Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Caravaggio: Paintings (Annotated) - cover

Caravaggio: Paintings (Annotated)

Raya Yotova

Publisher: Publisher s13381

  • 0
  • 0
  • 0

Summary

Caravaggio clearly expressed dramatic moments and scenes, often with violence, torture, and death. He worked quickly, with live models, preferred not to use preliminary drawings and work directly on the canvas.
His influence on the new Baroque style, derived from Mannerism is profound. This influence can be seen clearly or indirectly in the paintings of Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and also among the next-generation artists. These artists, who were heavily under his influence, are called "Caravaggisti" or "Caravagesques," as well as tenebrists or tenebrosi ("shadowists").
Style has evolved, and fashion has changed, and Caravaggio has fallen into disgrace.
In the 20th century, the interest for his creativity was revived again, and his significance for the development of Western art was revalued.
There is disagreement about the exact size of Caravaggio's work, with the number of his paintings varies from 40 to 80, according to various evaluators. The reason few paintings of Caravaggio have survived is because he preferred to work directly on the canvas. His approach was anathema to the experienced artists of his epoch and because they condemned his refusal to work from pre-painting drawings and to idealize his figures.
Available since: 02/15/2019.

Other books that might interest you

  • Americans Are Drowning In Medical Debt So This Nonprofit Is Buying — And Forgiving — It - cover

    Americans Are Drowning In...

    PBS NewsHour

    • 0
    • 0
    • 0
    Collectively, Americans owe nearly a trillion dollars of medical debt, and Congress is trying to figure out a policy response. But in the meantime, economics correspondent Paul Solman reports on an unusual non-profit’s effort to relieve the burden of medical debt for those in need.
    Show book
  • Adventures of Sam Spade The: The Calcutta Trunk Caper - cover

    Adventures of Sam Spade The: The...

    Jason James, Robert Tallman

    • 0
    • 0
    • 0
    Sam Spade receives a visit from Marsha Hopkins who tells him that she is dreadfully worried about her sister Miss Constance Pendleton who has become involved with a scoundrel and is planning on marrying him. Miss Hopkins knows that this man is only interested in her Constance’s money and is convinced that after the ceremony he is going to kill her.
    Show book
  • Rubens - cover

    Rubens

    Jp. A. Calosse

    • 0
    • 2
    • 0
    The eclectic art of which the Carracci family dreamed was realised by Rubens with the ease of genius. However, the problem was much more complicated for a man of the north, who wished to add to it a fusion of the Flemish and Latin spirits, of which the rather pedantic attempts of Romanism had illustrated the difficulties. He achieved it without losing anything of his overflowing personality, his questing imagination, and the enchanting discoveries of the greatest colourist known to painting. Rubens, the greatest master of Baroque painting’s exuberance, took from the Italian Renaissance what could be of use to him, and then built upon it a style of his own. It is distinguished by a wonderful mastery of the human form and an amazing wealth of splendidly lighted colour. He was a man of much intellectual poise and was accustomed to court life, travelling from court to court, with pomp, as a trusted envoy. Rubens was one of those rare mortals who do real honour to humanity. He was handsome, good and generous, and he loved virtue. His laborious life was well ordered. The creator of so many delightful pagan feasts went each morning to mass before proceeding to his studio. He was the most illustrious type of happy and perfectly balanced genius, and combined in his personage passion and science, ardour and reflection. Rubens expressed drama as well as joy, since nothing human was foreign to him, and he could command at will the pathos of colour and expression which he required in his religious masterpieces. It might be said that he was as prolific in the representation of the joy and exuberance of life as Michelangelo was in the representation of passionate emotions.
    Show book
  • Readers Digest and the Bible - cover

    Readers Digest and the Bible

    Carl Amari

    • 0
    • 0
    • 0
    Lisa and Carl talk with Reader’s Digest Executive Editor, Jeff Ashworth to discuss their newest digital magazine "The Bible, Mysteries Explained". We also have classic radio, including Yours Truly Johnny Dollar, Fort Laramie and Duffy's Tavern.A Falcon Picture Group audio production.
    Show book
  • Michael Joiner: Shut Up & Laugh - cover

    Michael Joiner: Shut Up & Laugh

    Michael Joiner

    • 0
    • 0
    • 0
    Comedian Michael Joiner proves that comedians don’t have to be dirty to keep their audience in stitches. Without sacrificing his politically incorrect style, Michael connects to the crowd with jokes about age, religion, and being a hillbilly. Combining personal stories with observational humor, Michael demonstrates that a clean comedian can still be rough around the edges.
    Show book
  • John Prine - In Spite of Himself - cover

    John Prine - In Spite of Himself

    Eddie Huffman

    • 0
    • 0
    • 0
    “An excellent new biography” of the influential songwriter that showcases his renowned humor and musical genius (The Telegraph).   With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, he’s created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, The Missing Years—and earned two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans.   In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
    Show book