Publisher: Charles River Editors
Oscar Wilde was a prominent Irish playwright and novelist in the late 19th century. With classics such as The Importance of Being Earnest and The Picture of Dorian Gray, Wilde remains one of the most widely read authors today. This edition of De Profundis includes a table of contents.
Molly Ringwald, international movie star, gets candid with Ilana about how she has handled a lifetime of fame, growing up with a blind parent ,why she won't let her kids act and more. Molly began her film career at the age of 13 in Paul Mazursky’s Tempest, for which she received a Golden Globe nomination. She went on to star in numerous films, including The Pick-Up Artist, For Keeps, Fresh Horses, Betsy’s Wedding, Cindy Sherman’s directorial debut Office Killer, Billy Bob Thornton’s short film Some Folks Call It a Sling Blade, and the iconic movies Sixteen Candles, The Breakfast Club, and Pretty in Pink. In 1992, Ms. Ringwald moved to Paris and acted in such foreign films as Tous Les Jours Dimanches, Enfants de Salaud, and Jean-Luc Goddard’s King Lear. Her television credits include the critically-acclaimed comedy series Townies, Stephen King’s The Stand, the Emmy-nominated Allison Gertz Story, and the movie Molly: An American Girl, based on the American Girl series. In 1997, Ms. Ringwald moved to New York City, where she starred in Paula Vogel’s Pulitzer Prize winning How I Learned to Drive, a role she reprised at the Mark Taper Forum in Los Angeles. Subsequent theater credits include playing the legendary “Sally Bowles” in the Broadway production of Cabaret; the Tony-nominated Broadway production of Enchanted April; and the London production of When Harry Met Sally. She created the role of Horton Foote’s Lily Dalein the NY off-Broadway production, performed the role of Salome (with Al Pacino), starred in Jonathan Larson’s musical Tick, Tick…Boom!, the hit comedy Modern Orthodox, and a national theater tour of the Bob Fosse musical Sweet Charity. Molly was in the comedy TV show Raising Expectations, created by Tom Saunders (Arrested Development) which premiered on The Canadian Family Channel in May 2016. She starred in The Secret Life of the American Teenager on ABC Family, and was in the Blumhouse feature Jem and the Holograms, directed by Jon Chu, and the comic indie Bad Night. Molly can be seen in Justin Kelly’s film King Cobra, which premiered at The 2016 Tribeca Film Festival. Molly recently guest starred on Bravo’s Odd Mom Out. Ms. Ringwald is the author of the national bestsellers, Getting the Pretty Back and When It Happens to You, and her writing has appeared in the New York Times, Vogue, Salon, Esquire, Allure, Tin House, the New York Times Book Review, and the Guardian, where she pens a weekly advice column.Show book
A memoir from one of the country’s top civil rights lawyers—from his work with Dr. Martin Luther King, Jr. through his career at the ACLU. This volume comprises Ralph J. Temple’s memoirs of his life and his work on behalf of the poor and disadvantaged. After graduating from Harvard Law School in 1956, Temple worked for Thurgood Marshall at the NAACP Legal Defense Fund until he was drafted into the United States Army. A critical formative experience was Temple’s August 1964 trip to St. Augustine, Florida, with the New York City Lawyers Constitutional Defense Fund, where he worked with Dr. Martin Luther King, Jr. and others to ensure compliance with the newly enacted 1964 Civil Rights Act. Finding his calling as a civil rights and civil liberties attorney, Temple rose to the position of Legal Director of the ACLU of the National Capital Area in Washington, DC, where he served from 1966–80. During his tenure there, he established himself in Washington as a lion ready to fight (and win) across a broad array of free speech issues. In 2008, the DC ACLU presented him with their annual Alan and Adrienne Barth Award for Exemplary Volunteer Service. Temple kept up his legal activism and civic organizing in Oregon (where he relocated in 1996), until the day he passed away on August 27, 2011. On September 18, 2011, he was recognized by the ACLU Foundation of Oregon for his brilliant and tireless work on behalf of civil liberties. “These legal war stories will give readers a realistic view of what a civil rights lawyer faced in championing unpopular causes.” —Publishers WeeklyShow book
Separating fact from fiction, Anatomy of an Injustice - The Killing of Fr Niall Molloy re-examines the astonishing circumstances surrounding the death of a 52-year-old priest almost forty years ago.In July 1985, the discovery of Fr Niall Molloy's badly beaten body in the bedroom of his close friends and business associates, Richard and Therese Flynn, was the stuff of soap operas, not of a small rural village in the Irish midlands.The gentle-natured cleric came to a violent and bloody end during a weekend of extravagant wedding celebrations at the Flynn stately home, Kilcoursey House.For decades, the events of that tragic night fuelled rife speculation and gossip, as well as allegations of a cover-up by the State and Church, and today his death remains unsolved and shrouded in mystery.From an extraordinary criminal trial and acquittal, which conflicted with a subsequent inquest verdict, to a botched investigation and questions over motive, the savage beating of Fr Niall Molloy continues to beg more questions than answers.Anatomy of an Injustice - The Killing of Fr Niall Molloy builds on fresh revelations unveiled in a recent two-part TV documentary for RTE, ‘The killing of Fr Niall Molloy', to detail and document the whole story before and after that fateful summer Sunday.In this new book, TV documentary producer, Sharon Lawless of Flawless Films, and Maresa Fagan, a journalist of 20 years standing, delve further into the case to test evidence, old and new, and follow the money trail.It forensically analyses all available facts and testimony given at the 1986 trial and inquest and also hears from criminal and medical experts about how Fr Molloy died and about what really might have occurred that night.This story of significant public interest also sheds light on the many injustices in the case and how the Molloy family were let down by the State and criminal justice system.Show book
The British criminal justice system is not dedicated to the truth. It is concerned only with reasonable doubt. During the British Army campaign in Northern Ireland (1969-2007), security forces often dispensed with judge and jury, selected candidates for assassination, extracted false evidence from suspects, forced confessions from innocents and tortured citizens detained without trial.Recent inquests have disclosed a wealth of explosive, newly declassified information, which allows for a compulsive expose of abuses of power. Drawing on previously unseen material, Michael O'Connell, an experienced criminal lawyer, lays bare the chilling details of key cases in which the law was disregarded. He reveals how the truth was sacrificed to collusion, prejudice and corruption in notorious cases. Among them are the killing of Maire Drumm (Vice President of Sinn Fein), before which an army unit surrounding the hospital where she was a patient was withdrawn, and of Miriam Daly (a lecturer in Queen's University) in her home, where outgoing calls had been cut.Too often, the attitude of politicians is to leave the past behind.But without the truth and justice, there can be no reconciliation or forgiveness.In this careful examination of indisputable evidence, Michael O'Connell seeks to ensure wrongful convictions of the innocent will not be repeatedShow book
In a rundown farmhouse near isolated, rural Dunwich, a bizarre family conjures and nurtures an evil entity from another realm, with the purpose of destroying the world and delivering it to ancient gods to rule, and only an aged university librarian can stop them. The Dunwich Horror was first published in 1929 in Weird Tales.Show book
Stanley Spencer, Paul Nash, Mark Gertler, Richard Nevinson and Dora Carrington were five of the most exciting, influential and innovative British artists of the twentieth century. From diverse backgrounds, they met in the years before the Great War as students at the Slade School of Art, where they formed part of what their teacher Henry Tonks described as the school's last 'crisis of brilliance'. To the Bloomsbury Group critic Roger Fry they were 'les jeunes' -- the 'Young British Artists' of their day. As their talents evolved, they became Futurists, Vorticists and 'Bloomsberries', and befriended the leading writers and intellectuals of the time, from Virginia Woolf and Rupert Brooke to D. H. Lawrence and Katherine Mansfield. They led the way in fashion with their avant-garde clothes and haircuts; they slept with their models and with prostitutes; their tempestuous love affairs descended into obsession, murder and suicide. And as Europe plunged into the madness of the 'War to end Wars', they responded to its horror with all the passion and genius they could muster.Show book
