Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Children of the Stone - The Power of Music in a Hard Land - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

Children of the Stone - The Power of Music in a Hard Land

Sandy Tolan

Publisher: Bloomsbury USA

  • 0
  • 0
  • 0

Summary

It is an unlikely story. Ramzi Hussein Aburedwan, a child from a Palestinian refugee camp, confronts an occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then, through his charisma and persistence, inspires others to work with him to make that dream real. The dream: a school to transform the lives of thousands of children--as Ramzi's life was transformed--through music. Musicians from all over the world came to help. A violist left the London Symphony Orchestra, in part to work with Ramzi at his new school. Daniel Barenboim, the eminent Israeli conductor, invited Ramzi to join his West Eastern Divan Orchestra, which he founded with the late Palestinian intellectual, Edward Said. Since then the two have played together frequently. 
   
 Children of the Stone chronicles Ramzi's journey--from stone thrower to music student to school founder--and shows how through his love of music he created something lasting and beautiful in a land torn by violence and war. This is a story about the power of music, but also about freedom and conflict, determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the prospects of musical collaboration across the Israeli-Palestinian divide, and the potential of music to help children everywhere see new possibilities for their lives.
Available since: 04/06/2016.
Print length: 480 pages.

Other books that might interest you

  • Abbott and Costello: Robinson Crusoe - cover

    Abbott and Costello: Robinson...

    Bud Abbott, Lou Costello

    • 0
    • 0
    • 0
    Joe Somer has committed suicide by jumping off the roof. The suicide note he left behind is legit, but Vance suspects that the case is a murder.
    Show book
  • Out Of This Universe - cover

    Out Of This Universe

    Martin K. Ettington

    • 0
    • 0
    • 0
    Follow the life of Steven and his friends as he proceeds through innumerable ages of existence fighting forces which not even the Gods totally understand. 
    It’s a story of physical immortality, love, and evolution which transcends our Universe. 
    A journey through the ages of mankind and the Universe which leads to some startling decisions which affect all of creation and beyond. 
    Many spiritual powers are developed and used in confrontations as part of the evolution of the characters in this story. 
    A thoroughly enjoyable romp which will expand your mind and leaving you asking. How much more is there to existence? And what is beyond existence?
    Show book
  • Ballet Music for Exercises 3 - Original Scores to the Soundtrack Sheet Music for Your Ipad or Kindle - cover

    Ballet Music for Exercises 3 -...

    Klaus Bruengel

    • 0
    • 0
    • 0
    Original Musicscores to the Soundtrack of "Ballet Music For Exercises 3", Pianomusic by Klaus Bruengel. The label "Scores &Parts" produces eBooks containing musical scores and parts. The eBooks can be effectively used on stage, with an iPad or Kindle, to read music whilst playing an Instrument. Klaus Bruengel is a professional composer and arranger, working for the label "Scores And Parts".
    Show book
  • Adventures in Screenwriting - How One Writer Navigates the Dire Straits - cover

    Adventures in Screenwriting -...

    Selin Sevinç

    • 0
    • 0
    • 0
    Honest, raw and very funny, Selin Sevinç's musings on the art of screenwriting shine light on the illusive craft which plays such a pivotal role in the movie making process. Inbetween recollecting on her efforts to make unique stories in a industry seemingly interested only in identikit movies, Sevinç blends in darkly amusing tales of homelife and motherhood in Oregon, US, and reminisces on her own childhood growing up in Turkey. 
    In the latter chapters, Sevinç shares guidance with the reader on how to make thought-provoking and meaningful screenplays. Here the author demonstrates a deep technical knowledge of the screenwriting craft, showing us how Blake Snyder's famous Beat Sheet formula can be used creatively without sacrificing depth and originality. 
    The saying goes, that art reflects life. As most artists will know, the inner drive to create perfect artistic expression is both a blessing and a curse, and it has never been better articulated than here. In ADVENTURES IN SCREENWRITING, Sevinç will take you on a careering emotional joyride through her creative processes, her pitfalls and breakthroughs, where the boundaries between art and life become blurred.
    Show book
  • Chronicle The - Book Two - Full-cast dramatisation - cover

    Chronicle The - Book Two -...

    Mr Punch

    • 0
    • 0
    • 0
    The Chronicle - BOOK TWO (April to June) 
     
    Are you ready for an unforgettable adventure into the past? Then climb aboard and join Oscar Wilde in America amused at the sight of local gun slingers looting the house where outlaw Jesse James had been killed a few days earlier. Meet John Betjeman as he implores the BBC to engage the impoverished Dylan Thomas while  Jane Austen demands the return of her unpublished novel. Austen Chamberlain rages at Hitler for sending a wreath emblazoned with the Swastika to be placed at the foot of the Cenotaph. And did you know that the first F.A. Cup Final took place at the Oval in 1882? You'll also encounter Alan Bennett, H.Rider Haggard, Henry VIII and many more and we’ll all join J. Bruce Ismay as he climbs aboard the last lifeboat to leave the Titanic. 
      
    “It’s WONDERFUL.  In fact, I would describe it as one of the all-time audio greats... an unmissable five-star production.”  (The Guardian) 
    “I recommend the reader to hunt down and buy this series wherever it may be found.”  (The Spectator) 
    “The whole endeavour is a beguiling jigsaw.”  (Sunday Times) 
     
    Dramatised and performed by a distinguished cast of over 30 actors, including Charles Dance, Harriet Walter, David Suchet, Timothy West, James Bolam, Maureen Lipman, Robert Powell, Jenny Agutter, Joss Ackland, Eleanor Bron, John Sessions, Imogen Stubbs. 
     
    Also available as part of the CHRONICLE BOX SET, over 11 hours of audio bliss.
    Show book
  • James McNeill Whistler - cover

    James McNeill Whistler

    Patrick Chaleyssin

    • 0
    • 0
    • 0
    Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.
    Show book