Publisher: RMB
Content : Unhappiness The Judgment Before the Law The Metamorphosis A Report to an Academy Jackals and Arabs A Country Doctor In the Penal Colony A Hunger Artist The Trial The Castle Amerika A Little Fable The Great Wall of China The Hunter Gracchus The Burrow
"You can do whatever you want to do.The only limits are the ones you set yourself.You have all you need in you right now." When Kenny Leon's grandmother told him to "take you wherever you go," she could hardly have anticipated that he would establish himself as one of Broadway's most exciting and acclaimed directors. But through years of hard work, Kenny would migrate from a small wooden house in rural Florida to the Tony Awards' stage, where he would win Best Direction of a Play for his 2014 revival of A Raisin in the Sun. In Take You Wherever You Go, Leon reflects on the pillars of wisdom he learned every step of the way from the most important people in his life-from his grandmother's sagacious and encouraging motivations to the steady hand of his mother to the deep artistic and social influence of iconic American playwright August Wilson. Take You Wherever You Go is a poignant, ruminative, and inspirational memoir that empowers you to be true to yourself as you navigate your own path.Show book
Chicago, 1924. There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special-worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking, and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan-both of whom had brazenly shot down their lovers-the talk of the town. Love-struck men sent flowers to the jail, and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites.In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.Show book
A classic memoir from Ireland's favourite storyteller. Here Taylor follows To School Through The Fields with these equally captivating recollections of family life in pastorial County Cork. Infused with wit and lyricism, the story centres on the 1950's when the author and her friends were teenagers. She describes the past vividly and without complaint as the years of hard labour for herself, parents and siblings, were also filled with fun in the close knit community.Show book
"The only fire for the whole house was the kitchen stove, with a fire box about eighteen inches long and eight inches wide and deep,- scant space for three or four small sticks, around which in hard zero weather all the family of ten shivered, and beneath which in the morning we found our socks and coarse, soggy boots frozen solid." Thus, with perceptive eye for detail, the American naturalist, John Muir, describes life on a pioneer Wisconsin farm in the 1850's. Muir was only eleven years old when his father uprooted the family from a relatively comfortable life in Dunbar, Scotland, to settle in the backwoods of North America.The elder Muir was a religious fundamentalist. What his father taught, John Muir writes, was "grim self denial, in season and out of season, to mortify the flesh, keep our bodies in subjection to Bible laws, and mercilessly punish ourselves for every fault, imagined or committed." Muir's father believed that the Bible was "the only book human beings could possibly require," while John secretly read every volume of poetry and literature he could get his hands on. With no formal schooling after leaving Scotland, John also learned from nature--keenly observing details of the seasons, the life of the farm oxen, and wild animals and birds. John also became an amateur inventor, eking out time from farm chores by getting up at 1 a.m. to whittle intricate wooden clocks by candlelight in the unheated farm house basement.Muir finally made a break for freedom--his decision was to go to Madison, Wisconsin, and enter his clocks in the State Fair, with the hope that somebody might see them and offer him a job in a machine shop! All the baggage he carried the day he left home was a package made up of "two clocks and a small thermometer made of a piece of old washboard, all three tied together with no covering or case of any sort, the whole looking like one very complicated machine." His father's goodbye was to admonish John about the "wicked world" and to warn him sternly that if he should find himself in need of money, none would be forthcoming. John would have to depend on himself.How John Muir made his way from that Wisconsin farm to become the great American naturalist, spokesman for Yosemite and the California redwoods, is the stuff of legend: which makes Muir's autobiographical account of his early boyhood a fascinating read. (Summary by Sue Anderson)Show book
“Combines adventure, mystery, and tragedy . . . a ‘Who’s Who’ of explorers who opened the pathway for an ocean-to-ocean America.” —St. Joseph News-Press (Missouri) The story of the Lewis and Clark Expedition has been told many times. But what became of the thirty-three members of the Corps of Discovery once the expedition was over? The expedition ended in 1806, and the final member of the corps passed away in 1870. In the intervening decades, members of the corps witnessed the momentous events of the nation they helped to form—from the War of 1812 to the Civil War and the opening of the transcontinental railroad. Some of the expedition members went on to hold public office; two were charged with murder. Many of the explorers could not resist the call of the wild and continued to adventure forth into America’s western frontier. Engagingly written and based on exhaustive research, The Fate of the Corps chronicles the lives of the fascinating men (and one woman) who opened the American West. “A fascinating afterword to the expedition . . . demands inclusion in the canon of essential Lewis and Clark books.”—Seattle Post-Intelligencer “Succinct, clear style . . . The diverse fates of the members of the expedition . . . give the feel of a Greek epic.”—Santa Fe New MexicanShow book
“An intelligent, thoughtful look at the complex journey that is gender transition” from an openly transgender Quaker woman and human rights activist (Joy Ladin, author of Through the Door of Life). SELF-ish is a narrative drawn from an international life, beginning with some early glimpses out at the world by a girl in a boy’s body. Chloe Schwenke was raised as Stephen in a Marine Corps family, and was sent off at age fourteen to “man-up” at a military academy. Later—and still embodied as a man—she ventured abroad to work in some of the roughest regions of Africa, the Gaza Strip, Turkey, and many other locales. Her far-flung global journey was matched in intensity by an inner identity and spiritual struggle and the associated ravages of depression, before she came to the revelation of being a transgender woman. At a time when many Americans are just waking up to the reality of the transgender phenomenon, this portrayal of Chloe’s life, her challenging gender transition, and her many accomplishments and adventures along the way (including being among the first three transgender political appointees in U.S. history, under President Obama), creates a poignant story of authenticity, self-discovery, and the meaning of gender set against a fascinating international backdrop. “Takes the reader through a powerful, heart-wrenching journey of the innumerable, daunting challenges of gender transition confronted by a transgender woman. It is ultimately also a story of extraordinary courage in persevering through formidable odds to be true to oneself. Schwenke underscores the moral, human and societal imperative to confront and ameliorate the challenges faced by transgender people, and others marginalized by mainstream society.” —Sanjay Pradhan, CEO, Open Government PartnershipShow book
