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  A Lost Soul Found in the...

  Brett C. Persson

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  Step into a powerful journey through abuse, addiction, and redemption, told through the art of Haiku. 
  As a profound collection of Japanese Haiku poetry, this illuminating book transports you on a journey through the troubled life of one tormented soul. From a childhood marred by abuse and neglect to a life poisoned by addiction, Jake was plunged down a dark path from an early age by the cruelties of fate. 
  But in his darkest moment, while sitting in a prison cell, a ray of light appeared to him. Jake was faced with a life-defining choice: to continue down his self-destructive path, or to turn toward the hope of redemption and find the courage to face his demons. 
  As an inspiring and redeeming testament to the hidden potentialities within us all, A Lost Soul Found in the Darkness describes one man's journey to overcome his predicament, defy his upbringing, and forge a new life for himself beyond the pain and addiction that hounds him. 
  Author and recovering addict Brett C. Persson invites you on this journey, weaving Jake's story with real-life lessons and struggles drawn from his personal life. 
  Imbued with timeless religious motifs, this book is a must-read for anybody who loves thought-provoking Haiku collections that communicate deep truths about tragedy, hope, and salvation.

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  rock flight

  Hasib Hourani

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  rock flight is a book-length poem that follows a personal and historical narrative to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.
  'rock flight is relentlessly potent. Merging resistance and poetry, Hasib Hourani writes back—against the "suffocating state" and imperial forces. Be ready to be transformed by Hourani's diasporic anticolonial poetics.' — Don Mee Choi
  'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.' — Maxine Beneba Clarke

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  The Wonder of Small Things -...

  James Crews, Nikita Gill

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  From the editor of the bestselling poetry anthologies How to Love the World and The Path to Kindness, a collection of accessible, uplifting poetry celebrating the small wonders and peaceful moments of everyday life.  As James Crews writes in the introduction: "Wonder opens our senses and helps us stay in touch with a humbling sense of our own human smallness in the face of unexpected beauty and the delicious mysteries of life on this planet." The anthology features a foreword by Nikita Gill and a carefully curated selection of poems from a diverse range of authors, including Native American poets Joy Harjo, Linda Hogan, Kimberly Blaeser, and Joseph Bruchac, and BIPOC writers Ross Gay, Julia Alvarez, and Toi Derricotte. Crews features new poems from popular writers such as Natalie Goldberg, Mark Nepo, Ted Kooser, Naomi Shihab Nye, Jane Hirshfield, and Jacqueline Suskin, along with selections from emerging poets. Readers are guided in exploring the meaning and essence of the poems through a series of reflective pauses scattered through the pages and reading group questions in the back. This anthology offers the perfect intersection for the growing number of readers interested in mindful living and bringing poetry into their everyday lives.A New England Book Award Winner A USA Today Bestseller

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  Primordial - Poems

  Mai Der Vang

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  Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate. 
   
   
   
  With profound and attentive care, Vang addresses the plight of the saola, an extremely rare and critically endangered animal native to the Annamite Mountains in Laos and Vietnam. Remarkably, the saola has only been known to the outside world since 1992, and sightings are so rare that it has now been more than a decade since the last known image of one was captured in a camera trap photo in 2013. 
   
   
   
  Primordial examines the saola's relationship to Hmong refugee identity and cosmology and a shared sense of exile, precarity, privacy, and survival. Can a war-torn landscape and memory provide sanctuary, and what are the consequences for our climate, our origins, our ability to belong to a homeland? Written during a difficult pregnancy and postpartum period, Vang's poems are urgent stays against extinction.

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  Poetry of the Romantics

  John Keats

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  The period of English romantic poetry occurred roughly between 1800 and 1850 and was represented by poets such as William Blake, Lord Byron, Samuel Taylor Coleridge, John Keats, Percy Bysshe Shelley, and William Wordsworth. All of these poets are featured in this collection of more than 50 poems read by award-winning actors that include Joan Allen, Julie Christie, Stephen Fry, Glenda Jackson, and Jude Law.

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  The Poetry of John Gould...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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