The Bride of Lammermoor is a historical novel by Sir Walter Scott, published in 1819. The novel is set in the Lammermuir Hills of south-east Scotland, and tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood. Scott indicated the plot was based on an actual incident.
Sir Walter Scott, in full Sir Walter Scott, 1st Baronet, (born August 15, 1771, Edinburgh, Scotland—died September 21, 1832, Abbotsford, Roxburgh, Scotland), Scottish novelist, poet, historian, and biographer who is often considered both the inventor and the greatest practitioner of the historical novel.
Scott’s father was a lawyer, and his mother was the daughter of a physician. From his earliest years, Scott was fond of listening to his elderly relatives’ accounts and stories of the Scottish Border, and he soon became a voracious reader of poetry, history, drama, and fairy tales and romances. He had a remarkably retentive memory and astonished visitors by his eager reciting of poetry. His explorations of the neighbouring countryside developed in him both a love of natural beauty and a deep appreciation of the historic struggles of his Scottish forebears.
Scott was educated at the high school at Edinburgh and also for a time at the grammar school at Kelso. In 1786 he was apprenticed to his father as writer to the signet, a Scots equivalent of the English solicitor (attorney). His study and practice of law were somewhat desultory, for his immense youthful energy was diverted into social activities and into miscellaneous readings in Italian, Spanish, French, German, and Latin. After a very deeply felt early disappointment in love, he married, in December 1797, Charlotte Carpenter, of a French royalist family, with whom he lived happily until her death in 1826.
In the mid-1790s Scott became interested in German Romanticism, Gothic novels, and Scottish border ballads. His first published work, The Chase, and William and Helen (1796), was a translation of two ballads by the German Romantic balladeer G.A. Bürger. A poor translation of Goethe’s Götz von Berlichingen followed in 1799. Scott’s interest in border ballads finally bore fruit in his collection of them entitled Minstrelsy of the Scottish Border, 3 vol. (1802–03). His attempts to “restore” the orally corrupted versions back to their original compositions sometimes resulted in powerful poems that show a sophisticated Romantic flavour. The work made Scott’s name known to a wide public, and he followed up his first success with a full-length narrative poem, The Lay of the Last Minstrel (1805), which ran into many editions. The poem’s clear and vigorous storytelling, Scottish regionalist elements, honest pathos, and vivid evocations of landscape were repeated in further poetic romances, including Marmion (1808), The Lady of the Lake (1810), which was the most successful of these pieces, Rokeby (1813), and The Lord of the Isles (1815).
This anthology draws together some of the best new stories of mystery and murder—compiled by the Anthony Award–winning crime fiction editor. This anthology collects the most original stories of murder by some of mystery fiction's most inventive talents from the United States and United Kingdom. With innovative new takes on locked-room mysteries and impossible crimes, these short stories are full of vexing conundrums and reality-defying puzzles. A murder has been committed—but how could it have happened? Curated by Maxim Jakubowski, one of the crime genre’s most renowned editors, this volume features never-before-seen stories by acclaimed authors—including British Science Fiction Award–winner Eric Brown, Derringer Award–winner O'Neil de Noux, and multiple CWA Dagger Award–winners and nominees.
An innovative and insightful exploration of the passionate early life of Socrates and the influences that led him to become the first and greatest of philosophers
Socrates: the philosopher whose questioning gave birth to the ideas of Western thought, and whose execution marked the end of the Athenian Golden Age. Yet despite his pre-eminence among the great thinkers of history, little of his life story is known. What we know tends to begin in his middle age and end with his trial and death. Our conception of Socrates has relied upon Plato and Xenophon – men who met him when he was in his fifties and a well-known figure in war-torn Athens.
There is mystery at the heart of Socrates' story: what turned the young Socrates into a philosopher? What drove him to pursue with such persistence, at the cost of social acceptance and ultimately of his life, a whole new way of thinking about the meaning of existence?
In this revisionist biography, Armand D'Angour draws on neglected sources to explore the passions and motivations of young Socrates, showing how love transformed him into the philosopher he was to become. What emerges is the figure of Socrates as never previously portrayed: a heroic warrior, an athletic wrestler and dancer – and a passionate lover. Socrates in Love sheds new light on the formative journey of the philosopher, finally revealing the identity of the woman who Socrates claimed inspired him to develop ideas that have captivated thinkers for 2,500 years.
In May 1908 William James, a gifted and popular lecturer, delivered a series of eight Hibbert Lectures at Manchester College, Oxford, on “The Present Situation in Philosophy.” These were published in 1909 as "A Pluralistic Universe."
In “A Pluralistic Universe” James captures a new philosophic vision, at once intimate and realistic. He shares with his readers a view of the universe that is fresh, active, and novel. He defends the mystical and anti-pragmatic view that concepts distort rather than reveal reality.
The message conveyed is as relevant today as it was in his time.
One spring day, the Narrator of The Canterbury Tales rents a room at the Tabard Inn before he recommences his journey to Canterbury. That evening, a group of people arrive at the inn, all of whom are also going to Canterbury to receive the blessings of "the holy blissful martyr," St. Thomas à Becket. Calling themselves "pilgrims" because of their destination, they accept the Narrator into their company. The Narrator describes his newfound traveling companions.
The Host at the inn, Harry Bailey, suggests that, to make the trip to Canterbury pass more pleasantly, each member of the party tell two tales on the journey to Canterbury and two more tales on the journey back. The person who tells the best story will be rewarded with a sumptuous dinner paid for by the other members of the party. The Host decides to accompany the pilgrims to Canterbury and serve as the judge of the tales. (non illustrated)
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