Mrs. Craddock (1902) is a novel by W. Somerset Maugham. Controversial for its portrayal of infidelity and marriage across social classes, Mrs. Craddock was instrumental in establishing Maugham’s reputation as a leading author of the late Victorian era. Due to its content, the novel appeared exclusively in Bowdlerized form until Maugham saw it republished in 1938. Bertha Ley has always been independent. Orphaned at a young age, she comes into a sizable inheritance at 21 and declares her wish to marry Edward Craddock, a 27-year-old from a working-class background. Despite his initial hesitance, she encourages him to propose and assures him that they can raise a family together. As she signs over control of her fortune to Craddock, ostensibly to give him the confidence he desperately needs, Bertha slowly realizes that she is unattracted to almost everything about him. His morals, interests, and attitudes are all shaped by a way of life she will never understand, and he appears solely dedicated to raising his animals. When their first child is stillborn, things begin to change for the young husband and wife—Bertha retreats while Edward leans into his commitment to work, even taking an interest in local politics. Although Bertha begins to accept her unhappiness, something inside her remains undeterred, longing to be released. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Mrs. Craddock is a classic work of British literature reimagined for modern readers.
Dorothy Richardson is existing just above the poverty line, doing secretarial work at a dentist's office and living in a seedy boarding house in Bloomsbury, when she is invited to spend the weekend with a childhood friend, Jane.
Jane has recently married a writer who is on the brink of fame. His name is H.G. Wells, or Bertie, as they call him. Bertie appears unremarkable at first. But then Dorothy notices his grey-blue eyes taking her in, openly signalling approval. He tells her he and Jane have an agreement which allows them the freedom to take lovers, although Dorothy can tell her friend would not be happy with that arrangement.
Not wanting to betray Jane, yet unable to draw back Dorothy free-falls into an affair with Bertie. Then a new boarder arrives at the house- beautiful Veronica Leslie-Jones-and Dorothy finds herself caught between Veronica and Bertie. Amidst the personal dramas and wreckage of a militant suffragette march, Dorothy finds her voice as a writer.
“A smart, deep, black magic carnie noir existential bloodbath” from the acclaimed author of Boon (Gemma Files, Shirley Jackson Award–winning author). In the shadow of World War II, the barren, dusty streets of Litchfield, Arkansas, are even quieter than usual, leaving hotel detective George “Jojo” Walker with too much time to struggle with his own personal demons. But everything changes when a traveling picture show comes to town. The film’s purveyors check into the hotel where Jojo works and set up a special midnight screening at the local theater. The curtain rises on a surreal carnival of dark magic and waking nightmares, starring Jojo and the residents of Litchfield, as madness, murder, and mayhem threaten to engulf them all . . . “A stunner of a story . . . Flat-out brilliant . . . Unfolds like petals of an exotic and scandalous black flower—each one gently opening to give the reader a distressing revelation . . . Powerful ideas, wrapped in a dark mantle of horror.” —My Haunted Library “If you like pulpy noir with a dose of existentialism mixed with some utterly bizarre horror, this book is for you.” —Fangoria “Genre mash-ups like this one are difficult to execute, but Kurtz navigates it deftly, with writing so visceral and evocative it feels less like reading a book and more like watching a film in real time.” —Literary Hub “While it echoes with the shadowy threatening of Bradbury’s Something Wicked This Way Comes and the religious dread of Hjortsberg’s Falling Angel, the clearest voice here is Kurtz’s own cry into the existential abyss.” —Bracken MacLeod, author of Mountain Home
From the award-winning “heir to the mantle of Stephen King”: A supernatural entity draws a woman into a terrifying nightmare (The National Post). Some little girls have imaginary friends. Ann LeSage had the Insect. A violent poltergeist that tore a murderous path through her family, it wasn’t imaginary—and it definitely wasn’t a friend. Now Ann is all grown up—and so is the Insect. And Ann’s upcoming marriage to a mysterious young lawyer is about to open up a whole new world to both of them, rife with secrets and laced with traps. Soon, Ann will find herself in a perverse battle against a group of men who want to wrest control of the Insect from her. What they don’t know is, if you play with the Insect, you’re sure to get stung . . . “Few writers do psychosexual horror as well as Toronto’s David Nickle, and with The ’Geisters he’s back with another tale of voluptuous terror and the supernatural.” —Toronto Star “This is a book that buzzes in your ears, climbs your crawling skin with multiple barbed feet, feeling with exquisitely sensitive antennae for the next new and terrible revelation.” —The National Post “[The ’Geisters] doesn’t just explore the attractiveness of terror—it embodies it in a narrative that demands (excites even as it repels) your attention. It’s a(nother) strong novel by one of the best, most interesting horror writers working today.” —Bookgasm
From the New York Times–bestselling author, “a breathtakingly fast-paced medical thriller” starring four women who face life and death every day (Publishers Weekly). It’s the first of July, the most dangerous day of the year, as the interns fresh from med school show up for their first day at Angels of Mercy Hospital.New ER doctor Lydia Fiore finds herself losing the wrong patient—the Chief of Surgery’s son. To save her career, Lydia must discover the truth behind her patient’s death, even if it leads her into unfamiliar—and risky—territory, finding new friends, new love, and new enemies who will stop at nothing to silence her. Drawing from her own experiences as a pediatric ER doctor, New York Times–bestselling and Thriller Award-winning author CJ Lyons reveals the secrets of an urban trauma center in the first novel in this dramatic, compelling series. “All the best episodes of ER and Grey’s Anatomy squeezed into one breathtaking novel.” —HHI Magazine “A pulse-pounding adrenaline rush.” —Lisa Gardner, #1 New York Times–bestselling author of Before She Disappeared “An exciting debut novel . . . Engrossing, intriguing.” —Heather Graham, New York Times–bestselling author of Danger in Numbers
In 1970s New York, a woman finds professional success and personal disillusionment: “Sparkling . . . Looks back on the heyday of glossy magazine publishing.” —Publishers Weekly One of the many Ivy League graduates with literary ambitions who flock to New York City every year, twenty-five-year-old Melissa Fleischer has the great fortune to be hired as the assistant to high-profile magazine editor Austin Bloch. But after she begins her career with the prestigious publication, Mel learns the extravagantly long lunches her boss often indulges in are actually disguising his affairs with a stream of young women. Mel is left in the distressing position of lying about these never-ending betrayals to Austin’s wife, Hillarie, who often calls while he is out of the office. Then, unexpectedly, the New Yorker begins printing Mel’s short stories, offering a spectacular start to what she hopes will be a long and fruitful writing career. Unfortunately, the exhilaration of being published by the magazine she reveres most is soon diminished—by both Mel’s deeply painful discovery that her own relationship, like Austin’s, is far from idyllic, and her continuing complicity in Austin’s betrayals. And nothing seems more difficult than the effort it will take to keep her marriage from falling apart in this novel by an author who “writes so brilliantly of the battle of the sexes” (The New York Times Book Review).
Handpicked works from the greatest Argentinian writer of the twentieth century. “Without Borges the modern Latin American novel simply would not exist” (Carlos Fuentes, author and diplomat). After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his work—short stories, essays, poems, and brief mordant “sketches,” which, in Borges’s hands, take on the dimensions of a genre unique in modern letters. In this anthology, the author has put together those pieces on which he would like his reputation to rest; they are not arranged chronologically, but with an eye to their “sympathies and differences.” A Personal Anthology, therefore, is not merely a collection, but a new composition. “An important work, by far the best yet available to the reader . . . who seeks a representative sampling of the great Argentine writer . . . the standard introduction to Borges in England and the United States.” —Saturday Review
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