Lucy Gayheart is Willa Cather's eleventh novel. It was published in 1935.
Willa Cather, in full Wilella Sibert Cather, (born December 7, 1873, near Winchester, Virginia, U.S.—died April 24, 1947, New York City, New York), American novelist noted for her portrayals of the settlers and frontier life on the American plains.
At age 9 Cather moved with her family from Virginia to frontier Nebraska, where from age 10 she lived in the village of Red Cloud. There she grew up among the immigrants from Europe—Swedes, Bohemians, Russians, and Germans—who were breaking the land on the Great Plains.
Meet extraordinary women who dared to bring gender equality and other issues to the forefront. From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell.
At the University of Nebraska she showed a marked talent for journalism and story writing, and on graduating in 1895 she obtained a position in Pittsburgh, Pennsylvania, on a family magazine. Later she worked as copy editor and music and drama editor of the Pittsburgh Leader. She turned to teaching in 1901 and in 1903 published her first book of verses, April Twilights. In 1905, after the publication of her first collection of short stories, The Troll Garden, she was appointed managing editor of McClure’s, the New York muckraking monthly. After building up its declining circulation, she left in 1912 to devote herself wholly to writing novels.
Cather’s first novel, Alexander’s Bridge (1912), was a factitious story of cosmopolitan life. Under the influence of Sarah Orne Jewett’s regionalism, however, she turned to her familiar Nebraska material. With O Pioneers! (1913) and My Ántonia (1918), which has frequently been adjudged her finest achievement, she found her characteristic themes—the spirit and courage of the frontier she had known in her youth. One of Ours (1922), which won the Pulitzer Prize, and A Lost Lady (1923) mourned the passing of the pioneer spirit.
In her earlier Song of the Lark (1915), as well as in the tales assembled in Youth and the Bright Medusa (1920), including the much-anthologized “Paul’s Case,” and Lucy Gayheart (1935), Cather reflected the other side of her experience—the struggle of a talent to emerge from the constricting life of the prairies and the stifling effects of small-town life.
Cather’s will erected strong protections around her intellectual property, preventing adaptations of her fiction and forbidding publication of her correspondence. However, upon the 2011 death of a nephew who had served as her last designated executor, copyright of her work passed to the Willa Cather Trust. The trust—a partnership of the Willa Cather Foundation, Cather’s remaining family, and the University of Nebraska Foundation—lifted the prohibitions on publishing her letters. Though Cather had destroyed much of her own epistolary record, nearly 3,000 missives were tracked down by scholars, and 566 were collected in The Selected Letters of Willa Cather (2013).
The third anthology in the annual series continues Catapult's landmark publishing partnership with PEN America and features the best debut short fiction published in the United States and Canada each year. PEN America will award the PEN/Robert J. Dau Short Story Prize for Emerging Writers prize of $2,000 to twelve winners, and Catapult will publish the dozen stories in a gorgeously designed anthology.
Each yearly anthology's winners are selected by three high-profile judges; stories for the 2019 edition will be chosen by Carmen Maria Machado (Her Body and Other Parties), Danielle Evans (Before You Suffocate Your Own Fool Self), and 2016 Whiting Award winner Alice Sola Kim.
Unique among comparative titles, each story in the PEN anthology is framed by an introduction by the publication's editor explaining why they nominated the story for the prize, giving writers who aspire to be published insight into the editors' thought processes.
The first two volumes received well-deserved critical praise, and stories from the anthologies were featured in LeVar Burton Reads, Electric Literature, and The Rumpus.
Catapult’s PEN America anthology is aspirational and inspirational for anyone working hard to be a writer, and a rare opportunity for debut short fiction writers to reach a wider audience; it appeals to MFA students, aspiring writers, and other lovers of literary fiction.
This anthology is not only a bold endorsement of fresh, raw, and risky new voices, but also a thoughtfully selected, deliberately arranged compendium for those wanting to know what's next in the literary world.
The support network for, awareness of, and enthusiasm for this book will continue to grow each year; the support 2019 authors, journals, and editors will build on the existing base of 2017 and 2018 contributors.
Eric Heidle's "Ace in the Hole" nominated for a 2018 Edgar Award for Best Short Story! A Parade magazine pick, included in "Books We Love" section "What could be a more unlikely breeding ground for noir fiction than Montana, whose wide-open landscapes seem the polar opposite of the mean streets of Los Angeles? Yet certain noir standbys prove both malleable and fertile in these 14 new stories...If Montana has a dark side, is anywhere safe from noir?"--Kirkus Reviews "Terrific...Montana Noir is one of the high points in Akashic's long-running and justly celebrated Noir series...Editors Grady and Graff's selections...are all sharply attuned to their settings and to the ways those varying landscapes reflect the darkness within the people who walk the streets or drive the country roads."--Booklist "14 stories set in Big Sky Country. Much like a travel map that divides Montana into regions, this volume is partitioned into four sections that reflect the geography of the state: Copper Power, The Hi-Line, Custer Country, and Rivers Run...Montana, and others live in the state; all the authors have strong emotional ties to the area's particular lifestyle. The editors tout this book as the first-ever anthology of Montana-set noir short stories. Fans of the genre and regional fiction will be intrigued."--Library Journal XPress Reviews "There's no shortage of misbehavior in this book. But there's also no shortage of excellent writing by some of Montana's finest authors. The book included work by Thomas McGuane, Jamie Ford, Walter Kirn, Debra Magpie earling and eight others. Thwey're all Montanans, every one, and their subjects are as varied and unique as the state itself."--Montana Quarterly "Even though Montana's beauty makes the idea of dark alleys and neon lights seem incongruous, noir also represents struggle, and doing the wrong thing for the right reasons...There can never be a happy ending in noir but there can be the possibility of redemption. It's the little guy against big forces and as Montanans, we can all appreciate that fight."--Billings Gazette Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct location within the geographic area of the book. Grady and Graff, both Montana natives, masterfully curate this collection of hard-edged Western tales. Brand-new stories by: David Abrams, Caroline Patterson, Eric Heidle, Thomas McGuane, Janet Skeslien Charles, Sidner Larson, Yvonne Seng, James Grady, Jamie Ford, Carrie La Seur, Walter Kirn, Gwen Florio, Debra Magpie Earling, and Keir Graff. From the introduction by James Grady and Keir Graff: This anthology is a road trip through the dreams and disasters of the true Montana, stories written by authors with Montana in their blood, tales that circle you around the state through its cities and small towns. These are twenty-first century authors writing timeless sagas of choice, crime, and consequences...You'll meet students and strippers, cops and cons, druggies and dreamers, cold-eyed killers and caught-in-their-gunsights screwed-up souls. But mostly, through all our fiction here, you'll meet quiet heroes and see the noir side of life that makes our Montana as real as it is mythic. No doubt the state's beauty will still make the very idea of Montana Noir seem incongruous to some. Noir is black-and-white. Streets and alleys. Flashing neon lighting a rain-streaked window. But while noir was definitely an urban invention, it knows no boundaries. Noir is struggle. It's doing the wrong thing for the right reasons. It's being trapped. It's hubris. It's being defeated yet going on. Sometimes it's being defeated and not going on. That's life everywhere. This is our Montana.
New York Times Bestseller: An “elegant” mosaic of trenchant observations on the late sixties and seventies from the author of Slouching Towards Bethlehem (The New Yorker). In this landmark essay collection, Joan Didion brilliantly interweaves her own “bad dreams” with those of a nation confronting the dark underside of 1960s counterculture. From a jailhouse visit to Black Panther Party cofounder Huey Newton to witnessing First Lady of California Nancy Reagan pretend to pick flowers for the benefit of news cameras, Didion captures the paranoia and absurdity of the era with her signature blend of irony and insight. She takes readers to the “giddily splendid” Getty Museum in Los Angeles, the cool mountains of Bogotá, and the Jordanian Desert, where Bishop James Pike went to walk in Jesus’s footsteps—and died not far from his rented Ford Cortina. She anatomizes the culture of shopping malls—“toy garden cities in which no one lives but everyone consumes”—and exposes the contradictions and compromises of the women’s movement. In the iconic title essay, she documents her uneasy state of mind during the years leading up to and following the Manson murders—a terrifying crime that, in her memory, surprised no one. Written in “a voice like no other in contemporary journalism,” The White Album is a masterpiece of literary reportage and a fearless work of autobiography by the National Book Award–winning author of The Year of Magical Thinking (The New York Times Book Review). Its power to electrify and inform remains undiminished nearly forty years after it was first published.
This story of Southern siblings is “a complex meditation on how two men who grew up together came away with diametrically opposing views” (The Boston Globe). Brothers Barry and Tommy Moser were born of the same parents in Chattanooga, Tennessee; slept in the same bedroom; went to the same school—and were both poisoned by their family’s deep racism and anti-Semitism. But as they grew older, their perspectives and paths grew further and further apart. Barry left Chattanooga for New England and a life in the arts; Tommy stayed put and became a mortgage banker. From attitudes about race to food, politics, and money, the brothers began to think so differently that they could no longer find common ground. For nearly forty years, there was more strife between them than affection. After one particularly fractious conversation, their fragile relationship fell apart. With the raw emotions that so often surface when we talk of our siblings, Barry recalls how they were finally able to traverse that great divide and reconcile their troubled brotherhood before it was too late. In We Were Brothers, “Barry Moser writes about the savagery of racism and the savagery between brothers with thoughtful introspection. In his efforts to understand both what he did and what was done to him, he has given us a beautiful and deeply compassionate examination of life” (Ann Patchett). “A powerful evocation of an era in which African-American children could play in a white person’s yard but weren’t allowed into the house. And it’s a moving portrait of two men—loving but wary, and capable of beauty even in the presence of the ugliest flaws.” —Minneapolis Star-Tribune “Might prove especially poignant and comforting to people navigating difficult family relationships.” —Michel Martin, weekend host of NPR’s All Things Considered
How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod.
The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity.
The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.
The growing movement against mass incarceration and harsh sentencing that began with books like The New Jim Crow, gets a human face as the stories of those impacted by the inhumanity of solitary confinement speak out.
The New Jim Crow has sold over a million copies and continues to be a focal point in the conversation about mass incarceration, including a new battle over whether or not prisoners can buy and read books like this one.
Ava DuVerney's electric documentry, 13, about the inequality of the prison industrial complex, was both critically acclaimed and widely viewed online.
The case of Kalif Browder, a juvenile who was locked in solitary for three years and later committed suicide after being released, has been widely discussed and featured in major news outlets. His story shined a light on the harsh reality of solitary, in particular for youth prisoners.
This book uses the power of oral history to weave together a stark portrait of what it is like in America’s most hostile prison environment: a six by ten cell in solitary.
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