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  The Young Diana - An Experiment...

  Marie Corelli

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  In this captivating tale, a scientist pioneers a rejuvenation technique, transforming an older woman into a stunning but heartless young beauty. As her exterior radiates youth, her newfound coldness raises moral quandaries. The narrative delves into the consequences of tampering with nature and the complex interplay between external allure and internal virtue. Marie Corelli's story unfolds as a cautionary exploration of the human desire for eternal youth, questioning the true cost of cosmetic perfection and the enduring importance of a compassionate heart.

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  A Garland of Earth - From their...

  Dorothy Edwards

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  Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London.  She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12.  Thereafter several popular periodicals published her poetry, stories and articles. 
  In addition she also illustrated some of her own writings and painted scenes from books she had read.  This talent was not supported by her parents, who saw an artist’s life as scandalous.  Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage.  Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing.  Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established.  
  Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. 
  In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off.  In reality her emotional attachments were almost exclusively with women.  From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892.  During this relationship other women also entered and left her life.  Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology.  Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation.  
  To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. 
  After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare.  She was 60.

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  The Child That Went With The...

  Joseph Sheridan Le Fanu

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  Beyond the familiar world lies a mysterious realm where the fairies may not be as harmless as they seem.
  
  In The Child That Went With the Fairies, Joseph Sheridan Le Fanu draws upon Irish folklore and supernatural traditions to create an eerie and atmospheric tale of childhood, mystery, and the uncanny.
  
  Blending Gothic fiction, fairy folklore, ghost-story traditions, and supernatural mystery, Le Fanu explores the unsettling boundary between the ordinary world and a mysterious realm inhabited by supernatural forces. The story's central disappearance creates an atmosphere of uncertainty and dread as those left behind struggle to understand what has happened.
  
  Le Fanu's storytelling is particularly effective in its use of suggestion. Rather than explaining every supernatural occurrence, he allows mystery and ambiguity to deepen the sense of unease. Familiar landscapes and childhood experiences take on an ominous quality as the possibility of another world becomes increasingly difficult to dismiss.
  
  The tale reflects the rich tradition of Irish fairy lore, while also demonstrating Le Fanu's distinctive approach to Gothic storytelling. Themes of childhood, loss, belief, folklore, fear, and the unknown give the story a haunting emotional quality that extends beyond conventional ghost fiction.
  
  For readers who enjoy classic supernatural stories, Irish folklore, Victorian Gothic fiction, fairy tales with a darker edge, and atmospheric horror, The Child That Went With the Fairies offers a fascinating journey into Le Fanu's mysterious world.
  
  Enter a world where the fairies are mysterious, powerful, and potentially dangerous. Download The Child That Went With the Fairies today and experience Joseph Sheridan Le Fanu's haunting blend of Irish folklore, Gothic mystery, and supernatural terror.

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  Forest Days - A Romance of Old...

  G. P. R. James

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  England under Henry III, with the barons in revolt, an outlaw band in Sherwood, and a knight caught between the two. James wrote more than a hundred novels, was made Historiographer Royal by William IV and ended his life as a British consul; here he sets his romance in the reign that produced the Robin Hood legends and treats them as history in the making.

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  The Man Who Knew Too Much

  G. K. G.K.Chesterton

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  Horne Fisher knows everybody in England worth knowing, which is why he can solve any crime in the book and prevent almost none of them — the murderer is always a man the country cannot afford to hang. Chesterton was six foot four and twenty stone, created Father Brown, and wrote these eight stories in 1922 as a political indictment dressed as detection. The despair under the paradoxes is real.

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  The Magic Skin

  Honoré de Balzac

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  A ruined young man about to drown himself steps into a curiosity shop and is offered a piece of shagreen that grants every wish — and shrinks with each one, dragging his life in with it. Balzac wrote it at thirty-two and made his name; he worked nights on fifty cups of coffee a day and died at fifty-one, which gives the parable an edge he did not intend.

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