'I read this in one sitting. Fascinating and unique' BELLA MACKIE
'Gripping, sharp and sultry' PANDORA SYKES
'Superbly unsettling' GUARDIAN
'A gothic Olive Kitteridge mixed with Gillian Flynn' VOGUE
On a cold day in 1997, student Sara Morgan was killed in the woods surrounding her liberal arts college in upstate New York. When suspicion falls on the person closest to her – her boyfriend, Blake – the case comes to haunt the friends, family and acquaintances of the couple in strange and unexpected ways. Some look for answers, while others are set on retribution; from the young woman who discovers the body to Sara's half-sister who, years later, seeks out her own form of justice.
A propulsive, taut tale of obsession and voyeurism, Nothing Can Hurt You pieces together a chorus of unforgettable voices to explore the far-reaching consequences of one single act of violence.
In this collection of essays and short stories, the Native American author explores reservation life through a range of genres and perspectives.
In this moving collection, Gordon Lee Johnson (Cupeño/Cahuilla) distinguishes himself not only as a wry commentator on American Indian reservation life but also as a master of fiction writing. In Johnson’s stories, all of which are set on the fictional San Ignacio reservation in Southern California, we meet unforgettable characters like Plato Pena, the Stanford-bound geek who reads Kahlil Gibran during intertribal softball games; hardboiled investigator Roddy Foo; and Etta, whose motto is “early to bed, early to rise, work like hell, and advertise,” as they face down circumstances by turns ordinary and devastating.
The nonfiction featured in Bird Songs Don’t Lie is equally revelatory in its exploration of complex connections between past and present. Whether examining his own conflicted feelings toward the missions as a source of both cultural damage and identity or sharing advice for cooking for eight dozen cowboys and -girls, Johnson plumbs the comedy, catastrophe, and beauty of his life on the Pala Reservation to thunderous effect.
She's out of retirement – and out for revenge
When Georgina Garrett wakes in the night to find intruders in her house, she knows she must do everything she can to keep her children safe.
But just when she thinks the ordeal is over, she realises something is terribly wrong. She arrives at her crime-lord husband David Maynard's London house to find a bloodbath. Six of David's best men lie dead and he is nowhere to be found.
Georgina may have walked away from the game but she's still the best player on the street. Now, she will stop at nothing to get her husband back and to make whoever took him pay for ever daring to set foot in her town.
'Terrific – read it and be hooked!' - bestselling author Jessie Keane on Trickster
Readers are loving RAVEN!
'Fast moving, gritty and not for the faint hearted' ⭐⭐⭐⭐⭐
'Another fantastic episode in the series' ⭐⭐⭐⭐⭐
'Yet another amazing book by Sam Michaels' ⭐⭐⭐⭐⭐
'Gritty, violent, edge-of-your-seat tension. The end – phew!' ⭐⭐⭐⭐⭐
'This is a BRILLIANT book and Sam's fans will love it. Worthy of more than 5 stars!' ⭐⭐⭐⭐⭐
The knowledge of Mind is the highest and hardest, just because it is the most “concrete” of sciences. The significance of that “absolute” commandment, Know thyself—whether we look at it in itself or under the historical circumstances of its first utterance—is not to promote mere self-knowledge in respect of the particular capacities, character, propensities, and foibles of the single self. The knowledge it commands means that of man's genuine reality—of what is essentially and ultimately true and real—of mind as the true and essential being. Equally little is it the purport of mental philosophy to teach what is called knowledge of men—the knowledge whose aim is to detect the peculiarities, passions, and foibles of other men, and lay bare what are called the recesses of the human heart. Information of this kind is, for one thing, meaningless, unless on the assumption that we know the universal—man as man, and, that always must be, as mind. And for another, being only engaged with casual, insignificant and untrue aspects of mental life, it fails to reach the underlying essence of them all—the mind itself.
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