Create Something For the Future - Create Something For the Future #1
Shavonda Robinson
Publisher: Sebastian Schug
Summary
"A creative place where poets and artists alike can showcase their literary talents to the world."
Publisher: Sebastian Schug
"A creative place where poets and artists alike can showcase their literary talents to the world."
Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley, and Orson Welles to Trevor Howard, Michael Redgrave, and Laurence Olivier. They were based on works by the worlds’ leading authors, among them Charles Dickens, Henry James, Oscar Wilde, and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first installment of theatrical history.Show book
Fragmented into sixteen excerpts, stories or scenes, this brief work by León focuses on the breakup or a couple of unnamed lovers without explicit gender, swept away by the gale of passion and desire, with the moon as their sole spectator and accomplice, and the presence of a cat that serves as witness to the impulses of a love that is hopelessly undone in the misunderstanding of bodies scorched by the fire of the sexes, The work is a heartbroken cry of a lonely, proud individual, overpowered by his own ego in the face of the loss and abandonment of the one who filled his days. And in the other end, silence, and emptiness as the only response.The whole book is imbued with a deeply moving sentimental tone that strikers with the force of a desperate ritornello.Show book
Heartbreak and grief touch every soul at least once in a lifetime, and Ranata Suzuki translates those raw emotions into words. The Longest Night combines strikingly poignant quotations, powerfully emotive poetry, and captivating silhouette imagery to form a mournful lover's journal that explores a side of love that is deep, dark, and hauntingly beautiful.Each of the book's elements are skillfully woven together to reveal fragments of thoughts and feelings that seem almost to belong to the listener as years of painful longing are condensed into the context of a single night.The journal begins with "Sunset", in which poems convey the initial feelings of shock and loss first felt when a relationship with a loved one ends. As the poetry descends into an emotional downward spiral, the book progresses into its next chapter, "Darkness", in which emptiness, jealousy, sorrow, and despair are passionately portrayed.The concluding chapter, "First Light", sees the gradual dawning of a new outlook. The final poems express a gratitude for what once was, an acceptance of what now is, and come to the uplifting conclusion that even though a relationship can be fated to end tragically, the memories gained and lessons learned from it are, in their own way, treasured gifts that will last a lifetime.A book for anyone who has found themselves separated from someone they love no matter the circumstance, The Longest Night is a companion for the broken heart on the painful emotional journey that is losing someone you love from your life. Its words serve as a comforting reminder, whether you are travelling this road or have recently completed this journey yourself, that, despite the loneliness you may sometimes feel along the way, none of us walks this path alone.Show book
Many victorian women felt trapped by the role society gave them. So did Anne Bronte. This is a poem about lonleyness, and about feeling caged. A poem which would bring tears to your eyes. - Summary by Stav NisserShow book
This timeless comedy of manners is considered one of Molière’s most probing and mature works. While it’s still an exemplar of 16th century farce, Molière went beyond his usual comic inventiveness to create a world of rich, complex characters, especially in the cynical title character Alceste, played here by the Tony Award-winning actor Brian Bedford. Lead funding for this production is provided by the Sidney E. Frank Foundation. This recording also includes an interview with Larry F. Norman author of “The Public Mirror: Molière and the Social Commerce of Depiction”.An L.A. Theatre Works full-cast performance. Directed by Rosalind Ayres. Translated by Richard Wilbur. ©2013 L.A. Theatre Works (P)2013 L.A. Theatre WorksShow book
LibriVox volunteers bring you 11 recordings of The Compliment by Eugene Field. This was the Weekly Poetry project for September 1, 2013.Show book