A SUNDAY TIMES HISTORICAL NOVEL OF THE YEAR.
Tenth-century Iceland. In the midwinter darkness, on the lifeless black soils of a newly settled land, two friends kill a man. Kjaran, an itinerant storyteller, and Gunnar, a once-feared warrior, must make a choice: conceal the deed or confess to it and pay the blood price to the dead man's brothers.
For the right reasons, they make the wrong choice.
Kjaran and Gunnar's fateful decision will leave them fighting for their lives, fighting to retain their humanity as Iceland's unyielding code of honour ignites a remorseless blood feud that will consume all it touches.
'Smile of the Wolf bares its fangs from the first page. Like a medieval tapestry, the storytelling is rich with imagery. Readers will be lured spellbound into this lyrical and evocative Icelandic saga. It deserves huge success' DAVID GILMAN.
“This is Raymond Chandler for feminists.” ―Sharma Shields, author of The Cassandra“An expressive and striking story that examines what one does for family and for oneself.” ―Kirkus ReviewsJane’s a very brave boy. And a very difficult girl. She’ll become a remarkable woman, an icon of her century, but that’s a long way off. Not my fault, she thinks, dropping a bloody crowbar in the irrigation ditch after Daddy. She steals Momma’s Ford and escapes to Depression-era San Francisco, where she fakes her way into work as a newspaper copy boy. Everything’s looking up. She’s climbing the ladder at the paper, winning validation, skill, and connections with the artists and thinkers of her day. But then Daddy reappears on the paper’s front page, his arm around a girl who’s just been beaten into a coma one block from Jane’s newspaper―hit in the head with a crowbar. Jane’s got to find Daddy before he finds her, and before everyone else finds her out. She’s got to protect her invented identity. This is what she thinks she wants. It’s definitely what her dead brother wants.
The eighth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series.
Britain, early tenth century AD: a time of change. There are new raids by the Vikings from Ireland and turmoil among the Saxons over the leadership of Mercia. A younger generation is taking over.
Æthelred, the ruler of Mercia, is dying, leaving no legitimate heir. The West Saxons want their king, but Uhtred has long supported Æthelflaed, sister to King Edward of Wessex and widow of Æthelred. Widely loved and respected, Æthelflaed has all the makings of a leader—but could Saxon warriors ever accept a woman as their ruler? The stage is set for rivals to fight for the empty throne.
In the 1940s, in segregated Knoxville, Tennessee, Gail (white) and Hanna (black) shared a crib in Gail’s parents’ house, where Hanna’s mother, Sophie, was the live-in maid. When the girls were four, Sophie taught them to swim, and soon they were gleefully doing cannonballs off the diving board, playing a game they'd invented based on their favorite Billie Holiday song.
By the time they’re both in college, however, the two friends have lost touch with each other. A reunion in Washington, DC, sought by Gail but resented by Hanna, sets the tone for their relationship from then on. Marriage, children, and a tragic death further strain the increasingly fragile bond. How much longer can the friendship last?
From the author of the bestselling A Reliable Wife comes a dramatic, passionate tale of a glamorous Southern debutante who marries for money and ultimately suffers for love—a southern gothic as written by Dominick Dunne.
It begins with a house and ends in ashes . . .
Diana Cooke was "born with the century" and came of age just after World War I. The daughter of Virginia gentry, she knew early that her parents had only one asset, besides her famous beauty: their stately house, Saratoga, the largest in the commonwealth, which has hosted the crème of society and Hollywood royalty. Though they are land-rich, the Cookes do not have the means to sustain the estate. Without a wealthy husband, Diana will lose the mansion that has been the heart and soul of her family for five generations.
The mysterious Captain Copperton is an outsider with no bloodline but plenty of cash. Seeing the ravishing nineteen-year-old Diana for the first time, he’s determined to have her. Diana knows that marrying him would make the Cookes solvent and ensure that Saratoga will always be theirs. Yet Copperton is cruel as well as vulgar; while she admires his money, she cannot abide him. Carrying the weight of Saratoga and generations of Cookes on her shoulders, she ultimately succumbs to duty, sacrificing everything, including love.
Luckily for Diana, fate intervenes. Her union with Copperton is brief and gives her a son she adores. But when her handsome, charming Ashton, now grown, returns to Saratoga with his college roommate, the real scandal and tragedy begins.
Reveling in the secrets, mores, and society of twentieth-century genteel Southern life, The Dying of the Light is a romance, a melodrama, and a cautionary tale told with the grandeur and sweep of an epic Hollywood classic.
'Stunningly, unputdownably good' Diane Setterfield, author of Once Upon a River
Deep in the Tuscan countryside, a long-held feud between two aristocratic families ends in tragedy, leaving only one young girl alive.
Years later, amidst the winding streets and majestic facades of Florence, two murders are not all they seem. As Onorio Celavini, commander of the Medici police force, investigates, he is horrified to find a personal connection to the crimes, and a conspiracy lurking beyond.
Poignant and compelling, The Phoenix of Florence is a richly told and cleverly crafted tale of a struggle for identity and a battle for justice in an Italy besieged by war.
'A beautifully written tale of the Florentine underworld' The Times
A stunning debut novel from a new voice in literary fiction, set on Lake Michigan following World War II, The Water Dancers limns the divide between the worlds of the wealthy elite "summer people" and the poor native population who serve them–and what happens when those worlds collide.
When Rachel Winnapee first comes to work at the March family summer home on vast and beautiful Lake Michigan, she quickly learns her place. Servants are seen and not heard as they bring the breakfast trays, wash and iron luxurious clothes, and serve gin and tonics to the wealthy family as they lounge on the deck playing bridge. Orphaned as a poverty–stricken young girl from the nearby band of Native Americans, Rachel is in awe of the Marches' glamorous life–and quite enamored of the family's son Woody.
Rachel is soon assigned the task of caring for Woody, a young man whose life has been changed utterly by his experience as a soldier in WWII. The war has cost Woody not only his leg, but, worse, the older brother he loved and admired. Now back at home, Woody cannot bear to face the obligations of his future – especially when it comes to his bride–to–be Elizabeth. Woody finds himself drawn to Rachel, who is like no one he's ever known. The love affair that unites these two lost souls in this Great Gatsby–esque portrait of class division will alter the course of their lives in ways both heartbreaking and profound.
This novel's richness is due, in part, to the author's memories of summers spent at her family's house on Lake Michigan, home to six generations of Gambles (as in Procter & Gamble). THE WATER DANCERS, told in a voice as clear and cool as lake water, is a luminescent tale of love, loss and redemption, and heralds the arrival of a remarkable new talent.
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