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  • Barracoon - The Story of the Last "Black Cargo" - cover

    Barracoon - The Story of the...

    Zora Neale Hurston

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    New York Times Bestseller •  TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018  • The Christian Science Monitor’s Best Books 2018 •  
     
     
    “A profound impact on Hurston’s literary legacy.”—New York Times 
    “One of the greatest writers of our time.”—Toni Morrison 
    “Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker 
    A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States. 
    In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. 
    In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. 
    Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
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  • Marine I SBS - Escape from Azerbaijan - cover

    Marine I SBS - Escape from...

    David Monnery

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    In 1995, in the aftermath of the First Gulf War, a defector from Saddam Hussein's Iraq makes contact with the Western press. He claims to have startling new information about an Iraqi nuclear weapons programme, but suddenly he disappears without a trace. Unwilling to risk a new war in the Gulf, the West disregards him as a fraud, but a key scientific advisor to the British government has other ideas. 
     
    When news of a hush-hush project on a converted rig in the Caspian Sea breaks with reports of another disappearance – this time of a nuclear missile expert – the threads of an international plot are unravelled. It soon becomes clear that there is only one group with the necessary skills to investigate: Britain's legendary Special Boat Squadron. 
     
    Marine I SBS: Escape from Azerbaijan finds the Squadron's finest in a corner of the old Soviet Union  riven by war and lawlessness, fighting for survival against the sadistic intelligence agents of Saddam's Mukhabarat and the heirs of the KGB. 
     
    This is classic military fiction at its best.
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  • Jung on Active Imagination - cover

    Jung on Active Imagination

    C. G. Jung

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    All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination." 
     This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.
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  • Collected Works of CG Jung Volume 15 - Spirit in Man Art And Literature - cover

    Collected Works of CG Jung...

    C. G. Jung

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    Nine essays, written between 1922 and 1941, on Paracelsus, Freud, Picasso, the sinologist Richard Wilhelm, Joyce's Ulysses, artistic creativity generally, and the source of artistic creativity in archetypal structures.
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  • The Russian Countess - cover

    The Russian Countess

    Edith Sollohub

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    Separated from her three young sons, stripped of her possessions and fearing for her life, Countess Edith Sollohub found herself trapped in revolutionary Russia. The daughter of a high-ranking diplomat, Edith was destined to join the social and intellectual elite of Imperial Russia. As a child she spent the summers learning to ride and shoot on the family's country estate; during the winter months her parents hosted lavish parties in their luxurious St Petersburg Apartment. This privileged upbringing would ultimately help her survive the traumatic events of the 1917 revolution. This is Edith's personal account of her escape from Russia in which she assumed new identities as a Polish refugee, a travelling musician and even a Red Army nurse. She would endure hunger, imprisonment and loneliness in the quest to be reunited with her family.
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  • A Lyrical Letter - Poetic Memoirs - cover

    A Lyrical Letter - Poetic Memoirs

    Ái

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    A collection of free verse poems that relate to events that have occurred during the poet’s years of education and, despite their brevity, have essentially shadowed much of her career and life. Like is the case with Ái’s(皚)other poetic contributions, from these autobiographical experiences, she draws relevant insights on human life in order to stress the recognition of the significance of unconditional respect of human rights in each and every social settings well as in all aspects of human life.
     
    Print publication comparable PDF-edition is available directly from the publisher at www.authenticvegan.org.
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