior, is fatally impelled by supernatural forces, by his proud wife, and by his own burgeoning ambition.
The play is set in Scotland. Returning from battle with his companion Banquo, the nobleman Macbeth meets a group of witches. They predict that Macbeth will first become thane (baron) of Cawdor and then king of Scotland. Urged on by Lady Macbeth, his wife, Macbeth murders King Duncan. But Duncan's sons, Malcolm and Donalbain, escape. Macbeth then seizes the throne of Scotland. But Macbeth has no peace. In a bid to prevent Banquo's descendants from becoming kings according to the witches' prophecy, Macbeth arranges for him to be murdered, along with his son Fleance. Macbeth's men kill Banquo, but Fleance escapes. Haunted by Banquo's ghost, Macbeth seeks counsel from the witches. They tell him to beware of Macduff, another Scottish nobleman. Macbeth is now hardened to killing. He orders the murder of Macduff's wife and children. By contrast, Lady Macbeth, who had encouraged her husband to embark upon his path of slaughter, goes mad with guilt and dies. Macduff's army attacks Macbeth's forces. Macduff meets Macbeth in single combat and kills him. Malcolm, Duncan's son, is then proclaimed king of Scotland.
ABOUT THE AUTHOR:
William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the 'Bard of Avon' (or simply "The Bard"). His surviving works consist of 37 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language.
Shakespeare was born and raised in Stratford-upon-Avon. Scholars believe that he died on his fifty-second birthday, coinciding with St George’s Day. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later.
Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608. He was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare. In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world.
Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.
Are you struggling with your weight – tired of thinking about food all the time, and feel like you’re eating is out of control? In Reprogram Your Weight, award-winning hypnotist Erika Flint combines insightful and leading edge hypnosis techniques with client success stories of weight loss to help many lose the weight once and for all. She understands many people don’t know what to do to lose weight and often have a hard time consistently following through. Some people feel like there’s something deeper going on inside that’s keeping them from achieving their weight loss goal—Flint shows them how to bring these issues to the surface and combat them in a healthy, mindful manner. Within these pages lies the roadmap to a healthier, happier you!
Watts’s The Black Cabinet is the first of its kind full-scale in-depth examination of Roosevelt’s Black Cabinet.The Black Cabinet traces an arc directly from Reconstruction to the Black Cabinet assembled for Theodore Roosevelt and subsequently disbanded by Taft and Wilson, past the New Deal era to the March on Washington and the Civil Rights Movement. It is a missing link in a continuous African American fight to be treated as equal citizensRoosevelt’s Black Cabinet was a diverse group made up of social scientists, legal minds, educators, politicos, and journalists who sought to get the black community’s needs on the table during the New Deal, a time when Black Americans were in even direr economic straits than whites.Because the Democratic Party of the day was so dependent on Southern white votes, Roosevelt never publicly acknowledged the Black Cabinet and only met personally with a tiny number of its members. Besides a red-baiting Senator, its name was never spoken aloud except in the black press, which has been underexploited as a source by historians. As a result Mary McLeod Bethune, a celebrity in her day, is the only one of these figures who has made it into the mainstream historical record; Watts has uncovered a rich story here.From assimilation and accommodation vs protest, #OwnVoices leadership vs working with white leadership, and down to the very basic question of whom the federal government is supposed to serve and protect, and what the unique history of and resulting challenges facing African Americans entitles them to, The Black Cabinet demonstrates that events that happened 75+ years ago share themes ripped from today’s headlines.Watts’s narrative synthesizes the story of the Black Cabinet, which at one time numbered over a hundred, into a character-driven story focusing in on five key figures, tracing them from their infancy in politics to their ascent into key powerful positions.For fans of The Warmth of Other Suns, The New Jim Crow, and The New Negro.
In the summer of 1940, the most important battle in the history of air warfare was fought between the British Royal Air Force and the German Luftwaffe in the skies over southern Britain. Only after a tightly-fought series of aerial battles did the RAF secure a narrow victory – or did it? Although glamourised by the press and cinema alike over the past 60 years, the battle was an intense war of attrition in which luck, skill, judgement and bravery all played a role. The Battle of Britain explores in detail the men, machines and tactics engaged in the epic struggle, and seeks to debunk some of the popular myths that surround it. The book examines the strength of both sides on the eve of the battle, and its wider strategic implications fo the outcome of the war, before looking at the German preparations for invasion, and the Luftwaffe's state of readiness after the Polish and French campaigns. It explains why the battle was a race against time for the Germans and highlights factors such as the lack of suitable transports and inexperience in planning a seaborne invasion that helped hinder their efforts. The book also asks whether Hitler himself was ever truly committed to invading Britain. Britain's preparations for defending herself from attack are also closely examined. The role and effectiveness of such institutions as the Home Guards and Observer Corps are covered, as well as the vital Chain Home and Chain Home Low radar networks. The Battle of Britain analyses the RAF's preparations for the battle, its main fighters, the Hurricane and the Spitfire, and the vital importance of pilots from the Commonwealth, Poland, Czechoslovakia, France, the United States and elsewhere. The Battle of Britain covers every stage of this mammoth contest in detail, beginning with the opening attacks on British shipping and ports. The book highlights how close the war of attrition against the RAF came to succeeding, when the full fury of the Luftwaffe was unleashed on its airfields. It also asks why the Luftwaffe began bombing the cities when it was so close to success. The failings of both sides are dissected: the discord between key RAF commanders, and the initial failure of the Germans to realise the importance of radar. Superbly illustrated with both full-colour artworks of the aircraft (including some three-view artworks), as well as colour and black-and-white photographs, and a detailed appendix on squadron and aircraft service history, The Battle of Britain provides an outstanding account of the conflict.
This furious, trenchant, and audacious series of interrelated dialogues and letters takes a searing look at not only the legacy of psychotherapy, but also practically every aspect of contemporary living--from sexuality to politics, media, the environment, and life in the city. James Hillman--controversial renegade Jungian psychologist, the man Robert Bly has called "the most lively and original psychologist we've had in America since William James"--joins with Michael Ventura--cutting-edge columnist for the L.A. Weekly--to shatter many of our current beliefs about our lives, the psyche, and society. Unrestrained, freewheeling, and brilliant, these two intellectual wild men take chances, break rules, and run red lights to strike at the very core of our shibboleths and perceptions.
Luftwaffe Bombers in the Battle of Britain will contains some 140-150 images of German bomber aircraft during the summer of 1940. The images will cover the entirety of the battle and will depict losses across Britain during this period. Each picture will tell its own story, and will be fully captioned with historical detail.Each section will have a short introduction and the images will include those of shot down aircraft, including relatively intact machines, badly damaged/destroyed wreckages, photographs of pilots and other related illustrations. All images are from the author's unique collection of wartime photographs of Luftwaffe losses, collected from a variety of sources across some thirty-five years of research.
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