Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Love at a Venture - cover

Love at a Venture

Susanna Centlivre

Publisher: Good Press

  • 0
  • 0
  • 0

Summary

Love at a Venture by Susanna Centlivre is a delightful comedy play that explores the complexities of love and the pursuit of happiness. Centlivre's engaging characters and clever dialogue create a charming and light-hearted atmosphere, filled with romantic entanglements and humorous misunderstandings. With its witty banter and entertaining plot twists, Love at a Venture offers a delightful escape into a world of romance and laughter. This play is a perfect choice for those seeking an enjoyable and uplifting theatrical experience.
Available since: 08/31/2021.
Print length: 49 pages.

Other books that might interest you

  • The Poetry of Harold Munro - cover

    The Poetry of Harold Munro

    Harold Munro

    • 0
    • 0
    • 0
    Harold Edward Munro was born on the 14th of March 1879 at 137 chaussée de Charleroi, Saint-Gilles, Brussels. 
     
    He was educated at Radley College and Gonville and Caius College, Cambridge. On 2nd December 1903 in Ireland Munro married Dorothy Elizabeth Browne. Unfortunately the marriage was not to last and they separated in 1908.   
     
    In 1906 his first collection of poetry, Poems, was published.  Many volumes followed but Munro was never regarded as highly as his contemporaries.  Perhaps his forays into magazines, editing and publishing and his bookshop has unfairly diminished his poetic contribution. 
     
    In 1912 he became the editor of the influential magazine, The Poetry Review, but was ousted after a year. In 1913 he founded the Poetry Bookshop in Bloomsbury.  From here he would also publish new volumes of poetry by himself and other writers.  With Edward Marsh he published annual volumes of Georgian Poetry in the process establishing it as a very fine poetry movement.   
     
    Munro was often tortured by his sexuality and although he married twice some of his poems reveal his truer feelings.  As the Great War smothered Europe with its monstrous destruction of a generation, the War Poets spoke. 
     
    Munro himself wrote only a few war poems but his ‘Youth in Arms’ quartet, written in the first months of the carnage, was an early attempt to explore the human psychology of soldiering and to understand how ungrudgingly youth dies. 
     
    After the war Munro continued his efforts with the Poetry Bookshop and expanded into several new projects.  He was searching both as a writer, and as a publisher, for the middle ground that was both culturally exciting and commercially worthwhile. 
     
    In his later years his mood darkened, his drinking escalated and became a real problem.  Sadly amongst the stresses and the strains he contracted tuberculosis.  
     
    Harold Edward Munro died on the 16th March 1932 aged 53.  He was cremated at Golders Green crematorium. 
     
    It was later remarked of him ‘Perhaps no one did more for the advancement of twentieth-century poetry’.
    Show book
  • The Halls of Ivy Collection Volume 1 - cover

    The Halls of Ivy Collection...

    Black Eye Entertainment

    • 0
    • 0
    • 0
    Created by Don Quinn, the co-creator of Fibber McGee & Molly, The Halls of Ivy was a situation comedy series that ran on NBC radio from 1950 through 1952. Originally slated to star Gale Gordan and Edna Best, the lead roles went to British husband-and-wife actors Ronald and Benita Colman. The Colman’s were well versed at comedy and already a hit with radio fans having played Jack Benny’s next-door-neighbor on The Jack Benny Program for years. Ronald Colman played William Todhunter Hall, the urbane president of small, rural Ivy College. Benita, played his wife Victoria, a former British musical comedy star. The series chronicled their interactions with students, friends, and college trustees. Others in the cast were Herb Butterfield as testy board chairman Clarence Wellman, Willard Waterman (then starring in The Great Gildersleeve) as board member John Merriweather and Alan Reed (television’s Fred Flintstone) as stuffy English teacher Professor Heaslip. Bea Benaderet, Gloria Gordon, Virginia Gregg, Lee Patrick, Jean Vander Pyle (television’s Wilma Flintstone), Sam Edwards, Arthur Q. Bryan (the voice of Elmer Fudd), Barton Yarborough, and Jerry Hausner appeared in supporting roles. The sponsor was the Joseph Schlitz Brewing Company (“The Beer That Made Milwaukee Famous”). Nat Wolff produced and directed the series and Ken Carpenter was the announcer. The Halls of Ivy received a Peabody Award in 1950 and made a transition to CBS television in 1954, bowing out in 1955. 
    3/3/50 “The Halls Give Advice to the Lovelorn”3/10/50 “The Home Fires or the Footlights”3/17/50 “The Prexy Runs Political Offenders Out of Town”3/24/50 “Untangling a Triangle”3/31/50 “The Prexy Dabbles in Music”4/7/50 “The Prexy and Wife Play Hooky”4/14/50 “A Lost Dog Worth a Million Dollars”4/21/50 “Speeding Ticket and a Lovely Bunch of Coconuts”5/10/50 “Brutal Truth”5/24/50 “The Medical Student and The Champ”5/31/50 “The George Sexton Endowment”6/21/50 “The Bentheimers and the Census”
    Show book
  • Chimerica (NHB Modern Plays) - cover

    Chimerica (NHB Modern Plays)

    Lucy Kirkwood

    • 0
    • 0
    • 0
    A powerful, provocative play about international relations and the shifting balance of power between East and West.
    Tiananmen Square, 1989. As tanks roll through Beijing and soldiers hammer on his hotel door, Joe - a young American photojournalist - captures a piece of history.
    New York, 2012. Joe is covering a presidential election, marred by debate over cheap labour and the outsourcing of American jobs to Chinese factories. When a cryptic message is left in a Beijing newspaper, Joe is driven to discover the truth behind the unknown hero he captured on film. Who was he? What happened to him? And could he still be alive?
    A gripping political examination and an engaging personal drama, Chimerica examines the changing fortunes of two countries whose futures will shape the whole world.
    Originally premiered to critical acclaim at the Almeida Theatre, London, in a co-production with award-winning touring company Headlong, this updated version of the play was published alongside Chimerica's transfer to London's West End.
    'ambitious, sprawling, morally fascinating, as gripping as a good novel' The Times
    'a tremendously bold piece of writing... topical without being gimmicky and well-informed without being showily so... a landmark production' Evening Standard
    'a gripping, multilayered and meticulously researched thriller... like an expansive HBO mini-series expertly compacted into an evening at the theatre... Kirkwood's sharp, incisive dialogue is splendid' Time Out
    Show book
  • Damon Runyon Theater - The Lacework Kid & Maybe A Queen - Episode 20 - cover

    Damon Runyon Theater - The...

    Damon Runyon

    • 0
    • 0
    • 0
    The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.
    Show book
  • Pipeline - cover

    Pipeline

    Dominique Morisseau

    • 0
    • 0
    • 0
    Nya, a dedicated teacher at an inner-city school, is desperate to give her only son opportunities that her own public high school students will never have. When a controversial incident at his private school threatens to get Omari expelled, Nya must confront her own deepest fears to give her son a future. 
     
    Copyright © 2017 Dominique Morisseau All rights reserved. Used by permission. Originally Produced by Lincoln Center Theater in 2017, New York City. Pipeline was commissioned by Steppenwolf Theatre Company, Chicago; Martha Lavey, Artistic Director, David Hawkanson, Executive Director. 
     
    Recorded at The Invisible Studios, West Hollywood in February 2022. 
     
    Directed by Larry Powell 
    Producing Director: Susan Albert Loewenberg 
     
    An L.A. Theatre Works Full-Cast Performance Featuring: 
    Sophina Brown as Nya 
    Eugene Byrd as Dun 
    Demetrius Grosse as Xavier 
    Sharon Lawrence as Laurie 
    X Mayo as Jasmine 
    Uyoata Udi as Omari 
    Karen Malina White as P.A. Announcer 
    Student Voices (Olathe East High School, Olathe, Kansas): Rabiatu Amadu, Calista Wanjiku, Damarion Green-Burk, William Kalihamwe, and Coach Jason Peete 
     
    Senior Producer: Anna Lyse Erikson 
    Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood 
    Recording Engineer, Sound Designer, Editor and Mixer: Charles Carroll 
    Senior Radio Producer: Ronn Lipkin 
    Foley Artist: Jeff Gardner 
    Music by Jimmy Keys, AKA "J. Keys"
    Show book
  • March Book - cover

    March Book

    Jesse Ball

    • 1
    • 0
    • 0
    This debut book of poetry from the Plimpton Award–winning author of Census “displays an otherworldly virtuosity . . . coolly seductive and skillfully wrought” (DeSales Harrison, Boston Review).   Called “A young genius” by the Chicago Tribune, Jesse Ball has won acclaim for his novels and poetry combining skillful attention to form with a deeply resonant humanity. That same mastery of craft and vision are on display in his first published volume of poetry, March Book. With perfect line breaks, tenderly selected words, and inventive pairings, Ball leads us through his fantastic world.   In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin linen dress, and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who “ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed” only to be told that there’s nothing between him and “the suddenness of age.” While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and “make pillows with the down / of stolen geese,” “build / rooms in terms of the hours of the day.”
    Show book