Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
In The Lion's Sign - The Printer - Third Episode - cover

In The Lion's Sign - The Printer - Third Episode

Stefano Vignaroli

Translator Fatima Immacolata Pretta

Publisher: Tektime

  • 0
  • 0
  • 0

Summary

Year 2019: once again, the scholar Lucia Balleani and the archaeologist Andrea Franciolini will take us by the hand and guide us through the arcane mysteries of the Renaissance Jesi, among streets, alleys and palaces of a historical centre that, at the gates of the 1920s, begins to regurgitate from the underground ancient and important objects from past eras. The archaeological excavations of Piazza Colocci will in fact reserve unexpected surprises in the eyes of the entire population of Jesi. We begin to follow the events of the characters of the sixteenth century through the discovery of ancient documents and archaeological finds by the young couple of researchers of our time. New winds of war will in fact lead the Captain of Arms of the Royal City of Jesi to the battlefields.
After the first two episodes of the series ”The Printer”, here we are at the end, the last episode of the saga dedicated to the Renaissance Jesi. We left Andrea almost at the point of death, helped by his beloved, hidden in disguise. The plot has moved to Urbino, but certainly our two heroes, Andrea Franciolini and Lucia Baldeschi, will have to return to Jesi to fulfill their dream of love. The wedding will have to be a festive and opulent event, and will have to be celebrated by the Bishop of the City of Jesi, Monsignor Piersimone Ghislieri. But are we sure that obscure plots, of destiny and of men, will not be able to hinder for the umpteenth time the union between Andrea and Lucia? The two lovers have found each other again, and for nothing in the world would they want to leave each other again. Andrea finally wants to be a father to his little girl, Laura and, why not, to Lucia's adopted daughter, Anna. The girls are fantastic, they are growing up healthy and lively in the country residence of the Counts Baldeschi, and Andrea is enjoying their closeness. But winds of war will once again lead the Captain of Arms of the Royal City of Jesi to the battlefields. And soon to leave the peace and quiet regained. The Lansquenets press the gates of northern Italy and the Duke of Oak, in a strange alliance with Giovanni De' Medici, better known as Giovanni Dalle Bande Nere, will do his best to prevent German soldiers from reaching Florence and even Rome. Avoiding the sacking of the Eternal City in 1527 will not be an easy task, neither for the Duke Della Rovere, nor for Giovanni dalle Bande Nere, nor for Captain Franciolino de' Franciolini. Let us once again follow the events of the characters of the sixteenth century through the discoveries of ancient documents and archaeological finds of the young couple of researchers of our time. Once again, the scholar Lucia Balleani and the archaeologist Andrea Franciolini will take us by the hand and guide us through the arcane mysteries of the Renaissance Jesi, among streets, alleys and palaces of an old town centre that, at the gates of the 1920s, begins to regurgitate from the underground ancient and important objects from past eras.
Available since: 08/16/2021.

Other books that might interest you

  • One of the 28th - a Tale of Waterloo - cover

    One of the 28th - a Tale of...

    G. A. Henty

    • 0
    • 0
    • 0
    A tale of Victorian-style romance, maritime battles and even the penultimate Napoleanic battle - Waterloo. (Introduction by Mike Harris)
    Show book
  • That Which Remains - cover

    That Which Remains

    CF Yetmen

    • 0
    • 0
    • 0
    In February 1946, Anna Klein and her boss Henry Cooper face major changes at the Monuments Men Collecting Point. With Cooper's dreaded re-deployment looming and their feelings for each other intensifying, Anna has to decide between him, her family, and her marriage. A future with Cooper means giving up everything she knows and running away from her own past, which isn't at all what it seemed. Meanwhile, a destitute artist asks for her help in finding paintings he sold before the war. But his story doesn't pan out, leaving a despairing Anna running against the clock with more questions than she may have time to answer.
    Show book
  • James Grant - cover

    James Grant

    Stanislas M. Yassukovich

    • 0
    • 0
    • 0
    This story of James Grant, his family and the class they belong to is not of our time. That class still exists and its prosperity is unabated. But its position in the American national psyche is greatly diminished, its glitter dulled by the passage of time – and a change in the mores of society as a whole. But I have written it because I believe the foibles of the human heart and its redeeming strengths possess a universality which overcomes the angst of changing times. I have set the stage in an unfamiliar time to mine. Whether my characters that stride upon that cluttered stage would remain credible in a stark, modern setting, I cannot judge. I had no one in particular in mind in devising them. They are as the ghosts that populate our dreams – a compendium of hints and reflections of those who have crossed our consciousness in the ill-remembered past.
    Show book
  • The Light Behind The Window - cover

    The Light Behind The Window

    Lucinda Riley

    • 0
    • 0
    • 0
    From the author of the bestselling Seven Sisters series, Lucinda Riley's The Light Behind the Window crosses from World War Two to present day on a breathtaking and intense story of love, war and, above all, forgiveness.Read by Miranda Raison (Lessons in Chemistry)The present: Emilie de la Martiniéres has always fought against her aristocratic background but, after the death of her glamorous, distant mother, she finds herself alone in the world – and sole inheritor of her grand childhood home in the south of France. An old notebook of poems leads her in search of the mysterious and beautiful Sophia, whose tragic love affair changed the course of her family history. As Emilie unravels the story, she too embarks on her own journey of discovery, realizing that the château may provide clues to her own difficult past and finally unlock her future.The past: London 1943. A young office clerk, Constance Carruthers, is drafted into a special operations team, arriving in occupied Paris during the climax of the conflict. Separated from her contact in her very first hours in France, she stumbles into the heart of a wealthy family who are caught up in a deadly game of secrets and lies. Forced to surrender her identity and all ties to her homeland and her beloved husband, Constance finds herself drawn into a complex web of deception, the repercussions of which will affect generations to come . . .'A fast-paced, suspenseful story flitting between the present day and World War II . . . Brilliant escapism' – RedThis title has been published outside the UK under the title The Lavender Garden.
    Show book
  • The Murder Pit - cover

    The Murder Pit

    Mick Finlay

    • 0
    • 0
    • 0
    “Enthralling . . . an alternative Sherlock Holmes, who, instead of relying on physical clues and logic, focuses on the psychology of the people involved.” —Publishers Weekly (starred review) 
     
    1896: Sherlock Holmes has once again hit the headlines, solving mysteries for the cream of aristocracy. But among the workhouses and pudding shops of South London, private detective William Arrowood is presented with far grittier, more violent, and considerably less well-paid cases. Arrowood has no doubt who is the better detective, and when Mr. and Mrs. Barclay engage him to find their daughter, Birdie—who married a pig farmer and hasn’t been seen since—he’s sure it won’t be long before he and his assistant, Barnett, have tracked her down. But this seemingly simple missing-person case soon turns into a murder investigation. Far from the comfort of Baker Street, Arrowood’s London is a city of unrelenting cruelty, where evil is waiting to be uncovered . . . 
     
    Praise for Arrowood 
     
    “A new series that historical crime fans will be clamoring to read more of.” —The Times of London 
     
    “A wonderful premise: a downscale Sherlock Holmes for the rest of us.” —Kirkus Reviews 
     
    “Fiercely edgy . . . Finlay captures the filth, frustration, and dark humor of the Victorian-era slum . . . Doyle’s fans will be entertained.” —Booklist 
     
    “The Victorian workingman’s answer to the higher-class Sherlock Holmes—a foul-mouthed, hard-drinking, shabby detective with a seriously bad attitude toward his more famous counterpart . . . It’s a terrific premise . . . Finlay has fun referencing the Holmes canon, and he gives his hero a skill that the more famous detective lacks.” —The Seattle Times
    Show book
  • The Only Harmless Great Thing - cover

    The Only Harmless Great Thing

    Brooke Bolander

    • 0
    • 0
    • 0
    Winner of the Nebula Award for Best Novelette 
     
    Finalist for the Hugo, Locus, Shirley Jackson, and Sturgeon Awards 
     
    The Only Harmless Great Thing is a heart-wrenching alternative history by Brooke Bolander that imagines an intersection between the Radium Girls and noble, sentient elephants. 
     
    In the early years of the 20th century, a group of female factory workers in Newark, New Jersey, slowly died of radiation poisoning. Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island. 
     
    These are the facts. 
     
    Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice.
    Show book