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  Deep Roots Dark Forests

  Vanessa K Eccles

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  Deep Roots, Dark Forests explores the unseen, the unnoticed, and the uncared for in our lives. It's the simple everyday things that are the most fascinating—the flowers, the forest, the decaying architecture in an old southern town. It's the silent, quick blooms of an azalea, the big, pure magnolia blossoms, and the wide roots of a live oak that capture the attention here. 
  And there's also the fictitious melodies that whisper while amongst the trees or sipping morning coffee that makes their way into the collection. This is a record of the quiet moments and the loud ones, times when we feel haunted and at peace, and all the in-between. This isn't a work of fiction or of fact. These poems along with the photography embody a mix of truth and untruth—stories told from a slant.

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  The Journey of Life

  William Cullen Bryant

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  LibriVox volunteers bring you 14 recordings of The Journey of Life by William Cullen Bryant. This was the Weekly Poetry project for December 23, 2012.William Cullen Bryant was an American romantic poet, journalist, and long-time editor of the New York Evening Post.  His poetry has been described as being "of a thoughtful, meditative character, and makes but slight appeal to the mass of readers." ( Summary by Wikipedia )

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  The History of King Lear

  Nahum Tate

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  The History of King Lear is an adaptation by Nahum Tate of William Shakespeare's King Lear. It first appeared in 1681, some seventy-five years after Shakespeare's version, and is believed to have replaced Shakespeare's version on the English stage in whole or in part until 1838. Unlike Shakespeare's tragedy, Tate's play has a happy ending, with Lear regaining his throne, Cordelia marrying Edgar, and Edgar joyfully declaring that "truth and virtue shall at last succeed." Regarded as a tragicomedy, the play has five acts, as does Shakespeare's, although the number of scenes is different, and the text is about eight hundred lines shorter than Shakespeare's. Many of Shakespeare's original lines are retained, or modified only slightly, but a significant portion of the text is entirely new, and much is omitted. The character of the Fool, for example, is absent. Although many critics — including Joseph Addison, August Wilhelm Schlegel, Charles Lamb, William Hazlitt, and Anna Jameson — condemned Tate's adaptation for what they saw as its cheap sentimentality, it was popular with theatregoers, and was approved by Samuel Johnson, who regarded Cordelia's death in Shakespeare's play as unbearable. Shakespeare's version continued to appear in printed editions of his works, but, according to numerous scholars, including A.C. Bradley and Stanley Wells, did not appear on the English stage for over a hundred and fifty years from the date of the first performance of Tate's play Actors such as Thomas Betterton, David Garrick, and John Philip Kemble, who were famous for the role of Lear, were portraying Tate's Lear, not Shakespeare's. (Summary by Wikipedia) 
   
  CastKing Lear: Bob GonzalezGloster: Martin GeesonKent: Arielle LipshawEdgar: Dublin GothicEdmund, the Bastard: Elizabeth KlettCornwall: David GoldfarbCornwall's Servant/Old Man/Gentleman/Servant: Algy PugAlbany: Noel BadrianBurgundy/Physician: VikingJamesGoneril's gentleman: KristingjAttendant/Messenger: CJacobAArante/Herald: Tiffany Halla ColonnaFirst Ruffian/Officer: Nathaniel W. C. HigginsSecond Ruffian/Captain: Robert HoffmanGonerill: Bev J. StevensRegan: Liberty StumpCordelia: Miss AvariceNarrator: Algy PugIntroduction/Prologue/Dramatis Personae: Martin GeesonAudio edited by Phil Chenevert

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  With a Moon in Transit

  Jacqueline Osherow

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  “A collection that is down-to-earth and sparkling in its self-deprecating wit . . . Osherow’s poems cast a magical light on whatever she beholds.” —Library Journal 
   
  In With a Moon in Transit, Jacqueline Osherow has given us her most accomplished poetry to date. Integrating the strengths of her earlier work—humor, honesty, artifice, testimony—into compelling poems of great vigor and charm, she combines the often antithetical impulses of lyric and narrative verse. The result is an aesthetic largely her own, one that permits Osherow to treat emotionally charged events and elaborate ideas with remarkable control. 
   
  Osherow’s observations are by turns gossipy, grand, sober, and hilarious. She sustains a disarming tone and manages to assimilate elements of both high and popular culture without apparent strain. While firmly rooted in the Hebrew Bible, her verse is also informed by authors as various as Dante and Dickinson. Yet for all that these poems are alive to the literary past, they remain sensitive to the rhythms of conversation and the tones of everyday speech. Osherow’s poems are composed with great clarity and rigor, but they never cease to sound casually spoken. 
   
  “Marked by an inimitable anecdotal expansiveness and uncompromising control, Jacqueline Osherow’s poems are among the most ambitious being written.” —Mark Strand, Pulitzer Prize–winning poet 
   
  “Abundant in whimsy, philosophical speculation, and earthly affections, Jacqueline Osherow’s poems inhabit their forms with insouciance and wit . . . Whether in mourning or celebration, hers is a voice of dazzling confidence, and humane and generous wisdom.” —Rosanna Warren, author of So Forth: Poems

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  Pastors Eat Pwussy Too

  Quan Millz

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  Nashawna "NuNu" Spearman, a local Chicago native, lives her life by one simple motto: Use what you got to get what you want. She's a certified bad bish that knows how to use her honey to make money. But when her one of her many honey moneymaking plans falls through, she suddenly finds herself having to life normally...for once. The prospect of prison forces her to take a plea deal that requires community service. That's how she ends up in the company of a popular south side of Chicago pastor who is also running for mayor of the city. One thing leads to another, and NuNu finds herself scheming and scamming once again. But will her plan backfire? Find out more in Pastors Eat Pwussy Too!

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  Better Days Better Knights (NHB...

  Stanley Eveling

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  A sweet-hearted tale of a washed-up knight-of-old, from the grandfather of modern Scottish playwriting.

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