Alexander's Bridge is the first novel by American author Willa Cather. First published in 1912, it was re-released with an author's preface in 1922. It also ran as a serial in McClure's, giving Cather some free time from her work for that magazine.
Willa Cather, in full Wilella Sibert Cather, (born December 7, 1873, near Winchester, Virginia, U.S.—died April 24, 1947, New York City, New York), American novelist noted for her portrayals of the settlers and frontier life on the American plains.
At age 9 Cather moved with her family from Virginia to frontier Nebraska, where from age 10 she lived in the village of Red Cloud. There she grew up among the immigrants from Europe—Swedes, Bohemians, Russians, and Germans—who were breaking the land on the Great Plains.
Meet extraordinary women who dared to bring gender equality and other issues to the forefront. From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell.
At the University of Nebraska she showed a marked talent for journalism and story writing, and on graduating in 1895 she obtained a position in Pittsburgh, Pennsylvania, on a family magazine. Later she worked as copy editor and music and drama editor of the Pittsburgh Leader. She turned to teaching in 1901 and in 1903 published her first book of verses, April Twilights. In 1905, after the publication of her first collection of short stories, The Troll Garden, she was appointed managing editor of McClure’s, the New York muckraking monthly. After building up its declining circulation, she left in 1912 to devote herself wholly to writing novels.
Cather’s first novel, Alexander’s Bridge (1912), was a factitious story of cosmopolitan life. Under the influence of Sarah Orne Jewett’s regionalism, however, she turned to her familiar Nebraska material. With O Pioneers! (1913) and My Ántonia (1918), which has frequently been adjudged her finest achievement, she found her characteristic themes—the spirit and courage of the frontier she had known in her youth. One of Ours (1922), which won the Pulitzer Prize, and A Lost Lady (1923) mourned the passing of the pioneer spirit.
In her earlier Song of the Lark (1915), as well as in the tales assembled in Youth and the Bright Medusa (1920), including the much-anthologized “Paul’s Case,” and Lucy Gayheart (1935), Cather reflected the other side of her experience—the struggle of a talent to emerge from the constricting life of the prairies and the stifling effects of small-town life.
Cather’s will erected strong protections around her intellectual property, preventing adaptations of her fiction and forbidding publication of her correspondence. However, upon the 2011 death of a nephew who had served as her last designated executor, copyright of her work passed to the Willa Cather Trust. The trust—a partnership of the Willa Cather Foundation, Cather’s remaining family, and the University of Nebraska Foundation—lifted the prohibitions on publishing her letters. Though Cather had destroyed much of her own epistolary record, nearly 3,000 missives were tracked down by scholars, and 566 were collected in The Selected Letters of Willa Cather (2013).
Highs and lows are an inevitable part of life for most people. Some of us find it harder than others to deal with. In this book I tell you how about how I dealt with mine and came out the other end. All for the price of a double cheeseburger. There is other cool stuff in here too.
This collection of stories explores murders committed in the very places meant to be safe havens – hospitals, doctor surgeries and people's own living rooms.
The doctors, nurses and other health professionals featured in this book are serial killers who roamed their place of work.
For them, finding victims was easy picking – the sick, the elderly, the very young … all completely oblivious to the danger that lurked at the edge of their bed
New York Times Bestseller: An “elegant” mosaic of trenchant observations on the late sixties and seventies from the author of Slouching Towards Bethlehem (The New Yorker). In this landmark essay collection, Joan Didion brilliantly interweaves her own “bad dreams” with those of a nation confronting the dark underside of 1960s counterculture. From a jailhouse visit to Black Panther Party cofounder Huey Newton to witnessing First Lady of California Nancy Reagan pretend to pick flowers for the benefit of news cameras, Didion captures the paranoia and absurdity of the era with her signature blend of irony and insight. She takes readers to the “giddily splendid” Getty Museum in Los Angeles, the cool mountains of Bogotá, and the Jordanian Desert, where Bishop James Pike went to walk in Jesus’s footsteps—and died not far from his rented Ford Cortina. She anatomizes the culture of shopping malls—“toy garden cities in which no one lives but everyone consumes”—and exposes the contradictions and compromises of the women’s movement. In the iconic title essay, she documents her uneasy state of mind during the years leading up to and following the Manson murders—a terrifying crime that, in her memory, surprised no one. Written in “a voice like no other in contemporary journalism,” The White Album is a masterpiece of literary reportage and a fearless work of autobiography by the National Book Award–winning author of The Year of Magical Thinking (The New York Times Book Review). Its power to electrify and inform remains undiminished nearly forty years after it was first published.
Three riveting accounts of horrific crimes and the twisted minds behind them by an Edgar Award–winning author, in one volume. A father’s ultimate betrayal, a savage killing spree that terrorized Los Angeles, and the brutal slaying of a rich man’s college-aged daughter. In this heart-stopping true crime collection, New York Times–bestselling author Darcy O’Brien uncovers the dark underside of the American dream. Murder in Little Egypt: Dr. John Dale Cavaness selflessly attended to the needs of his small, southern Illinois community. But when Cavaness was charged with the murder of his son Sean in December 1984, a radically different portrait of the physician and surgeon emerged. Throughout the three decades he had basked in the admiration and respect of the people of Little Egypt, Cavaness was privately terrorizing his family, abusing his employees, and making disastrous financial investments. In this New York Times bestseller, as more and more grisly details come to light, so too does rural America’s heritage of blood and violence become clear. The Hillside Stranglers: For weeks, the body count of sexually violated, brutally murdered young women escalated. With increasing alarm, Los Angeles newspapers headlined the deeds of a serial killer they named the Hillside Strangler. But not until January 1979, more than a year later, would the mysterious disappearance of two university students near Seattle lead police to the arrest of a security guard—the handsome, charming, fast-talking Kenny Bianchi—and the discovery that the strangler was not one man but two. The Hillside Stranglers is the disturbing portrait of a city held hostage by fear and a pair of psychopaths whose lust was as insatiable as their hate. A Dark and Bloody Ground: On a sweltering evening in August 1985, three men breached Roscoe Acker’s alarm and security systems, stabbed his daughter to death, and made off with over $1.9 million in cash. The killers were part of a hillbilly gang led by Sherry Sheets Hodge, a former prison guard, and her husband, lifetime criminal Benny Hodge. The stolen money came in handy shortly afterward, when they used it to lure Kentucky’s most flamboyant lawyer, Lester Burns, into representing them. “The smell of wet, coal-laden earth, white lightning, and cocaine-driven sweat rises from these marvelously atmospheric—and compelling—pages” (Kirkus Reviews).
How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod.
The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity.
The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.
The true story behind “one of history’s great manhunts” and the film Operation Finale by the Mossad legend who caught the most wanted Nazi in the world (The New York Times). 1n 1960 Argentina, a covert team of Israeli agents hunted down the most elusive war criminal alive: Adolf Eichmann, chief architect of the Holocaust. The young spy who tackled Eichmann on a Buenos Aires street—and fought every compulsion to strangle the Obersturmführer then and there—was Peter Z. Malkin. For decades Malkin’s identity as Eichmann’s captor was kept secret. Here he reveals the entire breathtaking story—from the genesis of the top-secret surveillance operation to the dramatic public capture and smuggling of Eichmann to Israel to stand trial. The result is a portrait of two men. One, a freedom fighter, intellectually curious and driven to do right. The other, the dutiful Good German who, through his chillingly intimate conversations with Malkin, reveals himself as the embodiment of what Hannah Arendt called “the banality of evil.” Singular, riveting, troubling, and gratifying, Eichmann in My Hands “remind[s] of what is at stake: not only justice but our own humanity” (New York Newsday). Now Malkin’s story comes to life on the screen with Oscar Isaac playing the heroic Mossad agent and Academy Award winner Ben Kingsley playing Eichmann in Operation Finale.
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