The Song of the Lark is the third novel by American author Willa Cather, written in 1915. It is generally considered to be the second novel in Cather's Prairie Trilogy, following O Pioneers! and preceding My Ántonia.
Willa Cather, in full Wilella Sibert Cather, (born December 7, 1873, near Winchester, Virginia, U.S.—died April 24, 1947, New York City, New York), American novelist noted for her portrayals of the settlers and frontier life on the American plains.
At age 9 Cather moved with her family from Virginia to frontier Nebraska, where from age 10 she lived in the village of Red Cloud. There she grew up among the immigrants from Europe—Swedes, Bohemians, Russians, and Germans—who were breaking the land on the Great Plains.
Meet extraordinary women who dared to bring gender equality and other issues to the forefront. From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell.
At the University of Nebraska she showed a marked talent for journalism and story writing, and on graduating in 1895 she obtained a position in Pittsburgh, Pennsylvania, on a family magazine. Later she worked as copy editor and music and drama editor of the Pittsburgh Leader. She turned to teaching in 1901 and in 1903 published her first book of verses, April Twilights. In 1905, after the publication of her first collection of short stories, The Troll Garden, she was appointed managing editor of McClure’s, the New York muckraking monthly. After building up its declining circulation, she left in 1912 to devote herself wholly to writing novels.
Cather’s first novel, Alexander’s Bridge (1912), was a factitious story of cosmopolitan life. Under the influence of Sarah Orne Jewett’s regionalism, however, she turned to her familiar Nebraska material. With O Pioneers! (1913) and My Ántonia (1918), which has frequently been adjudged her finest achievement, she found her characteristic themes—the spirit and courage of the frontier she had known in her youth. One of Ours (1922), which won the Pulitzer Prize, and A Lost Lady (1923) mourned the passing of the pioneer spirit.
In her earlier Song of the Lark (1915), as well as in the tales assembled in Youth and the Bright Medusa (1920), including the much-anthologized “Paul’s Case,” and Lucy Gayheart (1935), Cather reflected the other side of her experience—the struggle of a talent to emerge from the constricting life of the prairies and the stifling effects of small-town life.
Cather’s will erected strong protections around her intellectual property, preventing adaptations of her fiction and forbidding publication of her correspondence. However, upon the 2011 death of a nephew who had served as her last designated executor, copyright of her work passed to the Willa Cather Trust. The trust—a partnership of the Willa Cather Foundation, Cather’s remaining family, and the University of Nebraska Foundation—lifted the prohibitions on publishing her letters. Though Cather had destroyed much of her own epistolary record, nearly 3,000 missives were tracked down by scholars, and 566 were collected in The Selected Letters of Willa Cather (2013).
Edgar Award Winner: The “gripping” true story of a beautiful Texas socialite, her ambitious husband, and a string of mysterious deaths (Los Angeles Times). Joan Robinson Hill was a world-class equestrian, a glamorous member of Houston high society, and the wife of Dr. John Hill, a handsome and successful plastic surgeon. Her father, Ash Robinson, was a charismatic oil tycoon obsessed with making his daughter’s every dream come true. Rich, attractive, and reckless, Joan was one of the most celebrated women in a town infatuated with money, power, and fame. Then one morning in 1969, she fell mysteriously ill. The sordid events that followed comprise “what may be the most compelling and complex case in crime annals” (Ann Rule, bestselling author of The Stranger Beside Me). From the elegant mansions of River Oaks, one of America’s most exclusive neighborhoods, to a seedy underworld of prostitution and murder-for-hire, New York Times–bestselling author Thomas Thompson tracks down every bizarre motive and enigmatic clue to weave a fascinating tale of lust and vengeance. Full of colorful characters, shocking twists, and deadly secrets, Blood and Money is “an absolute spellbinder” and true crime masterpiece (Newsweek).
The chilling true story of female serial killer Aileen Wuornos, whose violent crimes shocked the nation—and inspired the Academy Award–winning film Monster. When police in Florida’s Volusia County were called to investigate the murder of Richard Mallory, whose gunshot-ridden body had been found in the woods just north of Daytona Beach in December 1989, their search led them to a string of dead ends before the trail went cold six months later. During the spring and summer of 1990, the bodies of six more middle-aged white men were discovered—all in secluded areas near their abandoned vehicles, all but one shot dead with a .22 caliber pistol—and all without any suspects, motives, or leads. The police speculated that the murders were connected, but they never anticipated what they’d soon discover: The killings were the work of a single culprit, Aileen Wuornos, one of the first women to ever fit the profile of a serial killer. With the cooperation of her former lover and accomplice, Tyria Moore, the police were able to solicit a confession from Wuornos about her months-long killing spree along Florida’s interstate highways. The nation was quickly swept up in the drama of her trial and the media dubbed her the “Damsel of Death” as horrifying details of her past as a prostitute and drifter emerged. Written by the Reuters reporter who initially broke the story, Dead Ends is a thrilling firsthand account of Wuornos’s capture, trial, and ultimate sentencing to death by lethal injection, that goes beyond the media frenzy to reveal the even more disturbing truth.
The true story of the long-unsolved killing of a celebrity in northern Florida: “A page-turner.” —First Coast Living The murder of Athalia Ponsell Lindsley, a former model and television hostess who was once engaged to Joseph P. Kennedy, Jr., is still notorious more than four decades after it occurred. The only eyewitness said a man attacked Lindsley with a machete in broad daylight on the front steps of her mansion. Gossip swirled that neighbor Frances Bemis knew who killed Lindsley and would notify authorities—and then Bemis was later murdered on her nightly walk. Police arrested only one suspect for Lindsley’s murder, which remains unsolved to this day. Here, Elizabeth Randall replaces the rumors with research, and draws from over one thousand pages of depositions, records, official county documentation, and interviews to reveal the story behind this shocking crime.Includes photos
An impressive new collection from a poet whose previous book was a finalist for both the National Book Award and the National Book Critics Circle Award
Taking its title from Heraclitus's most famous fragment, The River Twice is an elegiac meditation on impermanence and change. The world presented in these poems is a fluid one in which so much—including space and time, the subterranean realm of dreams, and language itself—seems protean, as the speaker's previously familiar understanding of the self and the larger systems around it gives way. Kathleen Graber’s poems wander widely, from the epistolary to the essayistic, shuffling the remarkable and unremarkable flotsam of contemporary life. One thought, one memory, one bit of news flows into the next. Yet, in a century devoted to exponentially increasing speed, The River Twice unfolds at the slow pace of a river bend. While the warm light of ideas and things flashes upon the surface, that which endures remains elusive—something glimpsed only for an instant before it is gone.
The horrific true story of serial kidnapper, rapist, and killer Robert Hansen’s reign of terror As oil-boom money poured into Anchorage, Alaska the city quickly became a prime destination for the seedier elements of society: prostitutes, pimps, con men, and criminals of all breeds looking to cash in. However, something even worse lurked in their midst. To all who knew him, Robert Hansen was a typical hardworking businessman, husband, and father. But hidden beneath the veneer of mild respectability was a monster whose depraved appetites could not be sated. From 1971 to 1983, Hansen was a human predator, stalking women on the edges of Anchorage society—women whose disappearances would cause scant outcry, but whose gruesome fates would shock the nation. After his arrest, Hansen confessed to seventeen brutal murders, though authorities suspect there were more than thirty victims. Alaska State Trooper Walter Gilmour and writer Leland E. Hale tell the story of Hansen’s twisted depredations—from the dark urges that drove his madness to the women who died at his hand and finally to the authorities who captured and convicted the killer who came to be known as the “Butcher Baker.”
Charles Manson was an unlikely messiah. Freshly paroled, he stumbled into San Francisco in 1967 just as thousands of impressionable young people were streaming into town for the Summer of Love.
Posing as a musician-come-guru-come-Christ-figure, Manson built a commune cult of hippies, consisting mainly of troubled young women. But what made this group set out on the four-week killing spree that claimed seven lives? Former Journalism Professor, David J Krajicek, seeks to discover just that.
This book includes: • Introduction into the counterculture of the sixties • In-depth profiles of Manson's followers • Breakdowns of each murder, including diary accounts, interviews and legal testimonies from the killers themselves • An account of the events in Manson's own words • Insight into Manson's manipulations and psychology
Set against events of the time - the sexual revolution, the civil rights movement, race riots, space exploration, rock music -this is the story of Flower Power gone to seed.
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