Publisher: JH
Like many of Wodehouse's most popular works, The Head of Kay's is set among the British upper class; in this instance, the backdrop of the novel is a boarding school for boys. One dorm that is overseen by the much-maligned Mr. Kay has developed a reputation for hijinks—and with good reason. This good-humored novel is the perfect read with which to while away a lazy afternoon.
In 1930s New York, the hot sensation of the cabaret circuit is urbane illusionist Art Hardwicke, whose stage name - Supermind - hints at his real-life mentalist powers. Aided by his manager, Lady Daphne Witcombe, and manservant Frampton, he fights crime and injustice wherever and whenever he is able.In this comic melodrama aping the earnest American radio serials of the era, Supermind manages to rescue society heiress Anastasia Del Ray from being kidnapped by hoodlums, and her gratitude comes in the form of declaring she’s going to Hollywood to make a movie of Supermind’s life - but starring herself as Supermind.Meanwhile, Professor Fenella Vaytell, of the Institute of Brain Studies in New York, has been developing a powerful weapon to seize control of the minds of the entire country. In the employ of her Nazi paymasters, Vaytell’s nefarious scheme will not only endanger Anastasia, Supermind, Lady Witcombe and Frampton, but also the entirety of the United States of America!Will Supermind use his prestigious powers to save the day? Will Lady Witcombe profit from them? Will Frampton faint at the sight of fisticuffs? And will Professor Fen Vaytell throw her head back and emit a wickedly evil laugh?In this episode, there is a rescue in the nick of time, a movie about Art’s life is announced, and the Professor - exposed as a Nazi mastermind - attempts to escape via Panama…Show book
Get the most out of your nightlife from first round to last call with this comprehensive guide featuring bar hopping tips and tricks. Anyone can go to a bar and get sloshed. But it takes a special skill set to dominate the dance floor, buddy up to the bartender, preside over the pool table, and sip free drinks all night, courtesy of brand-new best friends (a.k.a. everyone at the bar). Thankfully, the experts behind The Book of Beer Pong have compiled a comprehensive guide that will elevate bottom-dwelling bar-goers to the highest tier of the party hierarchy: the Bar Hopper. For anyone who knows that it takes a little work to have a lot of fun, this pocket-sized guide makes the perfect wingman for an epic night.Show book
The Ghost that haunts Canterville Chase has built a marvelous career of midnight haunting. But when an American family moves in, they simply have no respect for permanent bloodstains, nightmarish chains nor ancient legends. They even throw pillows at him.Show book
We are constantly being told that 1966, the very first iteration of Swinging London, was the time when the city was at its cultural, most fashionable height. And if not 1966, then it's the punk '70s or the Britpop '90s when London was meant to be most fun. Not so, argues GQ's Dylan Jones. Not only is London the greatest, most dynamic and diverse city in the world - it's never been better than it is now. Comparison may be the thief of joy, and it might be invidious to square London off against New York, Milan or Paris - which is heavier, a tonne of feathers or a tonne of gold? - but right now there is no other city in the world like it. It is already the greatest city of the twenty-first century, the one true global cultural megalopolis, the one true cocksure city-state, and we need to shout about it from the top of every tall building in town.Show book
A 2022 Best Comedy Book, Vulture"Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take listeners—particularly self-described liberals—on a tour of contemporary conservative comedy and the "right-wing comedy complex." In That's Not Funny, "complex" takes on an important double meaning. On the one hand, liberals have developed a social-psychological complex—it feels difficult, even dangerous, to acknowledge that their political opposition can produce comedy. At the same time, the right has been slowly building up a comedy-industrial complex, utilizing the irony-laden media strategies of liberals such as Jon Stewart, Samantha Bee, and John Oliver to garner audiences and supporters. Right-wing comedy has been hiding in plain sight, finding its way into mainstream conservative media through figures ranging from Fox News's Greg Gutfeld to libertarian podcasters like Joe Rogan. That's Not Funny taps interviews with conservative comedians and observations of them in action to guide listeners through media history, text, and technique.Show book
Six girls. Five stars. Four kinds of organic yogurt. Three days. Two guns. One case of mistaken identity. Welcome to Bradley's world… This novella is book 5.5 in the Blackwood Security series, and it's a standalone story - no cliffhanger!Show book
