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  Our New Girl & Little Dolls: two...

  Nancy Harris

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  A startling psychological drama about the darker side of modern parenthood.
  Behind the shiny door of Hazel Robinson's immaculate London home, things aren't as good as they look. Her plastic surgeon husband, Richard, has embarked on his latest charitable mission to Haiti, leaving the heavily pregnant Hazel to cope with a failing business and a problem son. When a professional nanny arrives unannounced on her doorstep, Hazel finds her home under the shadow of a seemingly perfect stranger, and one who has an agenda of her own. 
  Nancy Harris's play Our New Girl was first performed at the Bush Theatre, London, in 2012.

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  The Slave Trade A Poem - Hugely...

  Hannah More

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  Hannah More was born on February 2nd, 1745 at Fishponds in the parish of Stapleton, near Bristol. She was the fourth of five daughters. 
  The City of Bristol, at that time, was a centre for slave-trading and Hannah would, over time, become one of its staunchest critics.  
  She was keen to learn, possessed a sharp intellect and was assiduous in studying.  Hannah first wrote in 1762 with The Search after Happiness (by the mid-1780s some 10,000 copies had been sold). 
  In 1767 Hannah became engaged to William Turner.  After six years, with no wedding in sight, the engagement was broken off.  Turner then bestowed upon her an annual annuity of £200.  This was enough to meet her needs and set her free to pursue a literary career.   
  Her first play, The Inflexible Captive, was staged at Bath in 1775. The famous David Garrick himself produced her next play, Percy, in 1777 as well as writing both the Prologue and Epilogue for it.  It was a great success when performed at Covent Garden in December of that year.  
  Hannah turned to religious writing with Sacred Dramas in 1782; it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to a more serious and considered view of life. 
  Hannah contributed much to the newly-founded Abolition Society including, in February 1788, her publication of Slavery, a Poem recognised as one of the most important of the abolition period.   
  Her work now became more evangelical.  In the 1790s she wrote several Cheap Repository Tracts which covered moral, religious and political topics and were both for sale or distributed to literate poor people.  The most famous is, perhaps, The Shepherd of Salisbury Plain, describing a family of incredible frugality and contentment. Two million copies of these were circulated, in one year. 
  In 1789, she purchased a small house at Cowslip Green in Somerset. She was instrumental in setting up twelve schools in the area by 1800. 
  She continued to oppose slavery throughout her life, but at the time of the Abolition Bill of 1807, her health did not permit her to take as active a role in the movement as she had done in the late 1780s, although she maintained a correspondence with Wilberforce and others.  
  In July 1833, the Bill to abolish slavery throughout the British Empire passed in the House of Commons, followed by the House of Lords on August 1st. 
  Hannah More died on September 7th, 1833.

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  A Rare Recording of Poet John...

  John Ciardi

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  John Anthony Ciardi (June 24, 1916 - March 30, 1986) was an American poet, translator, and etymologist. While primarily known as a poet, Ciardi pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf Writers' Conference in Vermont, and recorded commentaries for National Public Radio. In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most-used books of its kind. In the following recordings, Ciardi reads "And They Lived Happily Ever After For Awhile," “To Judith, I,” “Happiness,” and “The Lamb.”

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  Love On A Checklist - A Lesbian...

  Alyson Root

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  Kelsey Peterson has one goal. To talk to Olivia Pritchard, the most beautiful woman she has ever seen. There’s only one problem with the plan! Kelsey is useless with women. So useless, in fact, that she tends to cause accidental bodily harm to herself when in the vicinity of an attractive female. Take her first meeting with Olivia, for example. Kelsey’s face meeting a pole because she was staring. Is she a lost cause? Well, Kelsey doesn’t think so. All she needs is a step-by-step method to reach her goals. Then she should be able to have at least a conversation with Olivia, right? As with all well-planned ideas, it goes to pot almost immediately. Still, Kelsey is nothing but persistent and positive. All she has to do is follow her checklist. Easy peasy!

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  Primordial - Poems

  Mai Der Vang

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  Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate. 
   
   
   
  With profound and attentive care, Vang addresses the plight of the saola, an extremely rare and critically endangered animal native to the Annamite Mountains in Laos and Vietnam. Remarkably, the saola has only been known to the outside world since 1992, and sightings are so rare that it has now been more than a decade since the last known image of one was captured in a camera trap photo in 2013. 
   
   
   
  Primordial examines the saola's relationship to Hmong refugee identity and cosmology and a shared sense of exile, precarity, privacy, and survival. Can a war-torn landscape and memory provide sanctuary, and what are the consequences for our climate, our origins, our ability to belong to a homeland? Written during a difficult pregnancy and postpartum period, Vang's poems are urgent stays against extinction.

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  Lawrence of Arabia His Life and...

  Rachel Lawson

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  A Poem on the life and death and aftermath of Lawrence of Arabia

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