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  Academy Award Winning Sisters:...

  Charles River Editors

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  Olivia de Havilland was one of the last living actresses who worked during the Golden Era of Hollywood, but also one of the most decorated, winning dozens of awards over the course of a 50 year career. Among those, she most notably won the Academy Award for Best Actress for To Each His Own (1946) and The Heiress (1949), more than a decade after she got her start as an 18 year old in Hollywood. 
  Of course, de Havilland isn’t well remembered for any of those accolades or other movies but because she played Melanie Hamilton in Gone With the Wind (1939), perhaps the most famous movie in American history. Although she was a veteran actress at the time, de Havilland’s career hadn’t progressed much since she started, and rumor has it that she eventually got the role after her own sister, Joan Fontaine, was asked to audition for the part and recommended Olivia instead. 
  Although Fontaine and de Havilland would make history by becoming the only sisters to both win an Academy Award for Best Actress, that anecdote was just one of the various stories about the siblings that has shed light on their notoriously contentious and complicated relationship. As Fontaine once put it, “I married first, won the Oscar before Olivia did, and if I die first, she'll undoubtedly be livid because I beat her to it!" De Havilland herself once said, "Joan is very bright and sharp and can be cutting." 
  Meanwhile, Joan Fontaine won the Oscar for Best Actress for her role in Alfred Hitchcock’s Suspicion (1941). She also earned a nomination for her performance in The Constant Nymph (1943), and in a television career that spanned several decades, she earned an Emmy nomination for her work on Ryan’s Hope in 1980, nearly 40 years after winning the Academy Award for Suspicion. Fontaine even appeared on Broadway in a couple of productions that ran for several years. 

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  Vodka & Sandstorms - What is...

  Luke Richmond

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  Adventurer, B.A.S.E jumper, endurance athlete and writer, Luke Richmond is a man on a mission: to cram as much living into his lifetime as humanly possible. 
  As an overweight and bullied youth, he seemed destined to be the underdog, but fought back until his tormentors were cast aside. From the Australian outback, to climbing some of the biggest mountains on earth, to rowing across the Atlantic Ocean, his enthusiasm and passion for adventure is infectious. 
  This is the blistering first-hand account of his most recent expeditions; including a 57 day 1805 kilometre crossing of the Gobi Desert on foot, kayaking the 2220 kilometre length of the Murray River and an ocean row to New Zealand that doesn’t quite go to plan. Within these pages he also shares his lessons from the edge about controlling fear, high risk decision making and how to travel around Australia for free. 
  So hold on tight, you’re in for a wild ride with the man who has become known as the Tasmanian Dare Devil.

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  Great Big Treasury of Beatrix...

  Beatrix Potter

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  Born in Victorian London on July 28th, 1866, Beatrix Potter created some of the best-loved children’s stories of all time. Starting with Peter Rabbit and moving through the rest of these delightful tales, the Great Big Treasury of Beatrix Potter will warm the hearts both of those who remember her fondly from their childhoods and those who discover for the first time the magic of these timeless stories. (Summary by Chip)

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  The Watchdog That Didn't Bark -...

  Dean Starkman

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  The Pulitzer Prize-winning reporter details “how the U.S. business press could miss the most important economic implosion of the past eighty years” (Eric Alterman, media columnist for The Nation).   In this sweeping, incisive post-mortem, Dean Starkman exposes the critical shortcomings that softened coverage in the business press during the mortgage era and the years leading up to the financial collapse of 2008. He examines the deep cultural and structural shifts—some unavoidable, some self-inflicted—that eroded journalism’s appetite for its role as watchdog. The result was a deafening silence about systemic corruption in the financial industry. Tragically, this silence grew only more profound as the mortgage madness reached its terrible apogee from 2004 through 2006. Starkman frames his analysis in a broad argument about journalism itself, dividing the profession into two competing approaches—access reporting and accountability reporting—which rely on entirely different sources and produce radically different representations of reality. As Starkman explains, access journalism came to dominate business reporting in the 1990s, a process he calls “CNBCization,” and rather than examining risky, even corrupt, corporate behavior, mainstream reporters focused on profiling executives and informing investors. Starkman concludes with a critique of the digital-news ideology and corporate influence, which threaten to further undermine investigative reporting, and he shows how financial coverage, and journalism as a whole, can reclaim its bite.   “Can stand as a potentially enduring case study of what went wrong and why.”—Alec Klein, national bestselling author of Aftermath   “With detailed statistics, Starkman provides keen analysis of how the media failed in its mission at a crucial time for the U.S. economy.”—Booklist

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  Seven HP Lovecraft Stories...

  H.P. Lovecraft

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  This work contains the collected short stories of H.P Lovecraft:
   
  
  
  The Festival,
  He,
  Cool Air,
  In the Vault,
  Pickman's Model,
  The Nameless City,
  The Alchemist,
  The Very Old Folk,
  Rats in the Walls,
  From Beyond,
  The Hound,
  The Strange High House in the Mist,
  The Unnamable - Hypnos,
  The Quest of Iranon,
  The Temple,
  The Moon Bog,
  The Evil Clergyman,
  The Horror at Martin's Beach,
  The Silver Key,
  The Transition of Juan Romero,
  The Other Gods,
  The Outsider.

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  Selling Out is About Half-doing...

  J. M. Kuczynski

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  A mafioso is not a sell-out. The police officer who takes a bribe from a mafioso is a sell-out. Selling out is not about doing something bad. It is about half-doing the thing you are supposed to be doing and half-doing some other thing. The essence of sell-outism is not badness but corruptness, which is different.An Author's Republic audio production.

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