Other books that might interest you

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  Ghosts (version 2)

  Henrik Ibsen

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  A Family-drama in three acts. Like many of Ibsen's better-known plays, Ghosts is a scathing commentary on 19th century morality. (Summary by Kristingj) 
   
  Cast:Mrs. Helen Alving, widow of Captain Alving: Rhonda FedermanOswald Alving, her son, a painter: Chris MarcellusPastor Manders: Algy PugJacob Engstrand, a carpenter: John TrevithickRegine Engstrand, Mrs. Alving's maid: KristingjNarrator: Amanda Friday

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  How to DJ Right - The Art and...

  Frank Broughton, Bill Brewster

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  A “lucid, comprehensive guide” to becoming a club DJ “from beat matching to promotion to not going deaf” by the authors of Last Night a DJ Saved My Life (Rolling Stone). 
   
  Bill Brewster and Frank Broughton wrote the definitive history of the DJ in Last Night a DJ Saved My Life. Now they share their extensive knowledge of the creative and technical aspects of DJing in this clear, accessible, entertaining guide for all aspiring jocks. 
   
  How to DJ Right covers every aspect of DJing from establishing a music collection and a distinctive sound, to elementary record-spinning, to the complex skills of scratching, hot-mixing, and beat-juggling, as well as the unique art of creating an evening of sound that is perfectly timed, balanced, and unforgettable.  
   
  Diagrams throughout make phrases, beat timing, and song structure comprehensible without a background in music theory. The authors also include recommendation lists on everything from the best (and most fun) songs to practice with, to the best sources for building a library of disks, CDs, and MP3s. For those who want to turn pro, the authors give sage advice on the vagaries of the club and music business. Enlivened by short quotes, anecdotes, and photos of famous DJs such as Grandmaster Flash and Derrick Carter, How to DJ is the definitive book for anyone who has ever considered becoming a DJ.

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  The Ultimate Vision Quest

  Ph.D. Carol Adrienne

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  If you get excited about the idea of finding your true purpose in life, you will enjoy this fascinating dialogue with Carol Adrienne.  She says, "Our life purpose is like a magnetic field that draws us toward a particular experience that we need at that time to develop a characteristic or change a point of view."

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  Puss in Boots

  Charles Perrault

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  Art Classic Stories is a special series of English fairy tales that combines the paintings of great painters with classic fairy tales.

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  Real Estate Realist - The...

  S.J. Plotkin

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  For over a quarter-century, S.J. Plotkin has been a driving force in Southern California's rental property market. Real Estate Realist unleashes Plotkin's seasoned strategies, mixing actionable insights with a dash of relatability. It invites you to explore rental property investing through the eyes of an expert who knows how to simplify the complexities, helping you build generational wealth through long-term appreciation and monthly cash flow.Investing in rental properties offers a fast track to wealth that most American homeowners don’t know they are missing out on. This engaging guide shows you how to spot valuable properties and navigate opportunities for income generation, such as accessory dwelling units, garage conversions, lot splits, communal amenities, and more. Plotkin’s advice and your hard work and dedication will guide you toward rental investment success, whether with single-family homes or multifamily apartment complexes (or anything in between).No one needs industrial, commercial, or office real estate as much as they need a place to live. Rental property investing offers the greatest wealth-building opportunity for everyday Americans, giving them more control over their lives and time. Real Estate Realist shows you how to find, purchase, and improve the right property wherever you are.

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  Performing Tsarist Russia in New...

  Natalie K. Zelensky

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  An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. 
   
  Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.

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