Other books that might interest you

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  Measure for Measure

  William Shakespeare

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  Step into the intricate world of Vienna as Shakespeare's "Measure for Measure" unfolds in a mesmerizing digital audiobook experience. Delve into the gripping narrative of a city steeped in vice and deception, where a devout deputy is given extraordinary powers to restore order. As you listen, you'll be captivated by the moral dilemmas faced by its characters, like the virtuous Isabella and the enigmatic Angelo, as their lives intersect in a gripping tale of authority, temptation, and redemption. With the artful narration and dynamic character portrayals in our digital audiobook, you'll find yourself entangled in the web of Shakespearean drama, resonating with the timeless themes and complexities that make this play a true masterpiece. Explore the depths of human nature and the consequences of power, all while experiencing the magic of Shakespeare through your headphones.

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  Short Story Press Presents Pearl...

  Short Story Press, Natashiah Jansen

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  Mermaids, mermen, treacherous villagers and a Nix: these are some of the exciting things in store for you with the latest Natashiah Jansen story entitled “Pearl Port Singer”. 
  You’ll be taken on a dive into the magical world of merpeople and learn: 
  • why the treacherous villagers set up false harbor lights; 
  • why the mermaids want to stop them; 
  • why the mermaids call on Antaeus to help; 
  • why Antaeus believes that Damarion, the moon equatorial feeder, would bring them victory; 
  • who and what is Rusalka really; 
  • why Ella dislikes Rusalka; 
  • who will be with the fin at the end of the day. 
  If you love humorous stories, you will love Pearl Port Singer. 
  Short Story Press publishes short stories written by everyday writers.

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  Next Door to the Dead - Poems

  Kathleen Driskell

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  “A collection of poems that are bold, inviting, charming, different, humorous, and irreverent. Often, they slip the bonds of common expectation.” —Northern Kentucky Tribune 
   
  When Kathleen Driskell tells her husband that she’s gone to visit the neighbors, she means something different than most. The noted poet—whose last book, Seed Across Snow, was twice listed as a national bestseller by the Poetry Foundation—lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet’s fascination with the “neighbors” brings the burial ground back to life. 
   
  Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These “neighbors,” with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones. 
   
  Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell’s poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us. 
   
  “Driskell has written her path to the Kentuckian sublime.” —Shane McCrae, author of Sometimes I Never Suffered

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  Lovecontu Song de Light...

  Kaitlynzq

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  Included in Lovecontu Song de Light Lovecontu audio set is Ancient Script of Lovecontu audio poemLegend of Song de Light audio bookLegend of Song de Light audio playA set of interconnected stories with elements from each story that interweave in one another as heart's wave heart's song heart's breath an excerpt from Lovecontu Song de Light Lovecontu audio set"...And begins to sing..."

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  Hedda Gabler

  Henrik Ibsen

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  Hedda and George have just returned from their honeymoon, but when her former lover Eilert appears with a brilliant new manuscript, George’s hopes for a professorship are dimmed. Hedda’s desperate dissatisfaction with her life leads to dangerous choices in this startling portrait of a woman hell-bent on destruction. Recorded before a live audience at the UCLA James Bridges Theater in June 2019.Directed by Debbie DevineProducing Director Susan Albert LoewenbergJosh Bitton as Eilert LovborgJD Cullum as George TesmanGregory Harrison as Judge BrackShannon Holt as Aunt Julie TesmanElizabeth Ruscio as BertaJocelyn Towne as Hedda GablerKaren Malina White as Mrs. Thea Elvsted Associate Artistic Director: Anna Lyse EriksonRecording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West HollywoodSenior Radio Producer: Ronn LipkinFoley Artist: Brian WallaceProduction Manager: Elena CruzEditor: Neil Wogenson

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  The Poetry of Adelaide Anne Procter

  Adelaide Anne Proctor

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  Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London.  Her literary career began whilst still a teenager.  Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form. 
  A voracious reader, Procter was largely self-taught, though she did study at Queen's College in Harley Street in 1850.  Her interest in poetry grew from an early age.  
  By 1853 she was submitting pieces to Dickens's Household Words under her pseudonym Mary Berwick, electing that this way her work would be judged for its own worth rather than on the friendship between her father and Dickens.  Dickens didn’t learn of her true identity for over a year.  
  ‘Ministering Angels’ was to be the beginning of a long and mutually beneficial relationship of publishing in Dickens’ journals that would eventually reach 73 poems in House words together with a further 7 poems in All the Year Round, most of which were collected and later published into her first two volumes of poetry, both entitled Legends and Lyrics.   
  Procter was also the editor of the journal Victoria Regia, which became the showpiece of the Victoria Press, a venture hoping to promote the employment of women in all manner of trades and professions.  
  Procter’s health failed in 1862. Dickens and others suggested that this illness was due to her extensive and exhausting schedule of charity work.  
  An attempt to improve her health by taking a cure at Malvern failed.  
  Adelaide Anne Procter died on 3rd February 1864 of tuberculosis. She had been bed-ridden for almost a year. Procter was buried in Kensal Green Cemetery.

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