My Ántonia is a novel published in 1918 by American writer Willa Cather, considered one of her best works. It is the final book of her "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark.
Willa Cather, in full Wilella Sibert Cather, (born December 7, 1873, near Winchester, Virginia, U.S.—died April 24, 1947, New York City, New York), American novelist noted for her portrayals of the settlers and frontier life on the American plains.
At age 9 Cather moved with her family from Virginia to frontier Nebraska, where from age 10 she lived in the village of Red Cloud. There she grew up among the immigrants from Europe—Swedes, Bohemians, Russians, and Germans—who were breaking the land on the Great Plains.
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At the University of Nebraska she showed a marked talent for journalism and story writing, and on graduating in 1895 she obtained a position in Pittsburgh, Pennsylvania, on a family magazine. Later she worked as copy editor and music and drama editor of the Pittsburgh Leader. She turned to teaching in 1901 and in 1903 published her first book of verses, April Twilights. In 1905, after the publication of her first collection of short stories, The Troll Garden, she was appointed managing editor of McClure’s, the New York muckraking monthly. After building up its declining circulation, she left in 1912 to devote herself wholly to writing novels.
Cather’s first novel, Alexander’s Bridge (1912), was a factitious story of cosmopolitan life. Under the influence of Sarah Orne Jewett’s regionalism, however, she turned to her familiar Nebraska material. With O Pioneers! (1913) and My Ántonia (1918), which has frequently been adjudged her finest achievement, she found her characteristic themes—the spirit and courage of the frontier she had known in her youth. One of Ours (1922), which won the Pulitzer Prize, and A Lost Lady (1923) mourned the passing of the pioneer spirit.
In her earlier Song of the Lark (1915), as well as in the tales assembled in Youth and the Bright Medusa (1920), including the much-anthologized “Paul’s Case,” and Lucy Gayheart (1935), Cather reflected the other side of her experience—the struggle of a talent to emerge from the constricting life of the prairies and the stifling effects of small-town life.
Cather’s will erected strong protections around her intellectual property, preventing adaptations of her fiction and forbidding publication of her correspondence. However, upon the 2011 death of a nephew who had served as her last designated executor, copyright of her work passed to the Willa Cather Trust. The trust—a partnership of the Willa Cather Foundation, Cather’s remaining family, and the University of Nebraska Foundation—lifted the prohibitions on publishing her letters. Though Cather had destroyed much of her own epistolary record, nearly 3,000 missives were tracked down by scholars, and 566 were collected in The Selected Letters of Willa Cather (2013).
Three riveting accounts of horrific crimes and the twisted minds behind them by an Edgar Award–winning author, in one volume. A father’s ultimate betrayal, a savage killing spree that terrorized Los Angeles, and the brutal slaying of a rich man’s college-aged daughter. In this heart-stopping true crime collection, New York Times–bestselling author Darcy O’Brien uncovers the dark underside of the American dream. Murder in Little Egypt: Dr. John Dale Cavaness selflessly attended to the needs of his small, southern Illinois community. But when Cavaness was charged with the murder of his son Sean in December 1984, a radically different portrait of the physician and surgeon emerged. Throughout the three decades he had basked in the admiration and respect of the people of Little Egypt, Cavaness was privately terrorizing his family, abusing his employees, and making disastrous financial investments. In this New York Times bestseller, as more and more grisly details come to light, so too does rural America’s heritage of blood and violence become clear. The Hillside Stranglers: For weeks, the body count of sexually violated, brutally murdered young women escalated. With increasing alarm, Los Angeles newspapers headlined the deeds of a serial killer they named the Hillside Strangler. But not until January 1979, more than a year later, would the mysterious disappearance of two university students near Seattle lead police to the arrest of a security guard—the handsome, charming, fast-talking Kenny Bianchi—and the discovery that the strangler was not one man but two. The Hillside Stranglers is the disturbing portrait of a city held hostage by fear and a pair of psychopaths whose lust was as insatiable as their hate. A Dark and Bloody Ground: On a sweltering evening in August 1985, three men breached Roscoe Acker’s alarm and security systems, stabbed his daughter to death, and made off with over $1.9 million in cash. The killers were part of a hillbilly gang led by Sherry Sheets Hodge, a former prison guard, and her husband, lifetime criminal Benny Hodge. The stolen money came in handy shortly afterward, when they used it to lure Kentucky’s most flamboyant lawyer, Lester Burns, into representing them. “The smell of wet, coal-laden earth, white lightning, and cocaine-driven sweat rises from these marvelously atmospheric—and compelling—pages” (Kirkus Reviews).
On October 20, 1999, thirty-eight-year-old Nell Crowley Davis was bludgeoned, strangled, and stabbed to death in the backyard of her home in Bluffton, South Carolina, near Hilton Head Island. In My Ghost Has a Name: Memoir of a Murder, Rosalyn Rossignol tells the story of how Davis’s sixteen-year-old daughter, Sarah Nickel, along with the two teenage boys, came to be charged with the armed robbery and murder. Since no physical evidence tied Nickel to the murder, she was convicted of armed robbery and given the same sentence as the boys—thirty years. In the months that followed, Nickel vehemently insisted that she was innocent.
Torn by Nickel’s pleas, Rossignol, a childhood friend of the murder victim, committed herself to answering the question that perhaps the police detectives, the press, and the courts had not: whether Sarah Nickel was indeed guilty of this crime.
During five years of research, Rossignol read case files and transcripts, examined evidence from the crime scene, listened to the 9-1-1 call, and watched videotaped statements made by the accused in the hours following their arrest. She also interviewed family members, detectives, the solicitor who prosecuted the case, the lawyers who represented the defendants, and the judge who tried the case, as well as Nickel.
What Rossignol uncovers is a fascinating maze of twists and turns, replete with a memorable cast of characters including a shotgun-toting grandma, a self-avowed nihilist and Satan-worshipper, and a former Rice Queen of Savannah, Georgia. Unlike all previous investigators, Rossignol has uncovered the truth about what happened, and the reasons why, on that fateful October day.
This collection of stories explores murders committed in the very places meant to be safe havens – hospitals, doctor surgeries and people's own living rooms.
The doctors, nurses and other health professionals featured in this book are serial killers who roamed their place of work.
For them, finding victims was easy picking – the sick, the elderly, the very young … all completely oblivious to the danger that lurked at the edge of their bed
"A fascinating read."–Associated Press
Joshua Greene, who studied meditation with the legendary Beatle George Harrison, draws on personal remembrances, recorded conversations, and firsthand accounts to create a moving portrait of Harrison's spiritual life, his profound contribution to the Beatles' music, and previously unpublished anecdotes about his time with music legends Bob Dylan, Elvis Presley, and others.
"Many well-known artists have touched people's hearts with their music, but few have ever succeeded in touching people's souls. That was George's gift, and his story is described here with affection and taste. A wonderful book."–Mia Farrow
This story of Southern siblings is “a complex meditation on how two men who grew up together came away with diametrically opposing views” (The Boston Globe). Brothers Barry and Tommy Moser were born of the same parents in Chattanooga, Tennessee; slept in the same bedroom; went to the same school—and were both poisoned by their family’s deep racism and anti-Semitism. But as they grew older, their perspectives and paths grew further and further apart. Barry left Chattanooga for New England and a life in the arts; Tommy stayed put and became a mortgage banker. From attitudes about race to food, politics, and money, the brothers began to think so differently that they could no longer find common ground. For nearly forty years, there was more strife between them than affection. After one particularly fractious conversation, their fragile relationship fell apart. With the raw emotions that so often surface when we talk of our siblings, Barry recalls how they were finally able to traverse that great divide and reconcile their troubled brotherhood before it was too late. In We Were Brothers, “Barry Moser writes about the savagery of racism and the savagery between brothers with thoughtful introspection. In his efforts to understand both what he did and what was done to him, he has given us a beautiful and deeply compassionate examination of life” (Ann Patchett). “A powerful evocation of an era in which African-American children could play in a white person’s yard but weren’t allowed into the house. And it’s a moving portrait of two men—loving but wary, and capable of beauty even in the presence of the ugliest flaws.” —Minneapolis Star-Tribune “Might prove especially poignant and comforting to people navigating difficult family relationships.” —Michel Martin, weekend host of NPR’s All Things Considered
Trolls haunt the snowy forests, and terrifying monsters roam the open sea.A young woman journeys to the end of the world, and a boy proves he knows no fear.This collection of 16 traditional tales transports readers to the enchanting world of Nordic folklore. Translated and transcribed by folklorists in the 19th century, and presented here unabridged, the stories are by turns magical, hilarious, cozy, and chilling. They offer a fascinating view into Nordic culture and a comforting wintertime read. Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights.
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