Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating that it is clear he was examining an anatomy more psychological, spiritual and emotional than physical. He painted many townscapes, landscapes, formal portraits and allegorical subjects, but it was his extremely candid works on paper, which are sometimes overtly erotic, together with his penchant for using under-age models that made Schiele vulnerable to censorious morality. In 1912, he was imprisoned on suspicion of a series of offences including kidnapping, rape and public immorality. The most serious charges (all but that of public immorality) were dropped, but Schiele spent around three despairing weeks in prison. Expressionist circles in Germany gave a lukewarm reception to Schiele’s work. His compatriot, Kokoschka, fared much better there. While he admired the Munich artists of Der Blaue Reiter, for example, they rebuffed him. Later, during the First World War, his work became better known and in 1916 he was featured in an issue of the left-wing, Berlin-based Expressionist magazine Die Aktion. Schiele was an acquired taste. From an early stage he was regarded as a genius. This won him the support of a small group of long-suffering collectors and admirers but, nonetheless, for several years of his life his finances were precarious. He was often in debt and sometimes he was forced to use cheap materials, painting on brown wrapping paper or cardboard instead of artists’ paper or canvas. It was only in 1918 that he enjoyed his first substantial public success in Vienna. Tragically, a short time later, he and his wife Edith were struck down by the massive influenza epidemic of 1918 that had just killed Klimt and millions of other victims, and they died within days of one another. Schiele was just twenty-eight years old.
The Hudson Valley’s dark past, from Prohibition-era shoot-outs to unsolved murders, in eleven heart-pounding true stories. The beautiful Hudson Valley of New York State is drenched in history, culture . . . and blood. This fascinating and thoroughly researched chronicle presents one killer story from every county in the region, including: Sullivan County: In the fall of 1893, Lizzie Halliday left a trail of bodies in her wake, slaughtering two strangers and her husband before stabbing a nurse to death at the asylum where she lived. Albany County: A Jazz Age politician, tired of fighting with his overbearing wife, murdered her and buried the body under the front porch. Columbia County: In 1882, a cantankerous old miner, dubbed the “Austerlitz Cannibal” by the press, chopped up his partner before he himself swung from the end of a rope.
Andy has 30k Twitter followers and presents the afternoon show on Absolute Radio.Mel Giedroyc has provided an introduction – until December 2018 they presented a weekend show on Magic FM together.The cartoons have attracted the eye of celebrities like Ed Sheeran, Russell Brand and Biffy Clyro, who have autographed the cartoons for Bush to sell for the Teenage Cancer Trust.For fans of Chris (Simpsons Artist), Jim'll Paint It and What the Hell Are You Doing: The Essential David Shrigley.
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description.
The follow-up to the international #1 bestselling collection of prose and photography, I Wrote This For You And Only You is the third book in the I Wrote This For You series and gathers together the very best entries in the project from 2011 to 2015. Started in 2007, I Wrote This For You is an internationally acclaimed exploration of hauntingly beautiful words, photography and emotion that's unique to each person that reads it.
A mini notebook for spiritual and self development, on the topic of self-love and appreciation. A 40-pages mini motivational notebook full of reminders for oneself and others.
For heart, mind and soul.
Muncie epitomizes the small-town America of squeaky-clean 1950s sitcoms, but its wholesome veneer conceals a violent past. Public scandals and personal tragedy dogged the long, notorious life of Dr. Jules LaDuron. Baseball ace Obie McCracken met a tragic and violent end after joining the police force. A mother's love could not stop James Hedges from committing murder. The paranoid delusions of Leonard Redden hounded him until one day he carried a shotgun into a quiet classroom. Detectives Melvin Miller and Ambrose Settles chased a murderer across county lines in pursuit of justice. And newsman George Dale's showdown with the Klan prepared him for the political fight of his life. Douglas Walker and Keith Roysdon, authors of Wicked Muncie, introduce a new cast of characters from the city's notorious past.
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